{"title":"Studio Essentials \/ Audio Interfaces","description":"","products":[{"product_id":"dangerous-music-convert-ad-51424","title":"Dangerous Music Convert AD+","description":"\u003cp\u003eGAME-CHANGING INNOVATIONS\u003c\/p\u003e\n\n\u003cp\u003eIf you thought analog-to-digital converter innovation had taken a snooze, Dangerous Music is about to wake you up with five game-changing innovations. Packed into a single rack space with our next-generation conversion for the ultimate in musicality and transparency, the CONVERT-AD+ is the most advanced stereo analog-to-digital converter on the market.\u003c\/p\u003e\n\n\u003cp\u003eFEATURES\u003c\/p\u003e\n\n\u003cp\u003e5 INNOVATIVE FEATURES YOU DIDN’T KNOW YOU NEEDED\u003c\/p\u003e\n\n\u003cp\u003eThe CONVERT-AD+ has no fewer than five— five! —features previously never seen on an analog-to-digital converter. Smart, useful, well-executed innovations put Dangerous Music on the map, and we continue that tradition into the 21st century with the CONVERT-AD+.\u003c\/p\u003e\n\n\u003cp\u003eSimple, elegant, intelligent. With the push of a button, you can switch between any two balanced line input sources. With zero fuss, you can instantly compare different mastering chains, test your mix against a reference, switch between tracking and mixing, A\/B between different mic\/preamp scenarios—or craft your own application. From the largest mix rooms, to elite mastering suites, to your home studio, the switchable inputs on the CONVERT-AD+ is about to make everyone’s life a lot easier.\u003c\/p\u003e\n\n\u003cp\u003eDo you dig pushing the A\/D beyond 0 dBFS, into clipping, for specific sonics, but don’t want your tracks rejected? Clip Guard will turn off the red light LED at your destination (i.e. DAW). Red indicates clipping on most meters, in actuality, the over indicator in the AD+ turns from green to yellow. Now “Mastered for iTunes” or the CD pressing plant will not refuse your opus, since these red light overs will not register. This is not a limiter. If you can hear clipping and engage clip guard, it will sound identical. It simply disables the clip LED in your DAW or destination device, but you will still be audibly clipping.\u003c\/p\u003e\n\n\u003cp\u003eIn most circumstances, the dynamics of a mix or master reside in the crest factor, the zone between the average and the peak levels. With our meter magnification technology, you can zoom in on just the top 10dB of dynamic activity, providing a finer-resolution peek at what that matters most when mixing and mastering. Warning: this nuanced dynamics crafting tool is addictive.\u003c\/p\u003e\n\n\u003cp\u003eIt’s no secret that a pair of transformers at the end of a mixing or mastering chain can imbue your final prints with heft, character and articulation. With the CONVERT-AD+, just push a button and you’ve got a pair of Hammond transformers wired in series, ready to impart the magic that transformers wield. Hammond is a Canadian company with over 100 years of transformer design and our circuit brings out all the bold colors.\u003c\/p\u003e\n\n\u003cp\u003eOur analog designer Chris Muth did it again, taking his deep and esoteric knowledge of what engineers love and turning it into a simple and effective tool. When the transformers are switched in, the Emphasis kicks in a proprietary EQ\/compression combo that brings a whole pallet of different colors to your mixing, mastering, and tracking work. Simply dial in the right amount, or none at all, until the smiles in the room get wider. In most cases, you’ll notice a stronger low end footprint and a gentle saturation on the mids and highs. The more you play with it, the more you’ll learn how Emphasis can improve your music.\u003c\/p\u003e\n\n\u003cp\u003eSOUND YOU CAN TRUST AND LOVE\u003c\/p\u003e\n\n\u003cp\u003ePreviously an oxymoron, musical transparency makes perfect sense now that Dangerous Music has pushed its products to the bleeding edge of today’s technology. We deliver an open, full-bodied sound free of unwanted artifacts (transparency) with a bold and big three-dimensional sound (musicality). The result is sound that you can trust and love.\u003c\/p\u003e\n\n\u003cp\u003eSUPERIOR DIGITAL IMPLEMENTATION\u003c\/p\u003e\n\n\u003cp\u003eAmong those who truly understand this hotly debated area of audio technology, the mantra with digital is implementation, implementation, implementation. How components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan, is what sets a converter apart. The Dangerous Music CONVERT-AD+ has been developed by a team of experts with deep, up-to-the-minute knowledge of the best digital and analog converter technology available today. Our implementation has even managed to get the clock working better than it’s stated specs.\u003c\/p\u003e\n\n\u003cp\u003eJITTER ELIMINATION TECHNOLOGY—JETPLL®\u003c\/p\u003e\n\n\u003cp\u003eJetPLL® is a patented clocking technology that Dangerous Music employs in order to reduce jitter to the point where it simply isn’t a factor impacting the sound of our converters. Whenever zeros and ones are flying by at incredible speeds, a solid clock and balanced data stream management system is of the utmost importance to articulate, musical, 3D impact. Do not shy away from using the CONVERT-AD+ as your studio’s master clock, a choice more and more engineers are making as they retire their dedicated clocks and become “converts.”\u003c\/p\u003e\n\n\u003cp\u003eThis product incorporates JetPLL® clocking technologies, used under license from Sonopsis. JetPLL® designs are covered by Sonopsis copyright and\/or multiple patents. The JetPLL® word and logo are trademarks of Sonopsis.\u003c\/p\u003e\n\n\u003cp\u003eUNSURPASSED ANALOG EXCELLENCE\u003c\/p\u003e\n\n\u003cp\u003eOur analog designer, Chris Muth, has designed the gear used on an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When we set out to develop the CONVERT-AD+, Chris brought his relentless design philosophy and world-renowned sound to a whole new level. The entire CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound, the powerful, ultra-clear low-end, and the wide open high-end.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":57959584039295,"sku":"51424","price":3050.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/51424-1.jpg?v=1785418340"},{"product_id":"avid-pro-tools-carbon","title":"AVID Pro Tools Carbon","description":"\u003cp\u003eAvid Pro Tools Carbon is a hybrid audio interface that combines high-quality analogue I\/O with onboard HDX DSP acceleration. It allows tracks to switch between native and DSP processing for near-zero-latency monitoring through AAX plug-ins, providing an integrated recording workflow for artists, bands and production studios.\u003c\/p\u003e\u003cp\u003eIt is designed for professional recording and mixing workflows that need dependable conversion, low-latency routing and straightforward integration with the rest of the studio.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":57959649968511,"sku":"47584","price":3390.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/47584-1.jpg?v=1783941501"},{"product_id":"ferrofish-madi-sfp-module-48543","title":"Ferrofish MADI Optical SFP Module (Multimode)","description":"\u003cp\u003eThe \u003cstrong\u003eFerrofish MADI Optical SFP Module\u003c\/strong\u003e provides optical MADI input and output for compatible Ferrofish converters, including the Pulse 16 and Verto MX. Its user-installable design fits directly into the device’s dedicated SFP slot, providing a straightforward way to add MADI connectivity or replace an existing module.\u003c\/p\u003e\n\u003cp\u003eWhen combined with the required MADI upgrade code, the module enables Pulse 16 MX functionality on a standard Pulse 16, allowing all 16 analogue inputs and 16 analogue outputs to operate at sample rates up to 192kHz. This makes it easy to integrate the converter with MADI-equipped audio interfaces, mixing consoles and other digital audio equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis product includes the SFP module only. The MADI upgrade code is not included and must be purchased separately when upgrading a Pulse 16, unless you already have one.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":57959667827071,"sku":"48543","price":115.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/51565-1.jpg?v=1783942616"},{"product_id":"rme-arc-usb-1813","title":"RME ARC USB","description":"\u003cp\u003eThe RME ARC USB is a compact desktop remote that puts the essential controls of TotalMix FX within easy reach. Its large rotary encoder and 15 programmable buttons provide convenient access to monitor and headphone levels, speaker switching, talkback, dim, mono and snapshot recall, making everyday recording and mixing tasks quicker to manage.\u003c\/p\u003e\n\u003cp\u003eConfigure the controls around your workflow, whether you need to switch between monitoring setups, check headphone mixes or adjust levels during a session. Custom button assignments are saved within TotalMix FX workspaces, with interchangeable labels included to match your chosen functions.\u003c\/p\u003e\n\u003cp\u003ePowered over USB and compatible with Windows and macOS, the ARC USB works with any RME audio interface supported by TotalMix FX when connected through a computer. Selected RME interfaces also support direct connection for standalone control.\u003cbr\u003e\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959696040319,"sku":"1813","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1813-1.jpg?v=1789304762"},{"product_id":"rme-madiface-usb-1728","title":"RME MADIface USB","description":"\u003cp\u003eThe RME MADIface USB is a compact digital audio interface for connecting MADI-equipped consoles, converters and microphone preamps to a Mac or Windows computer. Offering up to 64 channels of recording and 64 channels of playback over USB 2.0 at 44.1 or 48kHz, it provides a portable solution for multitrack studio recording, live capture and playback systems.\u003c\/p\u003e\n\u003cp\u003eOptical and coaxial MADI connections allow straightforward integration with existing equipment, while RME’s TotalMix FX software provides flexible routing and independent monitor mixes. Both MADI ports can operate simultaneously, giving the internal mixer access to up to 128 inputs and 128 outputs at standard sample rates. USB recording and playback remain at a maximum of 64 channels in each direction.\u003c\/p\u003e\n\u003cp\u003eFor live and critical recording applications, Seamless Redundancy automatically switches to the alternative MADI input if the active connection fails. RME’s SteadyClock technology suppresses incoming clock jitter, while DIGICheck software provides comprehensive metering and audio analysis.\u003c\/p\u003e\n\u003cp\u003eWith its sturdy enclosure and USB bus power, the MADIface USB fits easily into mobile recording rigs and desktop systems. It also operates as a stand-alone optical\/coaxial MADI format converter and active repeater when connected to a suitable USB power supply.\u003cbr\u003e\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":57959696793983,"sku":"1728","price":749.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1728-1.jpg?v=1788971924"},{"product_id":"prism-sound-ada-128-chassis","title":"Prism Sound ADA-128 Chassis","description":"\u003cp\u003eADA-128 MODULAR HIGH-QUALITY AUDIO CONVERSION SYSTEM\u003c\/p\u003e\n\n\u003cp\u003eToday the dawn of a new breed of product from Prism Sound has arrived, The Dream ADA-128. Over the past five years Prism Sound has been developing a new innovative architecture. Defining a new standard in conversion technology, from early conversations with key partners through to prototype testing every step pf the journey has been a defining moment in this revolutionary new unit.\u003c\/p\u003e\n\n\u003cp\u003eThe Dream ADA-128 will be the latest in the acclaimed range of Prism Sound ‘Dream’ A\/D and D\/A converters which have become widely regarded as the world’s best sounding converters. Whilst continuing the tried and trusted ‘no compromise’ design philosophy of previous ‘Dream’ products, the Dream ADA-128 adds new flexibility, functionality and greater cost-effectiveness.\u003c\/p\u003e\n\n\u003cp\u003eModular\u003c\/p\u003e\n\n\u003cp\u003eModular analogue and digital I\/O up to 128 channels in a 2U frame with 8 channel line \/ Out and Mic\/Line cards.\u003c\/p\u003e\n\n\u003cp\u003eQclock\u003c\/p\u003e\n\n\u003cp\u003eThe ADA-128 provides independent synchronisation of I\/O cards, enabling operation with up to four different clock domains.\u003c\/p\u003e\n\n\u003cp\u003eA.D.R.A\u003c\/p\u003e\n\n\u003cp\u003eThe ADA-128 offers accurate, ultra detailed A\/D and D\/A conversion providing complete focus of sound to ensure you're not distracted by colouration while allowing every nuance of a performance to be heard.\u003c\/p\u003e\n\n\u003cp\u003eDigital Freedom\u003c\/p\u003e\n\n\u003cp\u003eWith 4 modular host slots alongside 16 modular I\/O slots, the Dream ADA128 offers unrivalled and almost unlimited flexibility.\u003c\/p\u003e\n\n\u003cp\u003eConfigurations\u003c\/p\u003e\n\n\u003cp\u003eThe Dream ADA-128 is not just a conversion system, but a high-performance networkable audio distribution and processing system which meets the most exacting requirements of a recording studio through to a film sound stage.\u003c\/p\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":57959703183743,"sku":"48906","price":5879.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/48906-1.jpg?v=1783941679"},{"product_id":"prism-sound-128-channel-dante-module-for-ada-128","title":"Prism Sound 128 Channel Dante Module For ADA-128","description":"","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":57959703413119,"sku":"48907","price":2759.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/48907-1.jpg?v=1783941679"},{"product_id":"prism-sound-8-channel-analogue-to-digital-module-for-dream-ada-128","title":"Prism Sound 8 Channel Analogue To Digital Module For Dream ADA-128","description":"","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":57959703675263,"sku":"48908","price":2279.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/48908-1.jpg?v=1783941680"},{"product_id":"prism-sound-8-channel-digital-to-analogue-module-for-dream-ada-128","title":"Prism Sound 8 Channel Digital To Analogue Module For Dream ADA-128","description":"","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":57959704625535,"sku":"48909","price":2279.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/48909-1.jpg?v=1783941680"},{"product_id":"spl-mercury-red","title":"SPL Mercury (Red)","description":"\u003cp\u003eMercury is the first Mastering DA converter in 120V rail technology.\u003c\/p\u003e\n\n\u003cp\u003eMercury is a stereo digital to analog converter that fulfils the highest demands both technologically and tonally.\u003c\/p\u003e\n\n\u003cp\u003eA total of seven digital inputs, two AES\/EBU, two SPDIF, two TOSLINK as well as USB can be connected to Mercury. AES input 2 also supports Dual-Wire (DW) mode.\u003c\/p\u003e\n\n\u003cp\u003eEach digital sources has its dedicated and illuminated switch for instant selection and fast comparison.\u003c\/p\u003e\n\n\u003cp\u003eDAC With DLP120\u003c\/p\u003e\n\n\u003cp\u003eThe output of the DAC-IC (AK4490) is an analog signal that must be filtered with a low-pass filter. This analog circuit is typically operated with the same voltage as the DAC-IC - for example 5V. Imagine that the first stage that finds the analog signal has a dynamic range and signal-to-noise ratio limited by this voltage. What a bottleneck.\u003c\/p\u003e\n\n\u003cp\u003eThe Mercury uses our 120V technology instead of the standard technology. And this twice in the newly developed DLP120 module. DLP stands for \"Dual Low Pass\". These are two separate analog filters in 120V technology. Depending on the type of digital signal, the analog signal passes through the PCM or DSD filter and can freely unfold into a huge dynamic range. This is audibly better.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":57959710622079,"sku":"SP-MERCURY\/R","price":2459.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/SP-MERCURY-R-1.jpg?v=1783943325"},{"product_id":"spl-mercury-black","title":"SPL Mercury (Black)","description":"\u003cp\u003eMercury is the first Mastering DA converter in 120V rail technology.\u003c\/p\u003e\n\n\u003cp\u003eMercury is a stereo digital to analog converter that fulfils the highest demands both technologically and tonally.\u003c\/p\u003e\n\n\u003cp\u003eA total of seven digital inputs, two AES\/EBU, two SPDIF, two TOSLINK as well as USB can be connected to Mercury. AES input 2 also supports Dual-Wire (DW) mode.\u003c\/p\u003e\n\n\u003cp\u003eEach digital sources has its dedicated and illuminated switch for instant selection and fast comparison.\u003c\/p\u003e\n\n\u003cp\u003eDAC With DLP120\u003c\/p\u003e\n\n\u003cp\u003eThe output of the DAC-IC (AK4490) is an analog signal that must be filtered with a low-pass filter. This analog circuit is typically operated with the same voltage as the DAC-IC - for example 5V. Imagine that the first stage that finds the analog signal has a dynamic range and signal-to-noise ratio limited by this voltage. What a bottleneck.\u003c\/p\u003e\n\n\u003cp\u003eThe Mercury uses our 120V technology instead of the standard technology. And this twice in the newly developed DLP120 module. DLP stands for \"Dual Low Pass\". These are two separate analog filters in 120V technology. Depending on the type of digital signal, the analog signal passes through the PCM or DSD filter and can freely unfold into a huge dynamic range. This is audibly better.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":57959710687615,"sku":"SP-MERCURY\/B","price":2459.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/SP-MERCURY-B-1.jpg?v=1783943324"},{"product_id":"spl-mercury-all-black","title":"SPL Mercury (All Black)","description":"\u003cp\u003eMercury is the first Mastering DA converter in 120V rail technology.\u003c\/p\u003e\n\n\u003cp\u003eMercury is a stereo digital to analog converter that fulfils the highest demands both technologically and tonally.\u003c\/p\u003e\n\n\u003cp\u003eA total of seven digital inputs, two AES\/EBU, two SPDIF, two TOSLINK as well as USB can be connected to Mercury. AES input 2 also supports Dual-Wire (DW) mode.\u003c\/p\u003e\n\n\u003cp\u003eEach digital sources has its dedicated and illuminated switch for instant selection and fast comparison.\u003c\/p\u003e\n\n\u003cp\u003eDAC With DLP120\u003c\/p\u003e\n\n\u003cp\u003eThe output of the DAC-IC (AK4490) is an analog signal that must be filtered with a low-pass filter. This analog circuit is typically operated with the same voltage as the DAC-IC - for example 5V. Imagine that the first stage that finds the analog signal has a dynamic range and signal-to-noise ratio limited by this voltage. What a bottleneck.\u003c\/p\u003e\n\n\u003cp\u003eThe Mercury uses our 120V technology instead of the standard technology. And this twice in the newly developed DLP120 module. DLP stands for \"Dual Low Pass\". These are two separate analog filters in 120V technology. Depending on the type of digital signal, the analog signal passes through the PCM or DSD filter and can freely unfold into a huge dynamic range. This is audibly better.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":57959710753151,"sku":"SP-MERCURY\/AB","price":2398.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/SP-MERCURY-AB-1_599afbfb-90cc-4d8e-8f21-e971ab7fc7e6.jpg?v=1789651298"},{"product_id":"metric-halo-lio8-channel-5-8-upgrade-kit","title":"Metric Halo LIO8 Channel 5-8 Upgrade Kit","description":"\u003cp\u003eThe best of everything you need, without the stuff you don't!\u003c\/p\u003e\n\n\u003cp\u003eWhen Metric Halo introduced the ULN-8, people raved about the sonic quality, the features, and the power of our architecture. MH also heard from the people that have their own \"go to\" mic pres, people that use analog consoles, and those that edit but don't record. They love the ULN-8 too, but didn't need the mic pres.\u003c\/p\u003e\n\n\u003cp\u003eFor those, Metric Halo created the LIO-8.\u003c\/p\u003e\n\n\u003cp\u003eThe LIO-8 incorporates the same Metric Halo Audio technologies in the ULN-8 including:\u003c\/p\u003e\n\n\u003cp\u003eExpandability\u003c\/p\u003e\n\n\u003cp\u003eAs with all Metric Halo products, the LIO-8 features an upgrade path. Or two.\u003c\/p\u003e\n\n\u003cp\u003eWhile the base configuration of the LIO-8 doesn't include mic pres, you can opt to have 4 or 8 channels of the same ULN-R mic pres as the ULN-8 included in your unit. The LIO can be ordered this way from the factory, or the pres can be installed later.\u003c\/p\u003e\n\n\u003cp\u003eYou can also choose to upgrade your processing by adding the +DSP license, which adds over 100 plug-ins to your LIO and gives you the ability to create and save complex processing \"graphs\" as well as access to factory supplied \"macros\" including processors, amp simulators and more. You can find out more about +DSP here. Adding +DSP to your LIO is easy, just put the software license code into MIO Console and your box is unlocked.\u003c\/p\u003e\n\n\u003cp\u003eLIO-8 Key Benefits at a Glance\u003c\/p\u003e\n\n\u003cp\u003eSuite Solution\u003c\/p\u003e\n\n\u003cp\u003eWith everything you need to record, mix, process, and master audio (just add your DAW of choice, analog front end and transducers), the LIO-8 is your one-stop solution for recording, edit, mix and mastering suites. Even if you are using a DAW or recording system that does not support the LIO-8 Firewire interface, the unit's standalone operation and standard AES and analog interface allow you to use it as the Audio Front End and Monitor Controller for Pro Tools, standalone and PC based recording systems.\u003c\/p\u003e\n\n\u003cp\u003eThe Ultimate Digital Upgrade\u003c\/p\u003e\n\n\u003cp\u003eThe LIO-8 is a great way to upgrade your audio system. Put it between your existing gear and your DAW to get all of the benefits of our analog design, conversion technology and DSP without ripping your room apart. Adding a LIO to an analog console is like buying new converters and getting a digital mixer with total recall for free. Using our ConsoleConnect technology you can insert EQs, compressors, gates, reverbs and more into our v.5 Mixer and have all your routing and settings recalled with your DAW session.\u003c\/p\u003e","brand":"Metric Halo","offers":[{"title":"Default Title","offer_id":57959713243519,"sku":"MH-ULNR\/8","price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/MH-ULNR-8-1.jpg?v=1783943309"},{"product_id":"metric-halo-lio8-channel-1-4-upgrade-kit","title":"Metric Halo LIO8 Channel 1-4 Upgrade Kit","description":"\u003cp\u003eThe best of everything you need, without the stuff you don't!\u003c\/p\u003e\n\n\u003cp\u003eWhen Metric Halo introduced the ULN-8, people raved about the sonic quality, the features, and the power of our architecture. MH also heard from the people that have their own \"go to\" mic pres, people that use analog consoles, and those that edit but don't record. They love the ULN-8 too, but didn't need the mic pres.\u003c\/p\u003e\n\n\u003cp\u003eFor those, Metric Halo created the LIO-8.\u003c\/p\u003e\n\n\u003cp\u003eThe LIO-8 incorporates the same Metric Halo Audio technologies in the ULN-8 including:\u003c\/p\u003e\n\n\u003cp\u003eExpandability\u003c\/p\u003e\n\n\u003cp\u003eAs with all Metric Halo products, the LIO-8 features an upgrade path. Or two.\u003c\/p\u003e\n\n\u003cp\u003eWhile the base configuration of the LIO-8 doesn't include mic pres, you can opt to have 4 or 8 channels of the same ULN-R mic pres as the ULN-8 included in your unit. 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