{"title":"Studio Essentials \/ Audio Interfaces","description":"","products":[{"product_id":"spl-madison-sp-madison","title":"SPL Madison","description":"\u003cp\u003eThe SPL Madison offers the pure SPL analog sound for every MADI equipped digital console, audio router and PC MADI card.\u003c\/p\u003e\n\n\u003cp\u003eWith 16 input and 16 output channels in a single rack space, the Madison combines state of the art signal conversion with highly reliable clock and MADI processing. And as a true SPL unit it is simple to operate, easy to expand and, of course, an awesome sounding conversion system.\u003c\/p\u003e\n\n\u003cp\u003eThanks to its rich I\/O equipment, the Madison makes it a breeze to integrate professional analog gear into larger multichannel infrastructures. With four popular reference levels, operational sample rates between 44.1 and 192 kHz, multicore analog I\/O, fibre MADI I\/O and word clock I\/O, the Madison simply fits everywhere.\u003c\/p\u003e\n\n\u003cp\u003eUp to four units can be connected to a single MADI port on a digital console, a MADI PC card, or any professional audio routing infrastructure. The MADI port offers excellent and near-zero-latency digital transmission of up to 64 I\/Os with galvanic insulation. And since MADI is the emerging new studio I\/O standard, the Madison is the perfect interface for home and project studios, commercial recording studios and scoring stages.\u003c\/p\u003e\n\n\u003cp\u003eSo whereever you may have a need for reliable and pure conversion of multiple analog audio channels, the Madison meets your demand brilliantly.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":57959390380415,"sku":"SP-MADISON","price":1749.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"digital-audio-labs-livemix-mix-16-di-lmmix16","title":"Digital Audio Labs Livemix Mix-16","description":"\u003cp\u003eThe single rack space Livemix MIX-16 central mixer distributes power and audio to connected personal mixers. The MIX-16 provides up to 16 mixes when used with 8 CS-DUO dual mix personal mixers.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Digital Audio Labs","offers":[{"title":"Default Title","offer_id":57959392510335,"sku":"DI-LMMIX16","price":1766.34,"currency_code":"GBP","in_stock":true}]},{"product_id":"digital-audio-labs-livemix-dante-exp-di-lmdanteexp","title":"Digital Audio Labs Livemix Dante-EXP","description":"\u003cp\u003eThe LM-DANTE-EXP option card for the MIX-16\/32 is for users with digital audio on a Dante network. Once your audio is on the network, use the Livemix CS-DUO to configure the network for use with the Livemix system.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Digital Audio Labs","offers":[{"title":"Default Title","offer_id":57959392575871,"sku":"DI-LMDANTEEXP","price":1271.94,"currency_code":"GBP","in_stock":true}]},{"product_id":"digital-audio-labs-livemix-cs-duo-di-lmcsduo","title":"Digital Audio Labs Livemix CS-Duo","description":"\u003cp\u003eThe Livemix CS-DUO provides two mixes per unit, reducing stage clutter. It is extremely simple to use and lightning fast to setup. MirrorMix allows you to hear and mix any personal mix in the system from any other personal mixer. With a long list of innovative features, Livemix CS-DUO is the most feature rich personal monitor mixer available.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Digital Audio Labs","offers":[{"title":"Default Title","offer_id":57959392706943,"sku":"DI-LMCSDUO","price":569.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"digital-audio-labs-livemix-ad-24-di-lmad24","title":"Digital Audio Labs Livemix AD-24","description":"\u003cp\u003eThe Livemix AD-24 is a single rack mounted unit that converts audio from your mixer, snake, or other line level source into studio quality digital audio streams. This audio gets sent to the Livemix MIX-16\/32 through a single CAT5 cable. Front panel controls and LED VU meters make the Livemix AD-24 simple to setup and monitor.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Digital Audio Labs","offers":[{"title":"Default Title","offer_id":57959392772479,"sku":"DI-LMAD24","price":1588.74,"currency_code":"GBP","in_stock":true}]},{"product_id":"black-lion-audio-micro-clock-mkiii-xb-bl-mclkmk3xb","title":"Black Lion Audio Micro Clock MKIII XB","description":"\u003cp\u003eWe spent the better part of a year field-testing the Micro Clock MKIII XB prior to its release, and got a lot of positive feedback on the impact it made in a wide variety of setups. Its small form factor and its ability to drive up to 1,000 feet of coaxial cable make it not only the perfect solution for improving the conversion quality of an audio interface, but also for re-clocking digital mixing consoles at live shows or houses of worship, and as the master word clock in large post-production or broadcast facilities. It can easily sync all of your digital gear together, even if it’s located in different rooms, or different buildings!\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":57959394279807,"sku":"BL-MCLKMK3XB","price":1049.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"black-lion-audio-micro-clock-mkiii-bl-mclkmk3","title":"Black Lion Audio Micro Clock MKIII","description":"\u003cp\u003eThe Micro Clock MKIII is a significant redesign of its predecessor, the Micro Clock MKII. Core technological improvements include lower-jitter crystal oscillators, higher-quality galvanic transformer isolation in the signal path, dedicated output drivers with better isolation, higher-precision signal division, and much heavier noise filtration throughout the circuit. All of this results in a more robust, lower-jitter clock signal than the Micro Clock MKII, with even more desirable harmonics in the clock’s spectral band that impart an undeniable musical quality to the conversion process. The feature set has expanded to include an LED frequency display, six BNC outputs capable of up to 384kHz, AES and RCA S\/PDIF outputs capable of up to 192kHz, an optical S\/PDIF output capable of up to 96kHz, and removable rack ears.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":57959403618687,"sku":"BL-MCLKMK3","price":820.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"apogee-duet-3-limited-edition-bundle-apo0147","title":"Apogee Duet 3 Limited Edition Bundle","description":"\u003cp\u003eGet everything you need to create professional-quality recordings\u003cbr\u003e\nIn 2007, the original Duet redefined expectations of a home studio interface. This new limited edition set pays homage to the standards set by the iconic original Duet and includes the Duet 3, the Duet Dock and 3 of the best-selling Apogee plugins. This special bundle gives customers an array of innovative tools to shape their recordings and kickstart any project.\u003c\/p\u003e\n\n\u003cp\u003eLet’s Be Transparent\u003cbr\u003e\nWith +65dB of gain and Apogee’s legendary conversion quality, you won’t find a better pair of mic preamps in this class of audio interfaces.\u003c\/p\u003e\n\n\u003cp\u003eInspired Workflow\u003cbr\u003e\nThe Duet 3 is a powerhouse when it comes to a portable pro audio interface. However, when paired with the Duet Dock, the overall experience is elevated. The angled positioning and rear-panel connectors of the Duet Dock help tidy up your desk.\u003c\/p\u003e\n\n\u003cp\u003eCollaborate in Harmony\u003cbr\u003e\nConnecting the Duet and Duet Dock introduces an extra headphone jack, enabling seamless collaboration and focused creativity.\u003c\/p\u003e\n\n\u003cp\u003e3 of Apogee’s Best Selling Plugins\u003cbr\u003e\nElevate your productions and mixes with added dimensions thanks to the 3 included plugins:\u003c\/p\u003e\n\n\u003cp\u003eOn-board processing\u003cbr\u003e\nAdd warmth, depth, and character to your recordings with Duet 3’s on-board processing. Shape your sound with compression, EQ, and saturation, or select one of the presets inspired by Bob Clearmountain to get started.\u003c\/p\u003e\n\n\u003cp\u003eIncluded Software:\u003c\/p\u003e\n\n\u003cp\u003eHighlights\u003cbr\u003e\nOn-board hardware DSP for low-latency recording with Apogee FX\u003cbr\u003e\nSymphony ECS Channel Strip – Hardware DSP FX (Native plugin sold separately)\u003c\/p\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":57959413842303,"sku":"APO0147","price":576.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"apogee-symphony-i-o-mkii-connect-8x8mp-pro-tools-plus-apo0138","title":"Apogee Symphony I\/O MKII Connect 8x8MP Pro Tools Plus","description":"\u003cp\u003eLow Cost Per Channel. Superior Sound Quality.\u003cbr\u003e\nSymphony I\/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I\/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core\/Accel systems.\u003c\/p\u003e\n\n\u003cp\u003eSymphony I\/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD. In fact, each I\/O module installed in Symphony I\/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I\/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.\u003c\/p\u003e\n\n\u003cp\u003eA single Symphony I\/O Mk II HD unit can have up to 32 simultaneous analog I\/O, so you can have more channels with less rack gear. Need even more channels? You can utilize multiple units simultaneously, with one Symphony I\/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I\/O is easy with Symphony I\/O Mk II HD’s front panel touchscreen.\u003c\/p\u003e\n\n\u003cp\u003eHighlights\u003c\/p\u003e\n\n\u003cp\u003eInputs\u003c\/p\u003e\n\n\u003cp\u003eOutputs\u003c\/p\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":57959422591359,"sku":"APO0138","price":5105.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"apogee-symphony-i-o-mkii-2x6se-pro-tools-plus-apo0137","title":"Apogee Symphony I\/O MKII 2x6SE Pro Tools Plus","description":"\u003cp\u003eLow Cost Per Channel. Superior Sound Quality.\u003cbr\u003e\nSymphony I\/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I\/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core\/Accel systems.\u003c\/p\u003e\n\n\u003cp\u003eSymphony I\/O Mk II HD can be utilized alongside or in place of Avid® or Digidesign® interfaces for Pro Tools HD. In fact, each I\/O module installed in Symphony I\/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I\/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.\u003c\/p\u003e\n\n\u003cp\u003eA single Symphony I\/O Mk II HD unit can have up to 32 simultaneous analog I\/O, so you can have more channels with less rack gear. Need even more channels? You can utilize multiple units simultaneously, with one Symphony I\/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I\/O is easy with Symphony I\/O Mk II HD’s front panel touchscreen.\u003c\/p\u003e\n\n\u003cp\u003eHighlights\u003c\/p\u003e\n\n\u003cp\u003eInputs\u003c\/p\u003e\n\n\u003cp\u003eOutputs\u003c\/p\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":57959427473791,"sku":"APO0137","price":4219.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"apogee-symphony-i-o-mkii-connect-8x8mp-thunderbolt-apo0105","title":"Apogee Symphony I\/O MKII Connect 8x8MP Thunderbolt","description":"\u003cp\u003eSymphony I\/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals.\u003c\/p\u003e\n\n\u003cp\u003eSymphony I\/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I\/O’s ultra-low latency means no longer having to choose between power and speed.\u003c\/p\u003e\n\n\u003cp\u003eTo accommodate different workflow preferences, Symphony I\/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency.\u003c\/p\u003e\n\n\u003cp\u003eDevours Bits. Sips CPU.\u003cbr\u003e\nSymphony I\/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I\/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience.\u003c\/p\u003e\n\n\u003cp\u003eEverything is under Control\u003cbr\u003e\nSymphony Control software for macOS gives you comprehensive access to all features and functions of Symphony I\/O Mk II Thunderbolt. Set gain levels (preamp modules only), manage routing, control output levels, set calibration, set-up multiple mixers and more.\u003c\/p\u003e\n\n\u003cp\u003eAnd with Symphony I\/O Mk II Thunderbolt’s new Monitor Workflows, you can effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs.\u003c\/p\u003e\n\n\u003cp\u003eSymphony Control also features compatibility with the new Apogee Control hardware remote.\u003c\/p\u003e\n\n\u003cp\u003eHighlights\u003c\/p\u003e\n\n\u003cp\u003eInputs\u003c\/p\u003e\n\n\u003cp\u003eOutputs\u003c\/p\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":57959438647679,"sku":"APO0105","price":4999.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"apogee-symphony-i-o-mkii-2x6se-dante-pro-tools-hdx-apo0101","title":"Apogee Symphony I\/O MKII 2x6SE Dante + Pro Tools HDX","description":"\u003cp\u003eWith the Symphony I\/O Mk II Dante + Pro Tools HD option card and a simple Ethernet cable, Symphony I\/O Mk II can be easily connected and shared across post production, broadcast, live sound or recording studio networks, unleashing legendary sound quality on the world’s most popular audio-over-IP solution. The Symphony I\/O Mk II Dante option card also includes Pro Tools connectivity for integration of Pro Tools | HD systems into a Dante network environment. No other Dante-enabled audio interface offers this level of quality, flexibility and modularity.\u003c\/p\u003e\n\n\u003cp\u003eThe Symphony I\/O Mk II Dante option card uses Audinate’s Brooklyn II module which features plug-and-play media networking for up to 32 bidirectional channels at 96kHz and 16 bidirectional channels up to 192k. The system can be configured with a number of custom options ranging from 8-32 analog I\/O channels. Symphony I\/O MK II Dante allows up to 32 channels with Pro Tools and redundant Dante connectivity to be fitted into a single two space rack device providing the smallest footprint available with this feature set.\u003c\/p\u003e\n\n\u003cp\u003eHighlights\u003cbr\u003e\nUltimate Sound Quality – Features Apogee’s Flagship AD\/DA conversion and optional mic preamps I\/O Flexibility – Up to 32 channels of analog inputs and outputs per unit with optional 8 mic preamp module\u003c\/p\u003e\n\n\u003cp\u003ePro Tools HD Peripheral Port – Up to 32 bidirectional channels up to 192kHz. Route Symphony I\/O module inputs or Dante Rx to Pro Tools inputs by blocks of 8 channels. Pro Tools HD outputs are routed to Dante Tx and I\/O module outputs\u003c\/p\u003e\n\n\u003cp\u003eInteroperable networking technology – Works seamlessly with any other Dante-powered device\u003c\/p\u003e\n\n\u003cp\u003eUp to 32 bidirectional channels at 96kHz – 16 bi-directional channels at 192kHz\u003c\/p\u003e\n\n\u003cp\u003eInputs\u003c\/p\u003e\n\n\u003cp\u003eOutputs\u003c\/p\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":57959438778751,"sku":"APO0101","price":5105.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"apogee-symphony-i-o-mkii-2x6se-module-apo0086","title":"Apogee Symphony I\/O MKII 2x6SE Module","description":"\u003cp\u003eThe Magic is in the Modules\u003cbr\u003e\nThe I\/O Modules are the sound and soul of Symphony I\/O Mk II, and represent over 30 years of Apogee R\u0026amp;D; and design excellence. These powerful Modules deliver Apogee’s core competency: superior sounding digital audio recording. With multiple I\/O and Mic Preamp modules available, you can choose from base configurations or expand to grow your studio’s capabilities.\u003c\/p\u003e\n\n\u003cp\u003eApogee Symphony I\/O Mk II 2×6 Special Edition offers the highest quality AD\/DA conversion of the Symphony series. Designed specifically for mastering engineers whose critical work demands ultimate sonic performance, 2×6 SE takes advantage of the latest advancements in digital and analog audio technology to offer inputs with 124 dB (A) of dynamic range, THD+N of -116dB and outputs with 131dB (A) dynamic range and an astonishingly low THD+N of -118dB\u003c\/p\u003e\n\n\u003cp\u003eFEATURES\u003c\/p\u003e\n\n\u003cp\u003eINPUTS\u003c\/p\u003e\n\n\u003cp\u003eOUTPUTS\u003c\/p\u003e\n\n\u003cp\u003e*Dig I\/O hardware switch selects AES or Optical digital I\/O format\u003c\/p\u003e","brand":"Apogee Electronics","offers":[{"title":"Default Title","offer_id":57959438942591,"sku":"APO0086","price":1259.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bda4m-1111-for-b16-9630","title":"Burl BDA4M (1111) For B16","description":"\u003cp\u003eAnnouncing the BDA4M, a mastering grade DAC with stepped attenuators and switchable output transformers. Specifically designed for mixing and mastering, the BDA4M uses the latest BURL NextGen analog for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BDA4M, transformer coupled, 4-channel digital-to-analog converter Daughter Card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER DAC and the BDA8 for the MOTHERSHIP, the BDA4M utilizes the newly developed BOPA11 with BURL Audio’s NextGen Analog. The BOPA11 is followed by the renowned BX5 output transformer used in the B32 VANCOUVER MIX BUS.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA11 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA11 is an all discrete, class-A op-amp with a minimal number of transistors. If you thought the original BOPA1 sounded good, this new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eThe BURL BX5 output transformer is the same large, BURLY beast used in BURL Audio’s renowned B32 VANCOUVER MIX BUS. Anyone who has tried B32 for the first time and engages the BX5 usually says “WHOA! That’s amazing!”. Forget about technical jargon, the BX5 transformer simply makes things sound bigger, phatter, deeper…better.\u003c\/p\u003e\n\n\u003cp\u003eCoupling the BOPA11 with the BX5 and you have sound that is truly HUGE! Kick, Snare, Bass, Guitar, Vocals, Mix… you name it, it will sound bigger, better and more pleasing.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD8 or BAD4 with the BX1 input transformer does something very similar, but better, in that there is no tape hiss and there is higher dynamic range and more headroom.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BDA4M employs a couple of new features; a switchable DAC filter and AVID delay matching. Switching the DAC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the output delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BDA4M is awesome by itself or as a compliment to the super clear BDA8. Adding even just one BDA4M to your MOTHERSHIP will be a big step up. The BDA4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBDA4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959463387519,"sku":"9630","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bda4m-1114-for-b16-9629","title":"Burl BDA4M (1114) For B16","description":"\u003cp\u003eAnnouncing the BDA4M, a mastering grade DAC with stepped attenuators and switchable output transformers. Specifically designed for mixing and mastering, the BDA4M uses the latest BURL NextGen analog for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BDA4M, transformer coupled, 4-channel digital-to-analog converter Daughter Card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER DAC and the BDA8 for the MOTHERSHIP, the BDA4M utilizes the newly developed BOPA11 with BURL Audio’s NextGen Analog. The BOPA11 is followed by the renowned BX5 output transformer used in the B32 VANCOUVER MIX BUS.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA11 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA11 is an all discrete, class-A op-amp with a minimal number of transistors. If you thought the original BOPA1 sounded good, this new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eThe BURL BX5 output transformer is the same large, BURLY beast used in BURL Audio’s renowned B32 VANCOUVER MIX BUS. Anyone who has tried B32 for the first time and engages the BX5 usually says “WHOA! That’s amazing!”. Forget about technical jargon, the BX5 transformer simply makes things sound bigger, phatter, deeper…better.\u003c\/p\u003e\n\n\u003cp\u003eCoupling the BOPA11 with the BX5 and you have sound that is truly HUGE! Kick, Snare, Bass, Guitar, Vocals, Mix… you name it, it will sound bigger, better and more pleasing.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD8 or BAD4 with the BX1 input transformer does something very similar, but better, in that there is no tape hiss and there is higher dynamic range and more headroom.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BDA4M employs a couple of new features; a switchable DAC filter and AVID delay matching. Switching the DAC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the output delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BDA4M is awesome by itself or as a compliment to the super clear BDA8. Adding even just one BDA4M to your MOTHERSHIP will be a big step up. The BDA4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBDA4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959468401023,"sku":"9629","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bad4m-1111-opamp-for-b16-9624","title":"Burl BAD4M (1111 Opamp) (for B16)","description":"\u003cp\u003eAnnouncing the BAD4M, a mastering grade, 4-channel ADC daughter card for the B16 MOTHERSHIP with stepped attenuators and switchable input transformers. Specifically designed for mixing and mastering, the BAD4M uses the latest BURL NextGen analog technology for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER ADC and the BAD8 for the MOTHERSHIP, the BAD4M utilizes BURL Audio’s NextGen Analog with the same BX1 transformer coupled circuit path as the BAD8 (no op-amps) and a transformerless analog front end using BOPA14. The BAD4M allows you to switch between the BAD8 style analog front end and the newly developed, BOPA14 based, transformerless analog front end.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA14 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA14 is an all discrete, class-A op-amp with a minimal number of transistors. This new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD4M with the BX1 input transformer does something very similar, but better. Using a BDA4M to BAD4M signal path will give you better performance than tape in that there is higher dynamic range, more headroom, and better frequency response with no tape hiss.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M transformerless analog front end is perfect for situations where you want a pure capture of a mix or mastering chain where the signal is already warm and peak limited. The BOPA14 ensures a truly clear, faithful capture of the source material.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BAD4M employs a couple of new features; a switchable ADC filter and AVID delay matching. Switching the ADC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the input delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BAD4M is awesome by itself or as a compliment to the mix and master DAC daughter card, the BDA4M. A B16 with a BAD4M and BDA4M is the ultimate 4 input, 4 output mastering solution. Adding even just one BAD4M to your MOTHERSHIP will be a big step up. The BAD4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBAD4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959469678975,"sku":"9624","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bad4m-1114-opamp-for-b16-9623","title":"Burl BAD4M (1114 Opamp) (for B16)","description":"\u003cp\u003eAnnouncing the BAD4M, a mastering grade, 4-channel ADC daughter card for the B16 MOTHERSHIP with stepped attenuators and switchable input transformers. Specifically designed for mixing and mastering, the BAD4M uses the latest BURL NextGen analog technology for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER ADC and the BAD8 for the MOTHERSHIP, the BAD4M utilizes BURL Audio’s NextGen Analog with the same BX1 transformer coupled circuit path as the BAD8 (no op-amps) and a transformerless analog front end using BOPA14. The BAD4M allows you to switch between the BAD8 style analog front end and the newly developed, BOPA14 based, transformerless analog front end.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA14 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA14 is an all discrete, class-A op-amp with a minimal number of transistors. This new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD4M with the BX1 input transformer does something very similar, but better. Using a BDA4M to BAD4M signal path will give you better performance than tape in that there is higher dynamic range, more headroom, and better frequency response with no tape hiss.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M transformerless analog front end is perfect for situations where you want a pure capture of a mix or mastering chain where the signal is already warm and peak limited. The BOPA14 ensures a truly clear, faithful capture of the source material.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BAD4M employs a couple of new features; a switchable ADC filter and AVID delay matching. Switching the ADC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the input delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BAD4M is awesome by itself or as a compliment to the mix and master DAC daughter card, the BDA4M. A B16 with a BAD4M and BDA4M is the ultimate 4 input, 4 output mastering solution. Adding even just one BAD4M to your MOTHERSHIP will be a big step up. The BAD4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBAD4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959470072191,"sku":"9623","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bad4m-1111-opamp-for-b80-9620","title":"Burl BAD4M (1111 Opamp) (for B80)","description":"\u003cp\u003eAnnouncing the BAD4M, a mastering grade, 4-channel ADC daughter card for the B80 and B16 MOTHERSHIP with stepped attenuators and switchable input transformers. Specifically designed for mixing and mastering, the BAD4M uses the latest BURL NextGen analog technology for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER ADC and the BAD8 for the MOTHERSHIP, the BAD4M utilizes BURL Audio’s NextGen Analog with the same BX1 transformer coupled circuit path as the BAD8 (no op-amps) and a transformerless analog front end using BOPA14. The BAD4M allows you to switch between the BAD8 style analog front end and the newly developed, BOPA14 based, transformerless analog front end.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA14 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA14 is an all discrete, class-A op-amp with a minimal number of transistors. This new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD4M with the BX1 input transformer does something very similar, but better. Using a BDA4M to BAD4M signal path will give you better performance than tape in that there is higher dynamic range, more headroom, and better frequency response with no tape hiss.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M transformerless analog front end is perfect for situations where you want a pure capture of a mix or mastering chain where the signal is already warm and peak limited. The BOPA14 ensures a truly clear, faithful capture of the source material.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BAD4M employs a couple of new features; a switchable ADC filter and AVID delay matching. Switching the ADC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the input delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BAD4M is awesome by itself or as a compliment to the mix and master DAC daughter card, the BDA4M. A B16 with a BAD4M and BDA4M is the ultimate 4 input, 4 output mastering solution. Adding even just one BAD4M to your MOTHERSHIP will be a big step up. The BAD4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBAD4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959470793087,"sku":"9620","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bad4m-1114-opamp-for-b80-9619","title":"Burl BAD4M (1114 Opamp) (for B80)","description":"\u003cp\u003eAnnouncing the BAD4M, a mastering grade, 4-channel ADC daughter card for the B80 and B16 MOTHERSHIP with stepped attenuators and switchable input transformers. Specifically designed for mixing and mastering, the BAD4M uses the latest BURL NextGen analog technology for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER ADC and the BAD8 for the MOTHERSHIP, the BAD4M utilizes BURL Audio’s NextGen Analog with the same BX1 transformer coupled circuit path as the BAD8 (no op-amps) and a transformerless analog front end using BOPA14. The BAD4M allows you to switch between the BAD8 style analog front end and the newly developed, BOPA14 based, transformerless analog front end.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA14 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA14 is an all discrete, class-A op-amp with a minimal number of transistors. This new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD4M with the BX1 input transformer does something very similar, but better. Using a BDA4M to BAD4M signal path will give you better performance than tape in that there is higher dynamic range, more headroom, and better frequency response with no tape hiss.\u003c\/p\u003e\n\n\u003cp\u003eThe BAD4M transformerless analog front end is perfect for situations where you want a pure capture of a mix or mastering chain where the signal is already warm and peak limited. The BOPA14 ensures a truly clear, faithful capture of the source material.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BAD4M employs a couple of new features; a switchable ADC filter and AVID delay matching. Switching the ADC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the input delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BAD4M is awesome by itself or as a compliment to the mix and master DAC daughter card, the BDA4M. A B16 with a BAD4M and BDA4M is the ultimate 4 input, 4 output mastering solution. Adding even just one BAD4M to your MOTHERSHIP will be a big step up. The BAD4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBAD4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959474168191,"sku":"9619","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"avid-pro-tools-hdx-omni-rack-system-9492","title":"Avid Pro Tools HDX Omni Rack System","description":"\u003cp\u003eGet everything you need in one bundle\u003c\/p\u003e\n\n\u003cp\u003eThis bundle includes:\u003c\/p\u003e\n\n\u003cp\u003eAvid HD Omni\u003c\/p\u003e\n\n\u003cp\u003eHD OMNI is an all-in-one professional preamp, I\/O, and monitoring interface for Pro Tools|HD family systems. Capture pristine, high-resolution audio through premium mic preamps, connect your gear to a wide array of analog and digital I\/O, and monitor your sessions in up to 7.1 surround - with ultra-low latency - all in one compact, cost-effective interface.\u003c\/p\u003e\n\n\u003cp\u003ePro Tools HDX PCIe Card\u003c\/p\u003e\n\n\u003cp\u003eWith Pro Tools HDX, you get up to 5x more power per card than Pro Tools HD Accel, so you can focus on your mix not your mixer and do much more with less. Create bigger, more complex mixes with 4x more tracks (up to 768 voices) Double your ins and outs with up to 64 channels of I\/O per card (up to 256 total) Handle large plug-in-heavy mixes easily with 4x more Automatic Delay Compensation\u003c\/p\u003e\n\n\u003cp\u003ePro Tools HDX uses floating-point calculations for plug-in processing and mixing, enabling you to achieve the best sound quality possible, with the least effort. Record and mix in higher resolution (up to 32-bit, 192 kHz audio) and significantly greater dynamic range, Let your mixes breathe with increased headroom, and eliminate clipping and obsessive gain staging.\u003c\/p\u003e\n\n\u003cp\u003eAs a dedicated professional, you're looking for faster, higher quality, and easier ways to record, edit, and mix the most demanding productions. Meet the more powerful, new generation of Pro Tools HD Pro Tools HDX. Get more tracks, more headroom, and up to 5x more dedicated DSP power to tackle even the most massive music and post-production projects with the confidence that comes with guaranteed performance.\u003c\/p\u003e\n\n\u003cp\u003eAvid Thunderbolt 3 Rack Chassis\u003c\/p\u003e\n\n\u003cp\u003eThe Avid Pro Tools | HDX Thunderbolt 3 Rack-Mount Chassis is the hardware engine extension of Pro Tools | Ultimate software, delivering the DSP power, scalability, and reliable performance that make the most demanding music and audio post-production workflows possible. Take on the largest sessions with confidence with the guaranteed performance and track counts HDX brings.\u003c\/p\u003e\n\n\u003cp\u003eWith the rack-mount chassis, you can install a Mac mini alongside the HDX card for a fully self-contained (and portable) HDX system.\u003c\/p\u003e\n\n\u003cp\u003eAvid Pro Tools Ultimate\u003c\/p\u003e\n\n\u003cp\u003ePro Tools is the industry-standard software production platform; however, if you want to use what major recording studios and broadcast-grade video post-production houses are using, you need to step to Pro Tools | Ultimate. In addition to the standard Pro Tools features, you get 256 audio tracks, as well as 7.1 surround, Atmos, and Ambisonics support, access to exclusive plug-ins such as HEAT, advanced editing functions, superior delay compensation, and expanded video implementation. In addition to that, you get support for advanced S6 features like waveform views, breakpoint automation views, and higher-level automation features. Pro Tools | Ultimate is the most state-of-the-art professional recording system on the planet.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":57959488061823,"sku":"9492","price":8039.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"lynx-lt-dante-lslot-dante-card-9489","title":"Lynx LT-Dante LSLOT Dante Card","description":"\u003cp\u003eThe LT-DANTE is a two-port expansion card that supports the Dante audio networking standard adopted by a multitude of audio manufacturers for use in live, studio, broadcast and commercial installation applications.\u003c\/p\u003e\n\n\u003cp\u003eKey features\u003c\/p\u003e","brand":"Lynx Studio","offers":[{"title":"Default Title","offer_id":57959494287743,"sku":"9489","price":799.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bda4m-1114-for-b80-9440","title":"Burl BDA4M (1114) For B80","description":"\u003cp\u003eAnnouncing the BDA4M, a mastering grade DAC with stepped attenuators and switchable output transformers. Specifically designed for mixing and mastering, the BDA4M uses the latest BURL NextGen analog for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BDA4M, transformer coupled, 4-channel digital-to-analog converter Daughter Card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER DAC and the BDA8 for the MOTHERSHIP, the BDA4M utilizes the newly developed BOPA11 with BURL Audio’s NextGen Analog. The BOPA11 is followed by the renowned BX5 output transformer used in the B32 VANCOUVER MIX BUS.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA11 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA11 is an all discrete, class-A op-amp with a minimal number of transistors. If you thought the original BOPA1 sounded good, this new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eThe BURL BX5 output transformer is the same large, BURLY beast used in BURL Audio’s renowned B32 VANCOUVER MIX BUS. Anyone who has tried B32 for the first time and engages the BX5 usually says “WHOA! That’s amazing!”. Forget about technical jargon, the BX5 transformer simply makes things sound bigger, phatter, deeper…better.\u003c\/p\u003e\n\n\u003cp\u003eCoupling the BOPA11 with the BX5 and you have sound that is truly HUGE! Kick, Snare, Bass, Guitar, Vocals, Mix… you name it, it will sound bigger, better and more pleasing.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD8 or BAD4 with the BX1 input transformer does something very similar, but better, in that there is no tape hiss and there is higher dynamic range and more headroom.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BDA4M employs a couple of new features; a switchable DAC filter and AVID delay matching. Switching the DAC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the output delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BDA4M is awesome by itself or as a compliment to the super clear BDA8. Adding even just one BDA4M to your MOTHERSHIP will be a big step up. The BDA4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBDA4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959508443519,"sku":"9440","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-adi-2-fs-9427","title":"RME ADI-2 FS","description":"\u003cp\u003eThe Latest Addition to the RME ADI-2 Converter Series\u003c\/p\u003e\n\n\u003cp\u003eThe ADI-2 FS is a compact and extremely flexible 2-Channel Hi-End AD\/DA-converter. The small 9.5\" unit offers first-class AD\/DA-conversion from\/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected!\u003c\/p\u003e\n\n\u003cp\u003eBalanced analogue inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem-solver. Its pro-class sound qualifies it also as an extension for other premium converters.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cp\u003eThe ADI-2 FS is equipped with two servo-balanced analogue line inputs via XLR\/phones combo jacks, simultaneously usable balanced XLR and unbalanced phone jacks, an adjustable High Power headphone output on the front, an ADAT compatible optical SPDIF I\/O, and a coaxial SPDIF I\/O (RCA, AES\/EBU compatible). These extensive connectivity options provide the most flexible and uncompromised signal transmission.\u003c\/p\u003e\n\n\u003cp\u003eThe analogue inputs use the advanced circuit design of the highly acclaimed ADI-2 Pro, thus offering outstandingly low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analogue domain.\u003c\/p\u003e\n\n\u003cp\u003eA further highlight is SteadyClock FS, RME's latest clock technology for maximum jitter suppression and lowest self-jitter. It guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 FS also uses the conversion technology of the ADI-2 Pro: the AK557x family and the AK4490 not only offer 192 kHz sampling frequency and lowest distortion, but also a dynamic range of 120 dBA.\u003c\/p\u003e\n\n\u003cp\u003eBut the ADI-2 has more to offer than tremendous sound. It also provides exciting digital connectivity. Its coaxial RCA SPDIF I\/O has a switchable Channel Status to make it fully AES\/EBU compatible (cable adapter required). The optical TOSLINK I\/Os can handle up to 192 kHz and also serve as ADAT I\/O, even at 192 kHz. An operation with SPDIF input and ADAT output or vice versa is supported, in both AD\/DA and D-D mode.\u003c\/p\u003e\n\n\u003cp\u003eThe clear layout and distinct labelling of the front panel with its functional buttons, the informative status display, a 6 LED level meter as well as the tidy back panel make it easy to operate the unit right out of the box.\u003c\/p\u003e\n\n\u003cp\u003eUnexpected Versatility\u003c\/p\u003e\n\n\u003cp\u003eWith input selection set to DIG the device works as a digital format converter with simultaneous monitoring. The AD converter is disabled, the DA converter still used for monitoring the digital input signal, at the rear outputs and the headphone output.\u003c\/p\u003e\n\n\u003cp\u003eA format conversion is possible between all options - SPDIF coaxial (or AES) with Professional or Consumer Status, as well as ADAT. The output selection ANA connects the analogue output circuitry directly to the analogue input circuitry. The DA converter is no longer active. The AD converter continues to convert the analogue input signal to SPDIF (AES) or ADAT, with the outputs SPDIF coaxial and ADAT optical simultaneously available.\u003c\/p\u003e\n\n\u003cp\u003eThis \"analogue bypass\" allows the ADI-2 FS to be used as an analogue preamp. Gain and attenuation can be achieved via the level adjustment of input and output, or even fully variable when the VOL potentiometer is inserted. In this mode, the ADI-2 FS supports analogue levels up to +28 dBu balanced and +21 dBu unbalanced.\u003c\/p\u003e\n\n\u003cp\u003eIn addition, it can work as a converter balanced to unbalanced and vice versa. The front panel knob adjusts the volume of the headphone output. It can also be inserted into the rear signal path via a simple key combination so that the rear line outputs can be steplessly adjusted in level as the phones output. The choice of three hardware levels stays available, thus allows for a better matching of the desired levels on front and rear outputs.\u003c\/p\u003e\n\n\u003cp\u003eHigh Power Headphone Output\u003c\/p\u003e\n\n\u003cp\u003eThe ADI-2 FS uses a more powerful version of the proven High Power headphone outputs found in many RME interfaces. With a doubled power of 0.45 watts per channel, 0.1 ohm output impedance, a maximum output level of +19 dBu and very low output noise, the new generation of the High Power circuitry is universally applicable, from IEM to Planar. A relay ensures click-free on and off switching.\u003c\/p\u003e\n\n\u003cp\u003ePower Supply\u003c\/p\u003e\n\n\u003cp\u003ePower is supplied via an included, external switching power supply with a lockable connector. Thanks to a wide operating voltage range of 9 - 15 volts, the ADI-2 FS can be easily used with battery or rechargeable battery, thus also for mobile use. It is also fully suitable for e.g. a galvanic isolation in the laboratory or measuring applications.\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\n\u003cp\u003eAD\u003c\/p\u003e\n\n\u003cp\u003eDA\u003c\/p\u003e\n\n\u003cp\u003ePhones\u003c\/p\u003e\n\n\u003cp\u003eAA\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959509262719,"sku":"9427","price":649.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-12mic-9326","title":"RME 12Mic","description":"\u003cp\u003eRME’s first preamp for audio networks\u003c\/p\u003e\n\n\u003cp\u003eThe RME 12Mic features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion. Remote-controllable gains; integrated MADI and AVB connectivity; plus a multitude of additional functionality combine to make the RME 12Mic the perfect companion for any professional recording setup.\u003c\/p\u003e\n\n\u003cp\u003eTwelve transparent mic preamps for exceptional conversion performance\u003c\/p\u003e\n\n\u003cp\u003eThe PAD-free microphone input stages have a 75 dB gain range and accept signals of up to +18 dBu. On the conversion side, the extraordinary SNR values show an astonishing 121.2 dB(A) on all channels.\u003c\/p\u003e\n\n\u003cp\u003eAll twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.\u003c\/p\u003e\n\n\u003cp\u003eMADI \u0026amp; ADAT for maximum flexibility\u003c\/p\u003e\n\n\u003cp\u003eBoth coaxial and optical (via an SFP module) MADI I\/O is available for independent or redundant operation, and can be used for daisy-chaining, merging and converting MADI signals at incredibly low latency.\u003c\/p\u003e\n\n\u003cp\u003eThree optical ADAT outputs provide up to 24 channels of audio at single speed (for example, a combination of microphone inputs, MADI signals and AVB signals), or 12 output channels at 96 kHz sampling rate, ensuring compatibility with a wide range of audio interfaces. Additionally, the ADAT ports can also be used to send monitor mixes from the AVB or MADI inputs to existing DACs\/headphone amps.\u003c\/p\u003e\n\n\u003cp\u003eTwo fully redundant network ports\u003c\/p\u003e\n\n\u003cp\u003eFor the first time, RME offers an AVB device with two fully redundant network ports, based on the recommendations of MILAN. The RME AVB Core has meticulously implemented the IEEE standards for audio-streaming, discovery and control, allowing RME devices to be both discovered and fully controlled by any AVB controller, and making vendor-specific control protocols a thing of the past.\u003c\/p\u003e\n\n\u003cp\u003eAny signal reaching the 12Mic can be routed and streamed over a network with fixed latency and guaranteed bandwidth - no switch configuration is required!\u003c\/p\u003e\n\n\u003cp\u003ePlug’n’play - rapid user interaction\u003c\/p\u003e\n\n\u003cp\u003eControl all device states directly from the front panel with an encoder and buttons for convenient, direct access to all features.\u003c\/p\u003e\n\n\u003cp\u003eRME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi),allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring.\u003c\/p\u003e\n\n\u003cp\u003eThe integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward!\u003c\/p\u003e\n\n\u003cp\u003eConnectivity\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959540162943,"sku":"9326","price":2139.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-adi-2-pro-fs-r-black-edition-9325","title":"RME ADI-2 Pro FS R Black Edition","description":"\u003cp\u003eHigh-Performance 768 kHz 2-Channel AD\/DA Converter\u003c\/p\u003e\n\n\u003cp\u003eRME presents its new ADI-2 Pro FS R Black Edition, an updated version of the high-end AD\/DA reference converter ADI-2 Pro FS in black colour design.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing optimised specifications as well as comprehensive IR remote support, the ADI-2 Pro FS R Black Edition is the\u003c\/p\u003e\n\n\u003cp\u003eperfect choice for audiophile and Hi-Fi users who use the converter as a main interface for flawless music and movie sound\u003c\/p\u003e\n\n\u003cp\u003ereproduction.\u003c\/p\u003e\n\n\u003cp\u003eNew Experience in Sound and Quality\u003c\/p\u003e\n\n\u003cp\u003eRME’s reference AD\/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The new ADI-2 Pro FS R Black Edition features the AK4493 chip, slightly improved specs and comes with the new extended Multi-Remote Control (MRC).\u003c\/p\u003e\n\n\u003cp\u003eThe ADI-2 Pro FS Black Edition is one of the most versatile converters on the market and integrates several devices in a single unit: a high-end AD\/DA converter with SteadyClock FS Femto-Clock in professional studio quality, a dual headphone amplifier, a multi-format converter (AES, SPDIF, ADAT) with monitoring capability, a DSD recording and playback converter as well as an AD\/DA frontend for audio measurements, mastering and hi-fi applications with up to 768 kHz sampling frequency..\u003c\/p\u003e\n\n\u003cp\u003eNewly Improved Performance Values\u003c\/p\u003e\n\n\u003cp\u003eThe ADI-2 Pro FS Black Edition features the AK4493, the DAC chip of the RME ADI-2 DAC, which significantly reduces the THD and increases the signal-to-noise ratio by 3 dB during digital-to-analogue conversion.\u003c\/p\u003e\n\n\u003cp\u003eRME's unrivalled circuit design also provides 2.5 dB of analogue headroom as well as digital headroom up to +4 dBFS, ensuring that even high intersample peaks don't cause audible distortion\u003c\/p\u003e\n\n\u003cp\u003eRME MRC - Multi-Remote-Control\u003c\/p\u003e\n\n\u003cp\u003eJust like the RME ADI-2 DAC, the ADI-2 Pro FS Black Edition offers comprehensive IR remote control. It includes RME's new Multi-Remote-Control, which perfectly matches the functionality of both DAC and Pro. In addition to dedicated buttons for standby, volume, mute, balance, bass\/treble, input selection and more, it features seven assignable buttons for flexible access to 52 different features and commands. Optionally remote controls like the Logitech Harmony series or specific programmable IR transceivers can also be used.\u003c\/p\u003e\n\n\u003cp\u003eHighlights\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959540359551,"sku":"9325","price":1918.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-babyface-pro-fs-9114","title":"RME Babyface PRO FS","description":"\u003cp\u003eFour years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.\u003c\/p\u003e\n\n\u003cp\u003eIn the new Babyface Pro FS even more improvements were implemented:\u003c\/p\u003e\n\n\u003cp\u003eProfound Technology\u003c\/p\u003e\n\n\u003cp\u003eBabyface Pro ships with RME’s TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.\u003c\/p\u003e\n\n\u003cp\u003eThe FPGA-based DSP mixer adds a flexible, 3-band parametric equaliser to all inputs and outputs. Reverb and delay FX are also onboard.\u003c\/p\u003e\n\n\u003cp\u003eLatest generation low latency AD\/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.\u003c\/p\u003e\n\n\u003cp\u003eThis high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.\u003c\/p\u003e\n\n\u003cp\u003eProfessional Features\u003c\/p\u003e\n\n\u003cp\u003eStraight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.\u003c\/p\u003e\n\n\u003cp\u003eRME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.\u003c\/p\u003e\n\n\u003cp\u003eThe clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.\u003c\/p\u003e\n\n\u003cp\u003eEven in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.\u003c\/p\u003e\n\n\u003cp\u003eConnectivity\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959541932415,"sku":"9114","price":689.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-b16-mothership-aes-9063","title":"Burl B16 Mothership (AES)","description":"\u003cp\u003eThe Burl Audio B16 Mothership is a compact, portable, 2-slot version of the revolutionary B80 Mothership. This versatile digital audio interface provides up to 16 channels of Class A circuitry for adding analog color and character to sterile digital productions. With support for Digilink, MADI, Dante or SoundGrid connectivity, the B16 offers industry-leading IO. The B16 Mothership BMB6 - USB includes a BMB6 Motherboard with 8 channels of AES\/EBU connectivity.\u003c\/p\u003e\n\n\u003cp\u003eThe Burl BMB6 features 8 channels of AES\/EBU I\/O connectivity. Designed exclusively for the B16, the BMB6 provides an easy interface to any AES\/EBU device. If you don’t need high channel count, the B16 with the BMB6 is a great way to go. The B16-BMB6 with a BAD8 and BDA8 is an amazing 8 channel I\/O. The B16-BMB6 with a BAD4M and a BDA4M with switchable input and output transformers is an incredible 4 channel I\/O solution for mastering.\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959542784383,"sku":"9063","price":1669.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"merging-horus-base-unit-8754","title":"Merging Horus (Base Unit)","description":"\u003cp\u003eThe potential of moving audio and video infrastructure to an IP world is becoming a reality with standards and many products becoming available. Merging Technologies has been supporting and developing Audio over IP products since 2012. Horus is the product that introduced the power and simplicity that can be achieved once networking is incorporated into a product. Today, Horus remains a market leader by providing astounding audio quality with unrivalled connectivity. It can slot effortlessly into a legacy studio and instantly upgrade the quality and productivity.\u003c\/p\u003e\n\n\u003cp\u003eHorus Networked Audio Interface\u003c\/p\u003e\n\n\u003cp\u003eHorus is one of the world’s most sonically transparent Mic Pre’s.\u003c\/p\u003e\n\n\u003cp\u003eHorus is also one of the most phenomenal AD\/DA boxes on the market.\u003c\/p\u003e\n\n\u003cp\u003eHorus could very well be the ultimate answer to anyone wanting Analog\/AES\/MADI interconnectivity in the room they work in. It is a revolution in \"bang for buck\" technology and has become one of the defacto audio I\/O devices for the media industries...\u003c\/p\u003e\n\n\u003cp\u003eBut in reality Horus is much, much more:\u003c\/p\u003e\n\n\u003cp\u003eUsing RAVENNA technology, Horus brings the possibility to interconnect your entire facility using nothing more than a standard RJ45 connector. Once in RAVENNA mode, the Horus box simply becomes a node on a network, one that can be instantly called to be an input, an output, or a combination of both. Whether you are in broadcast, TV and film, mastering, studio or live music recording, live events, theatres, museums, cruise ships, or any industry where you need audio to get from A to B (or A to B and C, or C to A and part of D, E, and F!).\u003c\/p\u003e\n\n\u003cp\u003eUsing standard network connections, switches and connectors, Horus and other RAVENNA-enabled devices can be placed on a network and interconnected. Horus is fully AES67 compatible so you are able to connect to many devices regardless of the originating network protocol.\u003c\/p\u003e\n\n\u003cp\u003eHorus Base Unit Features\u003c\/p\u003e\n\n\u003cp\u003eModular By Design\u003c\/p\u003e\n\n\u003cp\u003eThe modular design of Horus allows you to buy what you need or can afford. You can always add to it later or even change your mind. 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If your mission of the day is to create a great mix, you need to be in complete control of your monitoring: reference monitors, nearfields, headphones, sources, surround mix, downmix, etc. Anubis gives you that \"Mission Control\" in a single, compact device that has unrivalled capabilities defined by the software application. But this is only one mission, MERGING+ANUBIS allows the user to choose the Mission Controller app that fits the task. Today, Anubis offers a first mission – ANUBIS+MONITOR.\u003c\/p\u003e\n\n\u003cp\u003eNetwork Control\u003c\/p\u003e\n\n\u003cp\u003eAnubis not only offers exceptional in-the-box features, it also allows for expanding its capabilities to any other RAVENNA\/AES67 devices on the network. From stereo to 22.2 monitoring, from a four-piece rock band to a full symphony orchestra, Anubis puts you in control of any situation. Whether you are one meter from your equipment or kilometers away, take control directly from its superb touch screen, tablet or computer through the Anubis built-in web server.\u003c\/p\u003e\n\n\u003cp\u003eMerging Quality\u003c\/p\u003e\n\n\u003cp\u003eThis ultra-mobile and stylish unibody case offers astonishing A\/D performance with a dynamic range of 139dB with equally impressive mic pres. Our pristine D\/A technology ensures that you hear what your project deserves. Anubis come in two variants: Anubis Pro gives you exceptional performance up to 192kHz. If your mission is working in true high-resolution, Anubis Premium offers up to 384kHz and DXD plus DSD flavours up to 256. What else would you expect from Merging!\u003c\/p\u003e\n\n\u003cp\u003eSuperb Specifications\u003c\/p\u003e\n\n\u003cp\u003eMerging has a reputation for getting it right when it comes to audio quality and we have years of experience. It would be surprising if Anubis was any less than the best we can achieve. 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Whether you are one meter from your equipment or kilometers away, take control directly from its superb touch screen, tablet or computer through the Anubis built-in web server.\u003c\/p\u003e\n\n\u003cp\u003eMerging Quality\u003c\/p\u003e\n\n\u003cp\u003eThis ultra-mobile and stylish unibody case offers astonishing A\/D performance with a dynamic range of 139dB with equally impressive mic pres. Our pristine D\/A technology ensures that you hear what your project deserves. Anubis come in two variants: Anubis Pro gives you exceptional performance up to 192kHz. If your mission is working in true high-resolution, Anubis Premium offers up to 384kHz and DXD plus DSD flavours up to 256. What else would you expect from Merging!\u003c\/p\u003e\n\n\u003cp\u003eSuperb Specifications\u003c\/p\u003e\n\n\u003cp\u003eMerging has a reputation for getting it right when it comes to audio quality and we have years of experience. It would be surprising if Anubis was any less than the best we can achieve. Great sound is only part of the story, just look at the performance measurements.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specifications\u003c\/p\u003e\n\n\u003cp\u003eSoftware Specifications\u003c\/p\u003e\n\n\u003cp\u003eDevice Connectivity\u003c\/p\u003e\n\n\u003cp\u003eMICROPHONE INPUTS 1-2 (COMBO)\u003c\/p\u003e\n\n\u003cp\u003eLine Inputs 1-2 (Combo)\u003c\/p\u003e\n\n\u003cp\u003eInstrument\/Hi-Z \u0026amp; Line Inputs 3-4\u003c\/p\u003e\n\n\u003cp\u003eMain Outputs 1-2\u003c\/p\u003e\n\n\u003cp\u003eLine Outputs 3-4\u003c\/p\u003e\n\n\u003cp\u003eHeadphones\u003c\/p\u003e\n\n\u003cp\u003eHeadphone Jacks 2 Independent ¼\" TRS Female Stereo 6.3 mm\u003c\/p\u003e\n\n\u003cp\u003eDynamic Range (A-weighted, typ.) High \/ Low \u0026lt; -122 dB \/ - 117 dB\u003c\/p\u003e\n\n\u003cp\u003eMax output Level High \/ Low 17.1 dBu \/ 7.8 dBu\u003c\/p\u003e\n\n\u003cp\u003eFrequency response +0\/-0.2dB @ fs = 48 kHz 6 Hz – 22 kHz\u003c\/p\u003e\n\n\u003cp\u003eFrequency response +0\/-3dB @ fs = 96 kHz 2 Hz – 46 kHz\u003c\/p\u003e\n\n\u003cp\u003eFrequency response +0\/-3dB @ fs = 192 kHz 2 Hz – 92 kHz\u003c\/p\u003e\n\n\u003cp\u003eOutput Impedance \u0026lt; 0.035Ω\u003c\/p\u003e\n\n\u003cp\u003eTHD+N 1 kHz @ 0 dBFS High \/ Low \u0026lt; -108 dB (0.00039%) \/ -110 dB (0.0003%)\u003c\/p\u003e\n\n\u003cp\u003eAttenuation Range (Software controlled) - ∞ dB to 0 dB\u003c\/p\u003e\n\n\u003cp\u003eGain Step \/ Precision 0.5 dB \/ ±0.05 dB\u003c\/p\u003e\n\n\u003cp\u003eA\/D – D\/A Conversion\u003c\/p\u003e\n\n\u003cp\u003eSupported Sample Rates PRO 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz and 192 kHz\u003c\/p\u003e\n\n\u003cp\u003eSupported Sample Rates PREMIUM 44.1 kHz up to 352.8 kHz (DXD), 384 kHz, DSD64, DSD128 \u0026amp; DSD256\u003c\/p\u003e\n\n\u003cp\u003eBit Depth Per Sample 32\u003c\/p\u003e\n\n\u003cp\u003eA\/D Latency Sharp \/ Slow @ 44.1kHz to 96kHz 19 \/ 7 samples\u003c\/p\u003e\n\n\u003cp\u003eA\/D Latency Sharp \/ Slow @ 174.6kHz to 192kHz 15 \/ 8 samples\u003c\/p\u003e\n\n\u003cp\u003eA\/D Latency Sharp \/ Slow @ 352.8kHz to 384kHz 7 samples\u003c\/p\u003e\n\n\u003cp\u003eD\/A Latency Sharp \/ Slow @ 44.1kHz to 384kHz 35 \/ 9 samples\u003c\/p\u003e\n\n\u003cp\u003eComplementary I\/O\u003c\/p\u003e\n\n\u003cp\u003eRedundant Power Options\u003c\/p\u003e\n\n\u003cp\u003eAnubis is small and compact, it can be powered by its main PSU or\/and from PoE (Power over Ethernet) making it a reliable redundant powered device. The input voltage range offers the possibility to use a wide range of power supply such as a battery.\u003c\/p\u003e\n\n\u003cp\u003ePower\u003c\/p\u003e","brand":"Merging","offers":[{"title":"Default Title","offer_id":57959546061183,"sku":"8750","price":2384.34,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-dtox-16i-8682","title":"RME DTOX-16i","description":"\u003cp\u003eOverview\u003c\/p\u003e\n\n\u003cp\u003eDTOX-16 I connects 16 XLR inputs to two D-sub 25-pin connectors (channels 1-8 and channels 9-16).\u003cbr\u003e\nThe breakout panel supports all interfaces using analog 25-pin D-sub inputs\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959546880383,"sku":"8682","price":309.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-dtox-16i-o-8681","title":"RME DTOX-16I\/O","description":"\u003cp\u003eOverview\u003c\/p\u003e\n\n\u003cp\u003eDTOX-16 I\/O connects 8 XLR inputs to a D-sub 25-pin connector and 8 XLR outputs to another D-sub 25-pin connector.\u003cbr\u003e\nThe breakout panel supports all interfaces using an analog 25-pin D-sub I\/O\u003c\/p\u003e\n\n\u003cp\u003eTechnical Specification\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959547044223,"sku":"8681","price":309.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-dtox-16o-8680","title":"RME DTOX-16O","description":"\u003cp\u003eOverview\u003c\/p\u003e\n\n\u003cp\u003eDTOX-16 O connects 16 XLR outputs to two D-sub 25-pin connectors (channels 1-8 and channels 9-16).\u003cbr\u003e\nThe breakout panel supports all interfaces using an analog 25-pin D-sub output\u003c\/p\u003e\n\n\u003cp\u003eTechnical Specification\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959547109759,"sku":"8680","price":309.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-bda4m-1111-for-b80-8630","title":"Burl BDA4M (1111) For B80","description":"\u003cp\u003eAnnouncing the BDA4M, a mastering grade DAC with stepped attenuators and switchable output transformers. Specifically designed for mixing and mastering, the BDA4M uses the latest BURL NextGen analog for superior fidelity and clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe BDA4M, transformer coupled, 4-channel digital-to-analog converter Daughter Card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R\u0026amp;D; experience in pro audio digital and analog design. Following on the success of the B2 BOMBER DAC and the BDA8 for the MOTHERSHIP, the BDA4M utilizes the newly developed BOPA11 with BURL Audio’s NextGen Analog. The BOPA11 is followed by the renowned BX5 output transformer used in the B32 VANCOUVER MIX BUS.\u003c\/p\u003e\n\n\u003cp\u003eThe new BOPA11 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA11 is an all discrete, class-A op-amp with a minimal number of transistors. If you thought the original BOPA1 sounded good, this new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\n\u003cp\u003eThe BURL BX5 output transformer is the same large, BURLY beast used in BURL Audio’s renowned B32 VANCOUVER MIX BUS. Anyone who has tried B32 for the first time and engages the BX5 usually says “WHOA! That’s amazing!”. Forget about technical jargon, the BX5 transformer simply makes things sound bigger, phatter, deeper…better.\u003c\/p\u003e\n\n\u003cp\u003eCoupling the BOPA11 with the BX5 and you have sound that is truly HUGE! Kick, Snare, Bass, Guitar, Vocals, Mix… you name it, it will sound bigger, better and more pleasing.\u003c\/p\u003e\n\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD8 or BAD4 with the BX1 input transformer does something very similar, but better, in that there is no tape hiss and there is higher dynamic range and more headroom.\u003c\/p\u003e\n\n\u003cp\u003eOn the digital side, the BDA4M employs a couple of new features; a switchable DAC filter and AVID delay matching. Switching the DAC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the output delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BDA4M is awesome by itself or as a compliment to the super clear BDA8. Adding even just one BDA4M to your MOTHERSHIP will be a big step up. The BDA4M is truly BURLY.\u003c\/p\u003e\n\n\u003cp\u003eBDA4M Daughter card\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959549927807,"sku":"8630","price":2229.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dad-ax32-8352","title":"DAD AX32","description":"\u003cp\u003eAX32 is your audio routing centerpiece, digital format converter, world-class AD\/DA converter and monitor controller. Quite simply, AX32 changes seamlessly between workflows in seconds, optimizing your production time and efficiency.\u003c\/p\u003e\n\n\u003cp\u003eWith the AX32you get pristine AD and DA conversion with superb sonic quality, versatile I\/O structure and IP Audio via Layer 3 Ethernet (Dante) that follows the track of the AX24 with an enhanced performance in terms the sonic quality of the AD andDA conversion, up-to 48 analogue audio channels and a flexible digital signalinterface, routing and distribution structure.\u003c\/p\u003e\n\n\u003cp\u003eWith all I\/O card and options installed, you can control a 1,500 x 1,500 matrix of audiochannels. 8 I\/O cards and 2 I\/O modules can be installed. Just imagine the flexibility and swift change between workflows you would have right at yourfingertips.\u003c\/p\u003e\n\n\u003cp\u003eAll operation and functional control is managed via the DADman control software.\u003c\/p\u003e\n\n\u003cp\u003eFLEXIBLE AD\/DA INTERFACE CONFIGURATION W\/ MIC-PRE OPTION\u003c\/p\u003e\n\n\u003cp\u003eVERSATILE DIGITAL INTERFACE STRUCTURE\u003c\/p\u003e\n\n\u003cp\u003eEASY CONTROL OF CONVERTER PARAMETERS\u003c\/p\u003e\n\n\u003cp\u003eSTANDARD INTERFACE CAPABILITY\u003c\/p\u003e\n\n\u003cp\u003eA total of 8 card slots are available in the chassis frame. You can use 6 slots for analog cards each with 8 channels for a total of up to 48 AD\/DA input and outputs.\u003c\/p\u003e\n\n\u003cp\u003eIf you would like to use AX32 as a 64-channel interface for Pro Tools (TM), you would have to use Avids MTRX, which is essentially an AX32 with the addition of DigiLink connectivity.\u003c\/p\u003e","brand":"DAD","offers":[{"title":"Default Title","offer_id":57959550943615,"sku":"8352","price":5686.74,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-digiface-avb-8200","title":"RME DigiFace AVB","description":"\u003cp\u003eThe new RME Digiface AVB is based on the AVB standard (Audio Video Bridging) and enables the transmission of up to 256 network audio channels between a Windows computer and other AVB devices within an audio Gigabit network via a single USB 3.0 cable.\u003c\/p\u003e\n\n\u003cp\u003eThe USB bus powered Digiface AVB operates using the open IEEE 802.1 protocol and enables synchronised and prioritised streaming of audio data over a gigabit network. The integrated USB 3.0 connection allows up to 128 audio channels to and from the AVB network with sampling rates of up to 192 kHz. Users can select between 2 and 32 channels as required to ensure maximum compatibility with AVB audio devices available on the market.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to the Gigabit Ethernet connection and USB 3.0 port, the RME Digiface AVB features word clock I\/O and a headphone output for flexible, high-quality monitoring. As with all RME interfaces, the Digiface AVB includes the DSP-based TotalMix FX mixer with its comprehensive routing and monitoring options as well as an AVDECC controller. The controller enables detection of all AVB devices within a network and allows users to manage and monitor incoming and outgoing streams.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959551861119,"sku":"8200","price":725.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"ferrofish-pulse-16-803","title":"Ferrofish Pulse 16","description":"\u003cp\u003e16 x 16 AD\/DA ADAT converter\u003c\/p\u003e\n\n\u003cp\u003eWith the Pulse16, Ferrofish continues their successful tradition of designing high-quality and affordable AD\/DA converters, expanding the existing range that consists of the A16 MK-II, A32 and A32 Dante. The new Pulse16 offers 16 x 16 balanced analogue inputs and outputs, and can handle pro studio levels up to +20dBu. On the digital side, four ADAT I\/O ports provide a full 16 x 16 channel operation even in 96 kHz SMUX mode.\u003c\/p\u003e\n\n\u003cp\u003eFull control and easy operation\u003c\/p\u003e\n\n\u003cp\u003eThe headphones output on the front panel of the Pulse16 allows you to monitor every mono or stereo signal on the fly, and two TFT displays provide detailed level information for all 32 signals at a glance. The innovative on-board contextual help, much loved by A32 users, is also visible when navigating through menus and makes using the Pulse16 a breeze.\u003c\/p\u003e\n\n\u003cp\u003eExceptional sound quality\u003c\/p\u003e\n\n\u003cp\u003eUsing the most recent converter generation from Cirrus Logic combined with an active digital jitter reduction circuit results in an exceptionally detailed resolution and great overall sound. Whether you’re working in 48 kHz or 96 kHz – the Ferrofish Pulse16 always delivers a full complement of 16 x 16 channels at the highest quality.\u003c\/p\u003e\n\n\u003cp\u003eSoftware Control with Remotefish (Mac\/PC)\u003c\/p\u003e\n\n\u003cp\u003eRemote control your Ferrofish Pulse 16 via MIDI with the RemoteFish software, available as a free download for both Mac and PC. RemoteFish provides an extended user interface, for control over all input and output gains, channel routing, adjusting settings, and saving and loading presets.\u003c\/p\u003e\n\n\u003cp\u003eUpgrade your Ferrofish Pulse 16 to a Pulse 16 MX\u003c\/p\u003e\n\n\u003cp\u003eIf you're the owner of the Ferrofish Pulse 16, you can upgrade your device with MADI Optical I\/O simply by purchasing an official Ferrofish MADI SFP module and Upgrade Code. With this module equipped, all 16 x 16 channels can be used with sample rates up to 192kHz.\u003c\/p\u003e\n\n\u003cp\u003eThe Pulse 16 MADI Upgrade consists of two parts:\u003c\/p\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":57959553040767,"sku":"803","price":849.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"ferrofish-pulse-16-and-rme-digiface-usb-bundle-7999","title":"Ferrofish Pulse 16 \u0026 RME Digiface USB Bundle","description":"\u003cp\u003eThis bundle includes:\u003c\/p\u003e\n\n\u003cp\u003e16 x 16 AD\/DA ADAT converter\u003c\/p\u003e\n\n\u003cp\u003eWith the Pulse16, Ferrofish continues their successful tradition of designing high-quality and affordable AD\/DA converters, expanding the existing range that consists of the A16 MK-II, A32 and A32 Dante. The new Pulse16 offers 16 x 16 balanced analogue inputs and outputs, and can handle pro studio levels up to +20dBu. On the digital side, four ADAT I\/O ports provide a full 16 x 16 channel operation even in 96 kHz SMUX mode.\u003c\/p\u003e\n\n\u003cp\u003eFull control and easy operation\u003c\/p\u003e\n\n\u003cp\u003eThe headphones output on the front panel of the Pulse16 allows you to monitor every mono or stereo signal on the fly, and two TFT displays provide detailed level information for all 32 signals at a glance. The innovative on-board contextual help, much loved by A32 users, is also visible when navigating through menus and makes using the Pulse16 a breeze.\u003c\/p\u003e\n\n\u003cp\u003eExceptional sound quality\u003c\/p\u003e\n\n\u003cp\u003eUsing the most recent converter generation from Cirrus Logic combined with an active digital jitter reduction circuit results in an exceptionally detailed resolution and great overall sound. Whether you’re working in 48 kHz or 96 kHz – the Ferrofish Pulse16 always delivers a full complement of 16 x 16 channels at the highest quality.\u003c\/p\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":57959553106303,"sku":"7999","price":1299.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dave-hill-designs-titan-790","title":"Dave Hill Designs Titan","description":"\u003cp\u003eTitan is an analog compressor-limiter with a very large range of color and control choices with recall. The main audio path is a discrete class A design. Resetability is attained by using stepped controls and encoders that have their values displayed on Titan's color LCD display. Titan is a digitally controlled analog device in design with a very high speed dsp side chain that allows the design to push the limits beyond what is possible in the design of an analog side chain.\u003c\/p\u003e\n\n\u003cp\u003eThe compressor-limiter controls are the normal; Threshold, Attack, Release, Shape, Bypass-In-Link, Meter Select, and make up Gain. These controls have their settings displayed on a color LCD display. The Shape control shows the knee of the compressor. With the knee characteristic being graphically drawn on the LCD to allow the user to see the knee's shape. The graphical display updates with the changing of the Threshold and Shape controls. When stereo linked the unit selected as control master will control all functions on the second channel.\u003c\/p\u003e\n\n\u003cp\u003eIn addition there are controls that can provide color choices:\u003c\/p\u003e\n\n\u003cp\u003eVCA COLOR\u003cbr\u003e\nThe VCA COLOR control provides a mix between a very clean PWM gain control device and a vintage gain control element. The vintage gain control element is a diode type compressor circuit. There are 16 steps in the cross fade-mix control for a wide range in choices\u003c\/p\u003e\n\n\u003cp\u003ePARALLEL MIX\u003cbr\u003e\nThe PARALLEL MIX control blends the unprocessed audio with the compressed audio, a parallel compression function. There are 16 steps in the cross fade-mix control for a wide range in choices.\u003c\/p\u003e\n\n\u003cp\u003eDYNAMIC COLOR\u003cbr\u003e\nThe DYNAMIC COLOR control is a control that provides harmonic content that is opposite in nature of the harmonic content that the vintage gain control element generates. The effect of the Dynamic Color control can be described as making the sound \"bigger\". This function has 16 steps to provide a wide range of sonic control.\u003c\/p\u003e\n\n\u003cp\u003eFAT - AIR\u003cbr\u003e\nThe FAT - AIR switch that will add air or fatness to the compressed audio.\u003c\/p\u003e\n\n\u003cp\u003eTitan is a single rack space. 100 to 240 Volt switchable 50, 60 Hz\u003c\/p\u003e","brand":"Dave Hill Designs","offers":[{"title":"Default Title","offer_id":57959553532287,"sku":"790","price":1699.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"avid-pro-tools-mtrx-base-unit-w-madi-and-pro-mon-7735","title":"AVID Pro Tools MTRX Base Unit W\/ MADI And Pro | Mon","description":"\u003cp\u003eEnter a new world of fidelity and flexibility\u003c\/p\u003e\n\n\u003cp\u003eGet the most pristine sound quality possible - and extensive monitoring and routing capabilities - in the most versatile audio interface available for Pro Tools | HDX, HD Native, and other pro audio applications. With Pro Tools | MTRX, you gain the superior sonic quality of DAD's legendary AD\/DA converters, plus flexible routing and monitor control when used standalone or with Avid Pro Mixing surfaces. And because the interface can be customised with the analogue and digital I\/O you need, you can take on the most demanding music and post-production challenges. Effortlessly.\u003c\/p\u003e\n\n\u003cp\u003eAchieve exceptional sound\u003c\/p\u003e\n\n\u003cp\u003eDigital Audio Denmark's (DAD's) AD and DA converters are renowned for delivering the cleanest, most transparent, and highly detailed sound. Pro Tools | MTRX is no exception, enabling you to get the best sound quality possible from your Pro Tools | HD system - up to super-high-resolution 384 kHz DSD. And because it does double duty as both an audio I\/O and monitor interface, it offers exceptional versatility too.\u003c\/p\u003e\n\n\u003cp\u003eExpand your monitor\u003c\/p\u003e\n\n\u003cp\u003eTake full remote control of all sources, monitors, and speaker sets directly from Pro Tools | S6, other EUCON-enabled control surfaces, and the included DADman software. Pro Tools | MTRX includes Pro | Mon 2, putting complete monitoring, talkback, summing, and fold-down control at your fingertips, whether you’re mixing in mono, stereo, 5.1, 7.1, 9.1, or even a 64-channel immersive audio mix.\u003c\/p\u003e\n\n\u003cp\u003eGet the I\/O you need\u003c\/p\u003e\n\n\u003cp\u003ePro Tools | MTRX is fully modular, so you can customise it with a wide variety of I\/O and interface options. From analog inputs, outputs, and high-quality mic preamps, to Dante, MADI, AES3, 3G-SDI, and more, you have the interface versatility you need to connect with any type of gear and route any signal between the various I\/O formats.\u003c\/p\u003e\n\n\u003cp\u003eRoute audio with abandon\u003c\/p\u003e\n\n\u003cp\u003eUsing DADman software, you can route, split, and patch audio quickly, flexibly, and extensively, with a matrix capacity of up to 1,500 x 1,500 cross points. You can feed any input to any output, or even send audio to multiple outputs simultaneously, giving you unlimited workflow possibilities.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":57959554089343,"sku":"7735","price":5799.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"lynx-hilo-thunderbolt-black-7602","title":"Lynx Hilo Thunderbolt (Black)","description":"\u003cp\u003eLynx Studio Technology is proud to present the Hilo Reference A\/D D\/A Converter System. With the pristine, open, transparent audio quality for which Lynx is known, Hilo (pronounced HE-low) provides two channels of mastering quality analog to digital conversion, up to six channels of digital to analog conversion, a secondary monitor output, and a world class independent headphone amplifier in a compact half-rack size. A first for the two-channel pro converter market, Hilo's innovative 480 x 272 touch-screen provides a flexible and intuitive interface that can adapt to a particular application and be easily upgraded with enhancements and new features. Initial front panel controls support extensive signal routing and mixing, sample rate selection, clock source options, levels, metering and diagnostic features.\u003c\/p\u003e\n\n\u003cp\u003eHilo completely redefines and evolves the category of the two channel converter. Of utmost importance is the audio signal quality. The completely new design of the analog stages and converter topology for Hilo break new ground in terms of lowering distortion and noise while maintaining transparency for A\/D and D\/A conversion. Beyond that, Hilo offers extensive I\/O capabilities and utilizes the latest FPGA technology with vast resources for control, routing, and signal processing capabilities. Also in development are diagnostic and analysis tools for Hilo. The LCD screen is a natural interface for these functions.\u003c\/p\u003e\n\n\u003cp\u003eThe digital or analog inputs can be routed to three separate outputs, Line Output (with 8 trim settings), Monitor Output, and Headphone Output. Each of these output pairs has its own dedicated DACs, allowing each to offer a unique mix. The Monitor and Headphone Outputs have volume controls, accessible via faders on the touch-screen or the single knob on the front (offering control in 1\/2 dB increments). Another innovation, the Headphone section has its own dedicated D\/A converter. This supports the creation of 32-channel headphone mixes independent of the main and monitor outputs, as well as providing specifications that rival those of dedicated headphone amps costing $1500 and more.\u003c\/p\u003e\n\n\u003cp\u003eThe digital section offers a wide range of inputs. AES\/EBU inputs and outputs have transformer isolated balanced XLR connectors. S\/PDIF input and output are available via transformer-coupled coax or optical (TOSLINK) connections. The Optical ports can also be used for up to eight ADAT channels. The ADAT input and output channels are completely independent from the AES\/EBU or S\/PDIF coax channels. The Lynx LT-USB (USB 2.0) or LT-TB (Thunderbolt) LSlot accessory is also included, for computer connectivity. Lynx's low jitter SynchroLock word clock is also included, with Word Clock in and out connections available.\u003c\/p\u003e\n\n\u003cp\u003eIn total, Hilo has 12 total inputs, 16 total outputs plus 32 channels possible via its LSlot port. The unit's FPGA powers its internal 32-channel mixer, which allows Hilo to offer the most versatile I\/O and routing in the two channel converter genre. This is just the beginning of the innovation.\u003c\/p\u003e\n\n\u003cp\u003eIn contrast to the concentrated and intricate back panel, Hilo's front panel is elegant in its simplicity. It has a power switch, headphone jack, multipurpose control and a 480 x 272 pixel high resolution LCD touchscreen. This high-resolution screen does a lot more than simply replace the buttons on the front panel of most other converters. Of course it handles the basic settings and routing functions, clocking and level settings.\u003c\/p\u003e\n\n\u003cp\u003eA second meter screen shows just two larger bar-graph style stereo bar meters. Any input or output set can be assigned to each meter. In addition to bar-graph meters common on most converters, Hilo’s touchscreen is able to show more traditional metering types, such as old style VU meters. Also in development are diagnostic screens, such as real time analyzer, phase meter and loudness meter. As with all other Lynx products, Hilo is FPGA based, meaning new features, capabilities and graphics can be added at any time with a simple download.\u003c\/p\u003e\n\n\u003cp\u003eCrucial for mastering and critical listening, Hilo offers world class, verifiable specifications.\u003c\/p\u003e","brand":"Lynx Studio","offers":[{"title":"Default Title","offer_id":57959554744703,"sku":"7602","price":4085.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"rme-adi-2-dac-fs-7520","title":"RME ADI-2 DAC FS","description":"\u003cp\u003eRME ADI-2 DAC FS Overview\u003c\/p\u003e\n\n\u003cp\u003eIn 2016 RME released the RME ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD\/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.\u003c\/p\u003e\n\n\u003cp\u003eTo address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the RME ADI-2 DAC FS. Built on the technology, concept and features of the ADI-2 Pro, the RME ADI-2 DAC FS concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs, and a dedicated infrared remote control, called the MRC (Multi-Remote-Control).\u003c\/p\u003e\n\n\u003cp\u003eThe DAC\u003c\/p\u003e\n\n\u003cp\u003ePacked into the compact half 19\" format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial and optical (ADAT compatible) and USB to RCA, XLR, TRS and min-TRS.\u003c\/p\u003e\n\n\u003cp\u003eAs the most versatile DAC available, the RME ADI-2 DAC FS offers balanced\/unbalanced analogue I\/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD and Direct DSD playback.\u003c\/p\u003e\n\n\u003cp\u003eThe SPDIF input signal can even be recorded via USB - as one would expect from RME, the RME ADI-2 DAC FS is a true 2 channel Full Duplex audio interface.\u003c\/p\u003e\n\n\u003cp\u003eImproving the DA\u003c\/p\u003e\n\n\u003cp\u003eThe updated RME ADI-2 DAC FS uses AKM's AK4493 in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -117 dB, the device delivers outstanding measured values. Even the IEM output, with -118 dBu already the world's lowest noise headphone output, improves to a sensational -120 dBu.\u003c\/p\u003e\n\n\u003cp\u003eIn addition, there is 4 dB of digital headroom, so that even high intersample peaks do not produce any audible distortion. Finally, the device now also offers a clear reserve in volume setting. +2.5 dB result in a still undistorted analog output signal.\u003c\/p\u003e\n\n\u003cp\u003eAll these improvements are completely transparent in the previous menu navigation. There are no changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. The only difference: with 'Low Dispersion' another digital filter is available for selection. Explanations for this filter can be found in the detailed manual of the RME ADI-2 DAC FS.\u003c\/p\u003e\n\n\u003cp\u003eSuper Low Noise for IEM lovers\u003c\/p\u003e\n\n\u003cp\u003eThe headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.\u003c\/p\u003e\n\n\u003cp\u003eModern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs.\u003c\/p\u003e\n\n\u003cp\u003eStill RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs.\u003c\/p\u003e\n\n\u003cp\u003eRME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the RME ADI-2 DAC FS. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on\/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!\u003c\/p\u003e\n\n\u003cp\u003eLights Out!\u003c\/p\u003e\n\n\u003cp\u003eA studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu.\u003c\/p\u003e\n\n\u003cp\u003eTouching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off \/ on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!\u003c\/p\u003e\n\n\u003cp\u003eNew extended Multi-Remote Support (MRC)\u003c\/p\u003e\n\n\u003cp\u003eThe RME ADI-2 DAC FS comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labelled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices.\u003c\/p\u003e\n\n\u003cp\u003eThe RME MRC remote control provides buttons for standby on\/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on\/off loudness, bass\/treble and EQ. In addition, there are four programmable buttons that provide access to 32 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control!\u003c\/p\u003e\n\n\u003cp\u003eNote for owners of the previous remote: the new MRC is also available to purchase separately as an accessory. It can be used with all RME ADI-2 DAC FS models, even older ones, so long as they are equipped with the latest firmware (at least version FPGA 27, DSP 33).\u003c\/p\u003e\n\n\u003cp\u003eSteadyClock FS\u003c\/p\u003e\n\n\u003cp\u003eThe RME ADI-2 DAC FS is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one.\u003c\/p\u003e\n\n\u003cp\u003eSteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC.\u003cbr\u003e\nWith SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal.\u003c\/p\u003e\n\n\u003cp\u003eThe self jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again).\u003c\/p\u003e\n\n\u003cp\u003eThe low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS.\u003c\/p\u003e\n\n\u003cp\u003eFinal Chord\u003c\/p\u003e\n\n\u003cp\u003eThe RME ADI-2 DAC FS includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output.\u003c\/p\u003e\n\n\u003cp\u003eIt has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more.\u003c\/p\u003e\n\n\u003cp\u003eWith its simplified operation and stunning design, the RME ADI-2 DAC FS is the ideal high-end centre-piece, from home listening to studio reference playback.\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\n\u003cp\u003eGeneral\u003c\/p\u003e\n\n\u003cp\u003eDigital Inputs\u003c\/p\u003e\n\n\u003cp\u003eGeneral\u003c\/p\u003e\n\n\u003cp\u003eSPDIF coaxial\u003c\/p\u003e\n\n\u003cp\u003eSPDIF optical\u003c\/p\u003e\n\n\u003cp\u003eAnalogue Outputs\u003c\/p\u003e\n\n\u003cp\u003eXLR\u003c\/p\u003e\n\n\u003cp\u003eRCA Outputs\u003c\/p\u003e\n\n\u003cp\u003eAs XLR outputs but:\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959555498367,"sku":"7520","price":1284.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dmsd-60-decouplers-gold-6990","title":"DMSD 60 Decouplers (Gold)","description":"\u003cp\u003eBox of 8 decouplers (sufficient for 2 speakers)\u003c\/p\u003e\n\n\u003cp\u003eThe DMSD 60 Decoupling System has been developed with both the Studio and HiFi user in mind to provide an effective, professional grade speaker decoupling solution.\u003c\/p\u003e\n\n\u003cp\u003eDesigned and manufactured in Naples, Italy by Dave Mastrodonato Studio Design, DMSD 60 Decouplers are crafted using the highest quality aerospace grade materials, which have been carefully selected based upon Dave Mastrodonato's prior two decades of industry experience. His ultimate aim, to create the most effective and versatile speaker decoupling solution on the market.\u003c\/p\u003e\n\n\u003cp\u003eDMSD 60 Decouplers unique construction significantly reduces sound energy transmission from speaker cabinet to supporting surfaces during audio playback. This has the effect of dramatically improving perceived low frequency precision and tightening the stereo image, therefore providing an aural representation truer to the speaker manufacturers intended design.\u003c\/p\u003e","brand":"DMSD","offers":[{"title":"Default Title","offer_id":57959558775167,"sku":"6990","price":599.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dmsd-60-decouplers-black-6989","title":"DMSD 60 Decouplers (Black)","description":"\u003cp\u003eBox of 8 decouplers (sufficient for 2 speakers)\u003c\/p\u003e\n\n\u003cp\u003eThe DMSD 60 Decoupling System has been developed with both the Studio and HiFi user in mind to provide an effective, professional grade speaker decoupling solution.\u003c\/p\u003e\n\n\u003cp\u003eDesigned and manufactured in Naples, Italy by Dave Mastrodonato Studio Design, DMSD 60 Decouplers are crafted using the highest quality aerospace grade materials, which have been carefully selected based upon Dave Mastrodonato's prior two decades of industry experience. His ultimate aim, to create the most effective and versatile speaker decoupling solution on the market.\u003c\/p\u003e\n\n\u003cp\u003eDMSD 60 Decouplers unique construction significantly reduces sound energy transmission from speaker cabinet to supporting surfaces during audio playback. This has the effect of dramatically improving perceived low frequency precision and tightening the stereo image, therefore providing an aural representation truer to the speaker manufacturers intended design.\u003c\/p\u003e","brand":"DMSD","offers":[{"title":"Default Title","offer_id":57959558840703,"sku":"6989","price":599.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dmsd-60-decouplers-silver-6988","title":"DMSD 60 Decouplers (Silver)","description":"\u003cp\u003eBox of 8 decouplers (sufficient for 2 speakers)\u003c\/p\u003e\n\n\u003cp\u003eThe DMSD 60 Decoupling System has been developed with both the Studio and HiFi user in mind to provide an effective, professional grade speaker decoupling solution.\u003c\/p\u003e\n\n\u003cp\u003eDesigned and manufactured in Naples, Italy by Dave Mastrodonato Studio Design, DMSD 60 Decouplers are crafted using the highest quality aerospace grade materials, which have been carefully selected based upon Dave Mastrodonato's prior two decades of industry experience. His ultimate aim, to create the most effective and versatile speaker decoupling solution on the market.\u003c\/p\u003e\n\n\u003cp\u003eDMSD 60 Decouplers unique construction significantly reduces sound energy transmission from speaker cabinet to supporting surfaces during audio playback. This has the effect of dramatically improving perceived low frequency precision and tightening the stereo image, therefore providing an aural representation truer to the speaker manufacturers intended design.\u003c\/p\u003e","brand":"DMSD","offers":[{"title":"Default Title","offer_id":57959558939007,"sku":"6988","price":599.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dmsd-50-decouplers-gold-6987","title":"DMSD 50 Decouplers (Gold)","description":"\u003cp\u003eBox of 8 decouplers (sufficient for 2 speakers)\u003c\/p\u003e\n\n\u003cp\u003eDMSD 50 decouplers are specific for nearfield monitors, weighing up to 12 kg.\u003c\/p\u003e\n\n\u003cp\u003eThe DMSD 50 Decoupling System has been developed with both the Studio and HiFi user in mind to provide an effective, professional grade speaker decoupling solution.\u003c\/p\u003e\n\n\u003cp\u003eDesigned and manufactured in Naples, Italy by Dave Mastrodonato Studio Design, DMSD 50 Decouplers are crafted using the highest quality aerospace grade materials, which have been carefully selected based upon Dave Mastrodonato's prior two decades of industry experience. His ultimate aim, to create the most effective and versatile speaker decoupling solution on the market.\u003c\/p\u003e\n\n\u003cp\u003eDMSD 50 Decouplers unique construction significantly reduces sound energy transmission from speaker cabinet to supporting surfaces during audio playback. This has the effect of dramatically improving perceived low frequency precision and tightening the stereo image, therefore providing an aural representation truer to the speaker manufacturers intended design.\u003c\/p\u003e","brand":"DMSD","offers":[{"title":"Default Title","offer_id":57959559102847,"sku":"6987","price":299.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dmsd-50-decouplers-black-6986","title":"DMSD 50 Decouplers (Black)","description":"\u003cp\u003eBox of 8 decouplers (sufficient for 2 speakers)\u003c\/p\u003e\n\n\u003cp\u003eDMSD 50 decouplers are specific for nearfield monitors, weighing up to 12 kg.\u003c\/p\u003e\n\n\u003cp\u003eThe DMSD 50 Decoupling System has been developed with both the Studio and HiFi user in mind to provide an effective, professional grade speaker decoupling solution.\u003c\/p\u003e\n\n\u003cp\u003eDesigned and manufactured in Naples, Italy by Dave Mastrodonato Studio Design, DMSD 50 Decouplers are crafted using the highest quality aerospace grade materials, which have been carefully selected based upon Dave Mastrodonato's prior two decades of industry experience. His ultimate aim, to create the most effective and versatile speaker decoupling solution on the market.\u003c\/p\u003e\n\n\u003cp\u003eDMSD 50 Decouplers unique construction significantly reduces sound energy transmission from speaker cabinet to supporting surfaces during audio playback. This has the effect of dramatically improving perceived low frequency precision and tightening the stereo image, therefore providing an aural representation truer to the speaker manufacturers intended design.\u003c\/p\u003e","brand":"DMSD","offers":[{"title":"Default Title","offer_id":57959559233919,"sku":"6986","price":299.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"dmsd-50-decouplers-silver-6985","title":"DMSD 50 Decouplers (Silver)","description":"\u003cp\u003eBox of 8 decouplers (sufficient for 2 speakers)\u003c\/p\u003e\n\n\u003cp\u003eDMSD 50 decouplers are specific for nearfield monitors, weighing up to 12 kg.\u003c\/p\u003e\n\n\u003cp\u003eThe DMSD 50 Decoupling System has been developed with both the Studio and HiFi user in mind to provide an effective, professional grade speaker decoupling solution.\u003c\/p\u003e\n\n\u003cp\u003eDesigned and manufactured in Naples, Italy by Dave Mastrodonato Studio Design, DMSD 50 Decouplers are crafted using the highest quality aerospace grade materials, which have been carefully selected based upon Dave Mastrodonato's prior two decades of industry experience. His ultimate aim, to create the most effective and versatile speaker decoupling solution on the market.\u003c\/p\u003e\n\n\u003cp\u003eDMSD 50 Decouplers unique construction significantly reduces sound energy transmission from speaker cabinet to supporting surfaces during audio playback. This has the effect of dramatically improving perceived low frequency precision and tightening the stereo image, therefore providing an aural representation truer to the speaker manufacturers intended design.\u003c\/p\u003e","brand":"DMSD","offers":[{"title":"Default Title","offer_id":57959559332223,"sku":"6985","price":299.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"burl-b16-mothership-usb-6025","title":"Burl B16 Mothership (USB)","description":"\u003cp\u003eThe BMB5 features USB connectivity. Designed exclusively for the B16, the BMB5 provides an easy interface to any computer via USB. If you don't need high channel count, the B16 with the BMB5 is a great way to go with a BAD8 and BDA8.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003cbr\u003e\n44.1k, 48k, 88.4k and 96k sample rate support\u003cbr\u003e\n1 USB 2.0 port\u003cbr\u003e\n1 BNC Word Clock input\u003cbr\u003e\n1 BNC Word Clock output\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57959568146815,"sku":"6025","price":1669.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"prism-sound-lyra-1-and-rack-ears-5524","title":"Prism Sound Lyra 1 \u0026 Rack Ears","description":"\u003cp\u003eThe Lyra family of audio interfaces offers Prism Sound performance at its most affordable ever. They are based on the Orpheus audio path and clock circuitry, but in a smaller package for those who don't need eight channels of analogue I\/O. A number of different variants will become available, beginning with Lyra 1 and Lyra 2.\u003c\/p\u003e\n\n\u003cp\u003eLyra is based on the new ARM Cortex-based \"XCore\" processor design which offers class-compliant USB and Ethernet AVB interfacing, plus DSP and local mixing capacity beyond that of the present Orpheus platform.\u003c\/p\u003e\n\n\u003cp\u003eAnalogue and digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, analogue and digital outputs and stereo headphone outputs can be played independently.\u003c\/p\u003e\n\n\u003cp\u003eFor low-latency foldback or monitoring to headphone or main outputs, each output pair (1-2, 3-4 or the headphone output) can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analogue inputs are electronically balanced with automatic unbalanced operation. Analogue outputs are electronically balanced with 'bootstrapping', i.e. level is maintained if one leg is grounded.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":57959570014591,"sku":"5524","price":2480.0,"currency_code":"GBP","in_stock":true}]}],"url":"https:\/\/sxpro.co.uk\/collections\/studio-essentials-audio-interfaces.oembed?page=2","provider":"SX Pro","version":"1.0","type":"link"}