Slate Digital ML1 Vintage Edition
Large-diaphragm VMS Microphone
Introducing the Slate VMS ML-1 Vintage Edition
The ML-1 Vintage Edition takes our ultra linear microphone circuit from our VMS ML-1 Modeling Microphone and places it into a vintage 47 style body for the ultimate pairing of classic looks and modern technology.
Vintage looks, the classic sounds of the industry’s top mics, all for under a thousand US dollars.
Welcome to the future of microphones
Imagine having a world-class mic locker full of the most classic microphones from the history of the recording industry. Well, you can stop imagining.
We are proud to announce the Virtual Microphone System - a hybrid system that utilises an extremely transparent condenser microphone, a sonically neutral preamp, and a plugin module that works in concert with our hardware to replicate some of the world’s finest and most sought-after microphones and preamps.
The ML-1 is an extremely high definition, ultra linear, large diaphragm condenser microphone. It has extremely precise transparent reproduction, flat frequency response, and super wide bandwidth, making it the ideal blank canvas on which to impart the colourful vibe of classic tube and condenser microphones. The capsule proximity effect precisely replicates the classic cardioid of vintage large diaphragm mics.
FG-47: This mic will take you back in time. It’s lush, warm, fat, present, and BIG sounding. If you have a wimpy source, it gets fixed with this mic. It doesn’t have that modern sizzly top-end air, but it takes EQ in the top end like a champion. I love adding some Custom Series 10 kHz when using this mic. By pushing the intensity, it gets even darker, moodier, and a bit more saturated. Don't just use this microphone on vocals. Put it on drums as a room mic. Put it on the outside of a kick. Put it on horns, strings.
FG-800: The FG-800 is based on a solid performing studio vocal mic. This is a bright and airy microphone. That airy, clear, bright tone works perfectly in a pop mix with no EQ needed. When this mic works, nothing will sound as good. And it actually works a lot, even on modern male rock vocals.
FG-251: The FG-251 sounds so good on just about everything. It's the perfect balance of top, middle, and bottom. There is something so flattering about this mic that every singer just sounds better than they do in the actual room. The intensity is really fun with this one.
FG-12: The FG-12 emulates an Austrian classic known for being incredibly smooth and rich-sounding. Slate chose an absolutely incredible mic to model that is the perfect representation of this famous tone.
FG-800M: The FG-800M emulates an older Japanese tube mic and is slightly fatter and darker than the stock FG-800. If you love the FG-800 but wish it was a tad less sibilant and bright, you're gonna love this.
FG-M7:The FG-M7 takes one of the most famous dynamic vocal mics used by artists like Michael Jackson, and adds the tube stage of the classic 47 making it extremely punchy, crisp, with incredible mids that cut through the mix.
FG-269: The FG-269 emulates an extremely rare German classic that shares much of the same circuit as the 67, but has a different tube that makes it more open and clear. This is one of the best sounding vocal mics I've ever heard.
FG67: The FG-67 emulates a German classic known for being bold, slightly dark, and thick. This is amazing as a vocal mic, room mic, horn mic, piano mic, and is probably my favourite on toms.
What's in the box?