Lauten Audio LS-508 Tom Mic

Made For Toms

Save 19% £385.00 £310.00 (Inc VAT)

£258.33 (Ex VAT). Shipping calculated at checkout.

LAUTEN AUDIO TOM MIC The Lauten Audio Tom Mic is the world’s first large diaphragm condenser microphone custom-crafted for use on toms. Equipped with Lauten Audio’s newly designed Supercardioid capsule and award-winning dual-bias circuitry, Tom Mic captures...

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LAUTEN AUDIO TOM MIC
The Lauten Audio Tom Mic is the world’s first large diaphragm condenser microphone custom-crafted for use on toms.

Equipped with Lauten Audio’s newly designed Supercardioid capsule and award-winning dual-bias circuitry, Tom Mic captures pure, high-definition rack and floor tom sonics with maximum impact and tone while minimizing cymbal bleed.

In addition to its tom-tailored frequency response, Tom Mic also features onboard analog sound-shaping, which allows you to musically rebalance the attack and body of any tom on any drum kit at the flip of a switch.

SKIP THE EQ
Tom Mic’s tom-tailored frequency response captures each rack and floor tom with drummer-perspective speed, power, and tone, making EQ an afterthought rather than a must-have.

TOMS, NOT CYMBALS
Lauten Audio’s bleed-blocking head design and dual bias circuitry work together to provide Tom Mic with up to 28dB of off-axis rejection. This means crisp, clear tom sounds with far less cymbal bleed than a traditional dynamic or condenser microphone.

SUPER-POWERED
Whether stand or rim-mounted, Tom Mic’s newly designed Supercardioid capsule is hand-tuned and vibration-resistant to ensure a powerful balance of transient, body, and tone while minimizing inharmonic overtones from neighboring drums and tuning inconsistencies.

BUILT TO WORK
Each Tom Mic has a solid brass headframe and mildew-resistant dust filter to protect against stick hits, dust, and debris, whether in the studio or on stage.

FIND YOUR PLACE
Because of its unique design, Tom Mic is ideal for a wide array of placement positions while minimizing off-axis sounds. From the slap and isolation of proximity to the lifelike sonics of separation, each placement position offers a wealth of new sonic possibilities. It’s even great on resonant heads as well.

SWITCH IT UP
Tom Mic’s filters impact the overall performance of the microphone and play a critical role in its overall sonic versatility.

• Flat High Cut – Tom Mic’s frequency response boosts from 1kHz-2kHz, dips sharply at 3kHz for snap, then rises around 5k for smack and attack. Sensitivity is also reduced from 9kHz through 14kHz to minimize the sizzle and harshness of cymbal bleed.

• 12kHz High Cut – Reduce perceived attack from overly bright tom strikes for a slightly rounder and more balanced note. This setting is also helpful for bringing up the perceived body of a floor tom while further reducing bleed from the surrounding cymbals.

• 5kHz High Cut – Minimize bleed in harsh environments while preserving the essential impact and tone of a tom. This setting allows you to reintroduce presence and attack through post-EQ without accentuating unwanted high-frequency elements.
Flat Low Cut- Allow all low-frequency information generated by a rack or floor to pass through Tom Mic’s dual-bias circuitry unaltered.

• 80Hz Low Cut – Gently reduce low-frequency buildup while improving perceived clarity from each note. This setting enables toms to stand out in a mix without sacrificing density and low end.

• 140Hz Low Cut – Significantly reduce low-frequency buildup while enhancing the perceived impact and clarity of each note. This setting is particularly useful in close-mic applications where toms need to assertively cut through a dense mix with precision and clarity.

SPECIFICATIONS

• Type: Side-address pressure gradient FET condenser
• Capsule: 32mm
• Polar Patterns: Super-Cardioid
• Freq. Response: 20Hz-20KHz
• High Pass Filter: Flat / 80Hz / 140H
• Low Pass Filter: Flat / 5kHz / 12kH
• Dynamic Range: 135dB minimum
• SPL Handling: >13dB (0.5%THD@1000Hz)
• Impedance: >150 ohms
• Self-noise level: < 15dB-A
• Signal-to-Noise Ratio: 79dB
• Sensitivity: -58.0dBV/Pa (0dB=1V/Pa 1KHz)
• Connector: 3-pin XLR
• Power: Requires 48v Phantom Power
• Dimensions: 127 x 60mm (mic only) 131 x 106mm (with mount)
• Weight: 348g (mic only) 450g (with mount)

Shipping – For next day delivery you must order before 3.30pm

UK Mainland – Orders over £99 qualify for FREE standard shipping (1-3 working days) We also offer a range of chargeable express shipping options for next working day, pre 12pm, pre 10.30am, Saturday deliveries and deliveries on a specific date. Our main UK courier is DPD.

UK Non Mainland – Not eligible for free shipping. These areas include (but are not limited to) Isle of Man, Isle of Wight, Isles of Scilly, Jersey, Guernsey, Northern Ireland, Orkney, Scottish Highlands and Shetland. Shipping costs for these ares will be calculated at checkout.

International/Export – Delivery charges will be calculated at checkout. All orders that are in stock we aim to dispatch from our warehouse within 48 hours. We ship all orders outside of the UK, NI, Isle of Man, Channel Islands via Fedex. All prices and delivery charges are exclusive of VAT for export. The customer is responsible to pay for any additional duties and charges.

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No account, or orders prior to 31/03/2021
Simply fill out the returns form on this page and wait for our response.

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Lauten Audio LS-508 Tom Mic

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Shipping – For next day delivery you must order before 3.30pm

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Lauten Audio LS-508 Tom Mic

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