{"title":"Microphones \/ Ribbon","description":"","products":[{"product_id":"mesanovic-model-2as-8160","title":"Mesanovic Model 2AS","description":"\u003cp\u003eThe ultimate stereo ribbon microphone\u003c\/p\u003e\n\n\u003cp\u003eThe active version of the Model 2S\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2AS is an active version of the Model 2S stereo ribbon microphone. The Model 2AS utilises the same design features found in the Model 2S and offers the same unique sonic character. The microphone contains our signature motor structure and custom designed resonator plates to provide the incredibly extended, detailed, and 3D like response found in our Model 2, 2S, and 2A.\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2AS's high output is provided by custom, in house wound, toroidal transformers. These high turn ratio transformers are perfectly matched to the Model 2AS's ribbon elements to provide optimal performance. The phantom powered electronics work as an impedance buffer and provide no additional gain or coloration to the sound. The result of this ideal impedance matching is 13 dB more output than the Model 2S and extremely low self-noise.\u003c\/p\u003e\n\n\u003cp\u003eWith its high output level, the Model 2AS will work perfectly with any preamplifier. Whether you are using an entry-level interface or a high end dedicated preamp, the Model 2AS will deliver stunning results. The Model 2AS shines on orchestral and choral recordings where low noise and high output is needed and is ideal for string sections, horn sections, piano, acoustic guitar, and so much more.\u003c\/p\u003e\n\n\u003cp\u003eWhether you are using the Model 2AS in a Blumlein or M-S stereo configuration, the microphone's uniform polar frequency response and excellent off-axis frequency response will provide you with outstanding phase coherent stereo recordings. Solid phase compatibility between the two channels of the Model 2AS also allows the user to combine the two channels into a mono recording without any phase artifacts.\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2AS is covered by a lifetime parts warranty and a free re-ribboning for the original owner within two years of purchase. The microphone ships with a heavy-duty waterproof case, shock mount, protective pouch, and a 30-foot 5-pin XLR female to dual 3-pin XLR male breakout cable.\u003c\/p\u003e","brand":"Mesanovic","offers":[{"title":"Default Title","offer_id":57959551926655,"sku":"8160","price":2249.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"mesanovic-model-2s-8159","title":"Mesanovic Model 2S","description":"\u003cp\u003eCapture stunning stereo recordings with ease\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2 sound in a stereo package\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2S is a passive stereo ribbon microphone utilising the same design features found in the Model 2. The Model 2S uses two matched ribbon motors angled at 90 degrees to each other to create a Blumlein configuration. It uses the same motors and transformers found in our Model 2. The motors feature a very short front to back path length along with our custom designed resonator plates. These features give the Model 2S the same unique sonic character found in our Model 2: an incredibly extended and detailed high end, classic smooth ribbon midrange, an open and transparent low end, and an amazingly quick transient response. A custom designed toroidal transformer provides extremely low distortion, low noise, and 3D like sound.\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2S captures stunning stereo recordings with ease. Whether you are using the Model 2S in a Blumlein or M-S stereo configuration, the microphone's uniform polar frequency response and excellent off-axis frequency response will provide you with outstanding phase coherent stereo recordings. Solid phase compatibility between the two channels of the Model 2S also allows the user to combine the two channels into a mono recording without any phase artifacts. The microphones slim body and simple isolation mount make it easier than ever to position. Its matte black anodised finish also helps to reduce visibility in live recording situations.\u003c\/p\u003e\n\n\u003cp\u003eThe beauty of the Model 2S is its ability to capture incredible 3D like recordings that will make you feel like you are in the room with the performers. Its beautifully balanced and extended frequency response greatly reduces the need for post equalisation. The Model 2S shines on orchestral and choral recordings. It will have you hearing drum overheads and room recordings like never before. The Model 2S will easily become your favourite on string sections, horn sections, piano, acoustic guitar, and so much more.\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2S is covered by a lifetime warranty on parts and a free re-ribboning for the original owner within two years of purchase. The microphone ships with a plastic molded case, isolation mount, protective pouch, and a 5-pin XLR female to dual 3-pin XLR male breakout cable.\u003c\/p\u003e","brand":"Mesanovic","offers":[{"title":"Default Title","offer_id":57959552156031,"sku":"8159","price":2099.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"mesanovic-model-2a-8158","title":"Mesanovic Model 2A","description":"\u003cp\u003eThe ultimate active ribbon microphone\u003c\/p\u003e\n\n\u003cp\u003eThe active version of the Model 2\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2A is an active version of the Model 2 ribbon microphone. The Model 2A utilises the same design features found in the Model 2 and offers the same unique sonic character. The microphone contains our signature motor structure and custom designed resonator plates to provide the incredibly extended, detailed, and 3D like response found in our Model 2.\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2A's high output is provided by a custom, in house wound, toroidal transformer. This high turn ratio transformer is perfectly matched to the Model 2A’s ribbon to provide optimal performance. The phantom powered electronics work as an impedance buffer and provide no additional gain or coloration to the sound. The result of this ideal impedance matching is 13 dB more output than the Model 2 and extremely low self-noise.\u003c\/p\u003e\n\n\u003cp\u003eWith its high output level, the Model 2A will work perfectly with any preamplifier. Whether you are using an entry-level interface or a high end dedicated preamp, the Model 2A will deliver stunning results. The Model 2A excels on quieter sources such as acoustic guitar, vocals, strings, and piano - yet still delivers beautifully on louder sources like guitar amps and drum overheads. The Model 2A also shines on location recordings of choirs and orchestras where low noise and high output is needed.\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2A is covered by a lifetime parts warranty and a free re-ribboning for the original owner within two years of purchase. The microphone ships with a plastic molded case, isolation mount, and protective pouch.\u003c\/p\u003e","brand":"Mesanovic","offers":[{"title":"Default Title","offer_id":57959552221567,"sku":"8158","price":1399.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"mesanovic-model-2-8154","title":"Mesanovic Model 2","description":"\u003cp\u003eThe most versatile ribbon microphone ever made\u003c\/p\u003e\n\n\u003cp\u003eA new take on ribbon design\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2 is a ribbon microphone that pushes modern design to its limits. The Model 2 is a passive ribbon that is completely handcrafted in Detroit, Michigan. It features a 1.8 micron thick, 2 inch long pure aluminium ribbon. The ribbon motor was designed to have a very short front to back path length as well as custom resonator plates. These features give the Model 2 an incredibly extended high frequency response, while retaining classic ribbon midrange and a rich, low end that reaches flat out to 20 Hz. You can hear the high frequency \"air\" in this microphone, something not common in ribbons. The Model 2 features our unique in house wound toroidal transformer. This transformer provides extremely low distortion, low noise, incredible high frequency detail, and a 3D like sound. The microphone's slim body (1.25 inches in diameter) allows it to be used with most third party shockmounts and allows for quick and easy set up.\u003c\/p\u003e\n\n\u003cp\u003eThe Model 2 sounds great on all sources. Its smooth, flat extended response makes it an excellent choice on vocals, guitar amps, drums, strings, brass, piano, and much more. We recommend using this mic on sources where you would usually not reach for a ribbon, we guarantee you won't be disappointed. Like the Model 1, the Model 2 also delivers an amazingly quick transient response.\u003c\/p\u003e\n\n\u003cp\u003eMesanovic offer a lifetime warranty with their microphones because they are certain they are built for years of use. The microphone includes a plastic molded case, shockmount, and protective pouch.\u003c\/p\u003e","brand":"Mesanovic","offers":[{"title":"Default Title","offer_id":57959552319871,"sku":"8154","price":1395.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-cloudlifter-cl1-784","title":"Cloud Microphones Cloudlifter CL1","description":"\u003cp\u003eA Must-Have Tool for Dynamics and Ribbons!\u003c\/p\u003e\n\n\u003cp\u003eCloudlifter CL-1 Mic Activator is an easy to use, compact solution for common audio problems faced in the field and in the studio. Designed for all passive microphones – including ribbons- the CL-1 safely uses any standard phantom powered microphone input device to provide up to +25db of ultra- clean, transparent gain.\u003c\/p\u003e\n\n\u003cp\u003eCloudlifters dramatically improve the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs, making them ideal for broadcast, live, and studio applications. Enclosed in a rugged steel enclosure offering excellent shielding, the CL-1 additionally has provisions for stage or stand mounting with the included strap.\u003c\/p\u003e\n\n\u003cp\u003ePlease note: the CL1 is designed for use with passive ribbon and dynamic microphones only. Any microphone that requires phantom power, i.e. condenser or active microphones will not work with the CL1.\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959553794431,"sku":"784","price":119.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-cloudlifter-cl-zi-7679","title":"Cloud Microphones Cloudlifter CL-Zi","description":"\u003cp\u003eElevate Your Sound to the Power of Z\u003c\/p\u003e\n\n\u003cp\u003eCloudlifter Mic Activators are used by thousands of professionals all over the world to improve the quality of their microphone's sound. The Cloudlifter Zi incorporates this patented technology and variable impedance control into an active DI for guitar players, bass players, keyboard players and more.\u003c\/p\u003e\n\n\u003cp\u003eThe Zi provides up to +25dB of ultra-clean gain for XLR microphones and lo-z sources and up to +15dB for 1\/4\" instruments and other Hi-Z sources, via the Neutrik combination dual-input connector and Hi-Z to Lo-Z CineMag instrument transformer. The Cloudlifter Zi maximises the instrument or microphone's signal strength and clarity and lowers the noise floor and amount of gain required from the preamp. The premium CineMag transformer, encased in MU metal for optimal shielding, brings out the natural beauty and character of your instrument, while lowering the impedance to mate perfectly with the Cloudlifter's patented Vari-Z interface and phantom-powered gain circuit. By allowing your preamps to operate in a more comfortable gain range, the natural frequency response of the microphone or instrument remains intact and the self-noise of the preamp is drastically reduced.\u003c\/p\u003e\n\n\u003cp\u003eVari Z Interface = Massive tone control\u003c\/p\u003e\n\n\u003cp\u003eThe Cloudlifter Zi has continuously variable input impedance and continuously variable high-pass filtering that works in tandem to create massive tone control in a uniquely beautiful way that can only be accomplished through manipulation of impedance. Having input-Z control that is sweep-able from 150 ohms to 15k ohms allows you to creatively load the microphone's output, or the low impedance output of the CineMag instrument transformer, prior to the Zi's ultra-clean gain stage. This allows you to shape and contour your tone, whether you are using a microphone or going direct with an instrument.\u003c\/p\u003e\n\n\u003cp\u003eVariable High-Pass Filtering = Proximity Effect Control\u003c\/p\u003e\n\n\u003cp\u003eThe continuously variable high-pass filtering works in conjunction with the impedance value which allows for even greater tonal shaping. When engaged, the frequency cutoff is affected by the impedance setting. This allows for a -6dB per octave sweep-able frequency reduction from approximately 20hz to 4khz, just by turning the \"Z\" knob. This can be especially useful for reducing the proximity effect of a ribbon or dynamic microphone, or for easily eliminating low-frequency boom from acoustic, and shaping tonal characteristics from electric instruments such as bass, guitar and keyboards. Getting the desired result using the HPF is incredibly easy and intuitive; just turn the \"Z\" knob until it sounds right!\u003c\/p\u003e\n\n\u003cp\u003eVariable Gain\u003c\/p\u003e\n\n\u003cp\u003eThe Zi has a three-position gain switch allowing for minimum gain, more gain, or maximum gain available. Most of the time the MAX position (up to approx. +25db for microphones or +15dB for instruments) will be used, however, the middle gain setting (up to 12dB for mics or 6dB for instruments) and the minimum gain setting (up to +6dB for mics and 3dB for instruments) may be useful in situations where the source does not require as much gain, or where more of the preamp's colour from additional gain is desired. It is notable that the Hi-Z to Lo-Z CineMag transformer initially reduces the level of the instrument, as it would with any DI transformer, but then increases once the signal is fed into the Cloudlifter's amplification circuit. This usually results in a net gain with instruments up to 15dB, depending on the instrument and preamp combination. This accounts for the net gain with an instrument being a bit less than what you can expect to see with a microphone, in terms of total decibels of gain.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959554253183,"sku":"7679","price":407.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"aea-trp2-7378","title":"AEA TRP2","description":"\u003cp\u003ePerfect for any ribbon mics, the TRP2 has phantom power for all of your condenser mics too!\u003c\/p\u003e\n\n\u003cp\u003eThe original TRP was the first preamp designed specifically with ribbon mics in mind. In response to the rise in popularity of ribbon mics in studios, we added key features to the TRP2 that allow studio users greater flexibility with modern equipment.\u003c\/p\u003e\n\n\u003cp\u003eThe TRP2 preamp now includes phantom power. Though ribbon mics are historically passive in design, trends have gradually shifted toward active electronics. Nearly half the microphones in the AEA line require phantom power.\u003c\/p\u003e\n\n\u003cp\u003eNo Blow Mode: Phantom Power Lock Out\u003c\/p\u003e\n\n\u003cp\u003eFor the cautious engineer’s peace of mind, each channel of the TRP2 is equipped with an internal phantom power toggle switch. The internal toggle switch can be armed to prevent accidental phantom power activation from the buttons on the TRP2 front panel.\u003c\/p\u003e\n\n\u003cp\u003eHigher Impedance and More Output\u003c\/p\u003e\n\n\u003cp\u003eLike the RPQ2, the new TRP2 has a higher input impedance of 63K Ohms and will have 85dB total output. The TRP2 delivers more gain than almost any other preamp available today.\u003c\/p\u003e\n\n\u003cp\u003eUniversal Switching Supply\u003c\/p\u003e\n\n\u003cp\u003eIn consideration of our many non-US users, the TRP2 includes a universal switching supply that eliminates the need for those users to swap out power supplies.\u003c\/p\u003e\n\n\u003cp\u003eRack Ears\u003c\/p\u003e\n\n\u003cp\u003eAdditionally, the TRP2 can be purchased with a set of rack ears that allows mounting a single TRP2 in a single rack space.\u003c\/p\u003e\n\n\u003cp\u003eGenuine Half-Rack\u003c\/p\u003e\n\n\u003cp\u003eTwo TRP2s can be mounted next to each other in a single-space Mid-Atlantic Shelf. On the bottom of the TRP2 is a hole that allows you to screw through the prefabricated holes on the shelf. Two TRP2s can fit on this shelf and will only take up a single rack space.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959556252031,"sku":"7378","price":999.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"aea-rpq2-7282","title":"AEA RPQ2","description":"\u003cp\u003eThe AEA RPQ2 Ribbon Preamp and EQ provides two channels of high-quality, high-gain, low-noise preamplification with a rich and musical sound that complements the natural tonality of your microphone. Specifically designed for ribbon microphones, the RPQ2 excels at drawing out the warmth and lush sound that ribbons are uniquely known for. With 81dB of gain, JFET circuitry, and an input impedance of 63K Ohms, the RPQ2 delivers the precision, quietness, and headroom needed for today's high-resolution recordings.\u003c\/p\u003e\n\n\u003cp\u003eThe RPQ2 is AEA's second iteration of the high-performance RPQ preamp with the addition of some new and useful features. It is now possible to plug your instrument directly into the RPQ2’s high impedance circuit with its front-panel direct inputs. The RPQ2 also includes a Mic\/Line switch for balanced line inputs and outputs, as well as inserts for patching compressors or other effects between the preamp and CurveShaper EQ section. The RPQ2's CurveShaper EQ gives you the tools to control your ribbons right at the start of the signal path. Switchable and tuneable low frequency (LF) and high frequency (HF) controls allow you to tame proximity problems and provide high-frequency extension and slope control.\u003c\/p\u003e\n\n\u003cp\u003eEngineers have discovered that the RPQ2 is a perfect fit with condensers and moving coil microphones. By virtue of its sonic qualities and versatility, the AEA RPQ2 is the tool of choice for all microphones whenever a true and pristine signal path is desired. Detailed and accurate, the AEA RPQ2 is a high-quality, high-gain choice for all microphones.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959557693823,"sku":"7282","price":1499.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"pearlman-tm-le-6728","title":"Pearlman TM-LE","description":"\u003cp\u003eFollowing the success of the PEARLMAN TM-1, the release of the PEARLMAN CHURCH Mic and the affordable PEARLMAN TM-2 comes the PEARLMAN TM-LE, A Limited Edition large diaphragm condenser tube microphone.\u003c\/p\u003e\n\n\u003cp\u003eThe TM-LE is a handcrafted microphone that has been described by Professional Recording Engineers as sounding like the combination of a U47 and a U67. The microphone features point-to-point wiring, a hand selected military spec 6AK5 (5654 or European equivalent EF95), Mogami cable with Neutrik connectors, power supply compatible with all world voltages and best of all; a rare, refurbished K67 capsule.\u003c\/p\u003e\n\n\u003cp\u003eThese capsules cannot be ordered in quantity and can only be obtained as they appear on the market. For this reason the microphone truly is a Limited Edition, as only a very small number can be built.\u003c\/p\u003e\n\n\u003cp\u003eFeatures on the Pearlman TM-LE microphone are a polar pattern switch to change from Omni Directional to Cardioid for that big, warm vocal sound. Another feature is a switch that connects the low-pass filter, for a more 'ribbon' type sound that can be useful on overheads, room or recording a horn.\u003c\/p\u003e","brand":"Pearlman","offers":[{"title":"Default Title","offer_id":57959561101695,"sku":"6728","price":1879.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"royer-labs-r-122-live-mkii-nickel-5035","title":"Royer Labs R-122 Live MKII (Nickel)","description":"\u003cp\u003eThe R-122 MKll Live is a road-optimized version of our phantom powered R-122 MK-ll ribbon microphone. The R-122 MKll Live's output is on par with phantom powered condenser mics, allowing for long cable runs and the occasional sub-par mic preamps, and its switchable -15 dB pad and bass-cut filter deliver unprecedented flexibility on electric guitars, drum overheads, trumpets and other live instruments. Most importantly, it produces the warm, realistic sounds that only ribbon mics can deliver. Along with its smooth, natural response, the R-122 MKll Live virtually eliminates the shrill high-end often encountered with live guitars, brass and drum cymbals. Push up the faders and there's the instrument in all its fullness, minus the peaky highs that FOH and Monitor engineers spend so much of their careers fighting.\u003c\/p\u003e\n\n\u003cp\u003eThe Pad\u003c\/p\u003e\n\n\u003cp\u003eThe R-122 MKll’s switchable -15 dB pad is positioned before the microphone’s electronics and, when engaged, eliminates headroom-related distortion or preamplifier overload on even the loudest sound sources. Wide open electric guitars are no problem. With the pad in, the R-122 MKll’s output is actually 2 dB lower than our flagship R-121.\u003c\/p\u003e\n\n\u003cp\u003eThe Bass Cut\u003c\/p\u003e\n\n\u003cp\u003eWhen switched in, the R-122 MKll’s bass cut starts filtering at 100 Hz, 6 dB per octave, effectively reducing the mic’s bass buildup due to proximity effect. This smooth filter is extremely useful on close-miked electric guitars when less bottom end is desired.\u003c\/p\u003e\n\n\u003cp\u003eThe R-122 MKll's electronics are hand-wired in our Burbank, CA factory. The microphone utilizes a special Royer-designed toroidal transformer that delivers a faster transient response then traditional ribbons. This produces a tighter, more focused low end and a sense of more open highs than with traditional ribbons, making it a first call ribbon mic for drum overheads and percussion. The R-122 MKll Live can be used on extremely long cable runs with minimal RF interference and signal loss, and the ribbon element cannot be damaged by phantom power, miswired cables or electrical glitches.\u003c\/p\u003e\n\n\u003cp\u003eThe R-122 MKll Live is visually differentiated by its red logo. The ribbon element thickness is increased from 2.5-microns to 4-microns, giving the microphone greater durability and a slightly reduced high end response. Highs are often rolled off in live performances, but due to the R-122 MKll Live's smooth high frequency response, it needs less eq'ing than is usually required with condenser and dynamic microphones.\u003c\/p\u003e\n\n\u003cp\u003eThe R-122 MKll Live is backed with Royer's lifetime warranty to the original owner, and the first re-ribbon is free. We expect it to work as hard as you do, so we stand behind it all the way. As with any high end microphone, proper storage during transit and careful handling during setup and breakdown is key to keeping the microphone in good working order.\u003c\/p\u003e\n\n\u003cp\u003eFigure-8's On Stage\u003c\/p\u003e\n\n\u003cp\u003eThe R-122 MKll Live's pickup pattern is figure-8, which can be used to control stage bleed with great effect. Side rejection in the null points is strong – simply position the mics \"ears\" to face the offending instrument(s) and bleed will be virtually eliminated. The top and bottom of the microphone are also null points. If monitors are in close proximity to the rear side of the microphone, a positioning adjustment can place the monitors output in the mic's null, isolating the monitor from the mic's pickup areas.\u003c\/p\u003e\n\n\u003cp\u003ePatented Offset Ribbon Technology\u003c\/p\u003e\n\n\u003cp\u003eThe R-122 MKll Live's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response on high SPL applications. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959622312319,"sku":"5035","price":2110.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-cloudlifter-cl-x-50039","title":"Cloud Microphones Cloudlifter CL-X","description":"\u003cp\u003eCloud introduce their latest addition to the Cloudlifter collection - the Cloudlifter X. Featuring their signature ultra-clean gain combined with a custom designed nickel-core CineMag transformer. This delivers an incredible amount of bandwidth at normal input levels, whilst also providing variable amounts of harmonic and saturation as the input signal increases.\u003c\/p\u003e\n\n\u003cp\u003eThe CL-X offers 2 selectable output levels, expanding on the output gain range offered by the CL-1. The default setting is ideal for signals such as an SM57 mic on a snare, whereas the \"Max\" setting is better suited for quieter source material such as acoustic instruments, podcasting, ASMR, and foley.\u003c\/p\u003e\n\n\u003cp\u003eFor CL-1 owners the Cloudlifter X is a perfect companion piece, giving access to additional gain settings not offered by the CL-1, with the transformer offering sonic flavours that open up a world of possibilities!\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003cbr\u003e\nCustom designed nickel-core CineMag transformer\u003cbr\u003e\nReduce feedback - The Cloudlifter allows you to cut through the mix on stage with increased gain before feedback.\u003cbr\u003e\nPremium electronics - the Cloudlifter's patented discrete JFET circuitry preserves the source's natural sound while keeping the direct audio path clear of transformers, capacitors, and resistors.\u003cbr\u003e\nFeatures Cloud’s signature active ultra-clean gain - provides up to +25dB of ultra-clean gain in two distinct stages and optimal impedance loading for dynamic and ribbon mics to perform their best.\u003cbr\u003e\nPhantom powered - turns phantom power into gain and clarity without passing it through to your delicate ribbon mic.\u003cbr\u003e\nMade in the USA - rugged, road-ready, and portable. Manufactured responsibly in the USA. Free lifetime limited warranty.\u003cbr\u003e\nPlug \u0026amp; play - simply connect your dynamic or ribbon mic to the input and connect a mixer or preamp to the output. The Cloudlifter does the rest.\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959637156223,"sku":"50039","price":259.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"royer-labs-r-10-25th-anniversary-hot-rod-50038","title":"Royer Labs R-10 25th Anniversary \"Hot Rod\"","description":"\u003cp\u003eThe R-10 “Hot Rod” 25th Anniversary limited-edition ribbon mic is our popular R-10 on steroids! The R-10 Hot Rod is fitted with a custom Anniversary Edition transformer that gives this microphone 5dB more output than the standard R-10, with a punchier feel and increased low-midrange focus. The R-10 Hot Rod also sports a 25th Anniversary black-accented trim package that looks as cool as this mic sounds.\u003c\/p\u003e\n\n\u003cp\u003eLike our original R-10, the R-10 Hot Rod handles extremely high SPLs (160dB @ 1kHz), has an internally shock-mounted ribbon transducer \u0026amp; 3-layer wind screen system that combine to give the ribbon element excellent protection, features lowered proximity effect that make it an excellent for close miking instruments and singers, and carries a 5-year warranty with the first re-ribbon free. Like all Royer microphones, the R-10 Hot Rod is hand-built in Royer’s Burbank, CA facility.\u003c\/p\u003e\n\n\u003cp\u003eThe R-10 Hot Rod’s compact size and mounting system allow for flexible, unobtrusive positioning. Its 2.5-micron aluminium ribbon element is formed with our patented direct-corrugation process and the ribbon transducer is wired for humbucking to reject electromagnetically induced noise.\u003c\/p\u003e\n\n\u003cp\u003eThe R-10 Hot Rod’s built-in windscreen provides superior protection from air blasts and plosives. It also reduces proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10 Hot Rod’s internally shockmounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.\u003c\/p\u003e\n\n\u003cp\u003eThe mic’s open grill design minimises standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003c\/p\u003e\n\n\u003cp\u003eThe Sound\u003cbr\u003e\nRoyer ribbon mics are legendary on electric guitar and the R-10 Hot Rod shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 Hot Rod takes EQ beautifully.\u003c\/p\u003e\n\n\u003cp\u003eDrums are full-bodied with realistic (not over-hyped) transients response, and the R-10 Hot Rod’s figure-8 pattern conveys superb ambience and depth when used for room miking applications. A compressed R-10 Hot Rod in front of the kit sounds huge and punchy.\u003c\/p\u003e\n\n\u003cp\u003eR-10 Hot Rod recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warm and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.\u003c\/p\u003e\n\n\u003cp\u003eVocals record warm and naturally on an R-10 Hot Rod, and the EQ-friendliness of the mic allows for dialling in completely different sounds with liberal use of EQ.\u003c\/p\u003e\n\n\u003cp\u003ePatented Offset Ribbon Technology\u003cbr\u003e\nThe R-10 Hot Rod’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources on the backside.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003cbr\u003e\nHigh SPL capabilities for electric guitar, brass and other close miking applications\u003cbr\u003e\nMulti-layered wind screen provides superior protection to ribbon element\u003cbr\u003e\nInternally shock-mounted ribbon transducer gives increased durability\u003cbr\u003e\nPassive design and custom transformer minimise high SPL overload\u003cbr\u003e\nHum-bucking transducer design delivers extremely low residual noise\u003cbr\u003e\nRibbon element not affected by heat or humidity\u003cbr\u003e\nAbsence of high-frequency peaks, \"ringing\" and phase shifts\u003cbr\u003e\nEqual sensitivity from front or back of the element\u003cbr\u003e\nAvailable as matched pairs\u003c\/p\u003e\n\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\nAcoustic Operating Principle: Electrodynamic pressure gradient\u003cbr\u003e\nPolar Pattern: Figure-8\u003cbr\u003e\nGenerating Element: 2.5-micron aluminum ribbon\u003cbr\u003e\nMagnets: Rare Earth Neodymium (Grade 52)\u003cbr\u003e\nFrequency Response: 30Hz-15,000Hz +\/- 3dB\u003cbr\u003e\nSensitivity: -48 dBv (re. 1v\/pa)\u003cbr\u003e\nOutput Impedance: 300 Ohms\u003cbr\u003e\nSPL (max.): 135dB @ 50 Hz, 160dB @ 1kHz\u003cbr\u003e\nRecommended Load Impedance: 1500 Ohms (or greater)\u003cbr\u003e\nOutput Connector: XLR\u003cbr\u003e\nDimensions (L x D): 149 x 35 mm\u003cbr\u003e\nWeight: 368 g\u003cbr\u003e\nAccessories: Microphone Holder, Mic Sock, Carrying Case, Adjustable Swivel Mount (Black)\u003cbr\u003e\nMicrophone Warranty: Five Years, First re-ribbon free in first year\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959637221759,"sku":"50038","price":633.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"royer-labs-r-121-live-nickel-4753","title":"Royer Labs R-121 Live (Nickel)","description":"\u003cp\u003eThe R-121 Live is a ruggedised version of our popular R-121 ribbon microphone. The studio R-121 is tough and has been used on the road for years, but the increased durability of the R-121 Live gives FOH engineers greater confidence in the ribbon standing up to the rigors of the road.\u003c\/p\u003e\n\n\u003cp\u003eThe R-121 Live's output level is comparable to a dynamic mic, and it delivers the warm, realistic tone that only a ribbon mic can. Along with its smooth, natural response, the R-121 Live virtually eliminates the shrill high-end often associated with live guitars and brass. Push up the faders and there's the instrument in all its fullness and natural glory, minus the peaky highs that FOH and Monitor engineers spend so much of their careers fighting.\u003c\/p\u003e\n\n\u003cp\u003eThe R-121 Live is visually differentiated by its red logo. The ribbon element thickness is increased from 2.5 microns to 4-microns, giving the microphone greater durability and a slightly reduced high end response. Highs are often rolled off in live performances, but due to the R-121 Live's exceptionally smooth high frequency response, it needs far less eq'ing than is usually required with condenser and dynamic microphones.\u003c\/p\u003e\n\n\u003cp\u003eThe R-121 Live is backed with Royer's lifetime warranty to the original owner, and the first re-ribbon is free. We expect it to work as hard as you do, so we stand behind it the whole way. As with any high end microphone, proper storage during transit and careful handling during setup and breakdown is key to keeping the microphone in good working order.\u003c\/p\u003e\n\n\u003cp\u003eFigure-8's On Stage\u003c\/p\u003e\n\n\u003cp\u003eThe R-121 Live's pickup pattern is figure-8, which can be used to control stage bleed with great effect. Side rejection in the null points is strong - position the mics \"ears\" to face the offending instrument(s) and bleed will be virtually eliminated. The top and bottom of the microphone are also null points. If monitors are in close proximity to the rear side of the microphone, a positioning adjustment can place the monitors output in the mic's null, isolating the monitor from the mic's pickup areas.\u003c\/p\u003e\n\n\u003cp\u003ePatented Offset Ribbon Technology\u003c\/p\u003e\n\n\u003cp\u003eThe R-121 Live's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response on high SPL applications. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959680835967,"sku":"4753","price":1579.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-cloudlifter-cl4-1122","title":"Cloud Microphones Cloudlifter CL4","description":"\u003cp\u003eCloudlifter CL-4 Mic Activator is based on Cloud's award-winning Cloudlifter technology that converts phantom power into an additional +25 dB of ultra-clean gain for low output dynamic and ribbon mics. Cloudlifters solve problems posed by noisy preamps and can be used to drive stronger, cleaner signals over long XLR cable runs. The single rack space CL-4 is simple and compact, featuring four rear-mounted sets of balanced XLR inputs and outputs and is ideal for broadcast, live sound, public address, and professional studio applications.\u003c\/p\u003e\n\n\u003cp\u003eCloudlifters dramatically improve the performance of passive microphone signals by driving stronger, cleaner signals over long XLR cable runs and providing significant ultra-clean gain, before the mixer or preamp. This allows the microphone’s preamp to operate using much lower gain settings, resulting in significantly reduced noise and improved clarity. The CL-4 is enclosed in a rugged rack-mount enclosure offering excellent shielding and durability.\u003c\/p\u003e\n\n\u003cp\u003eUsing patent pending technology that keeps the direct audio path free-and- clear of transformers, capacitors, and resistors, the CL-4 houses Class A, Discrete JFET circuitry that delivers world class, ultra-clean gain while preserving the natural sonic characteristics of the source.\u003c\/p\u003e\n\n\u003cp\u003ePlease note: the CL4 is designed for use with passive ribbon and dynamic microphones only. Any microphone that requires phantom power, i.e. condenser or active microphones will not work with the CL4.\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959705084287,"sku":"1122","price":516.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-jrs-34p-1043","title":"Cloud Microphones JRS-34P","description":"\u003cp\u003eFrom direct RCA lineage comes the best of the vintage style ribbon sound. Handcrafted entirely in the US, the JRS-34-P combines the best attributes of vintage and modern technologies to create a high-quality ribbon microphone ideally suited for music and voice. The JRS-34-P, like other passive ribbon microphones, requires a high-gain preamp -or a Cloud Microphones Cloudlifter product. Included is a beautiful handcrafted wooden box and a microfiber mic cover, designed to properly store and clean the microphone.\u003c\/p\u003e\n\n\u003cp\u003eDesigned in collaboration with Stephen Sank, the Cloud ribbon mics were given the model number prefix JRS in homage to the late Jon R. Sank, Stephen Sank's father (1934-1998). Known for his work with RCA that produced legendary microphones such as the BK-11 and BK-10A, the senior Sank succeeded RCA's Harry Olson as the guiding force behind the company's continuing development of ribbon microphones. Having studied alongside his father since the age of 10, Stephen Sank's efforts in conjunction with Cloud build upon this same legacy. Each JRS-34 ribbon is cut, corrugated, and installed by hand in precisely the same fashion as prescribed by Olson. New ideas expand the performance capabilities of the blueprint as well, bringing the design into the 21st century with the addition of transformers by CineMag Inc., rounded magnets, internal spring mounted suspension, and more.\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959707050367,"sku":"1043","price":1699.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-jrs-34-1042","title":"Cloud Microphones JRS-34","description":"\u003cp\u003eFrom direct RCA lineage comes the best of the vintage style ribbon sound. Handcrafted entirely in the US, the JRS-34 combines the best attributes of vintage and modern technologies to create a high-quality active ribbon microphone ideally suited for music and voice. The active JRS-34 requires phantom power and has an output level compatible with virtually any modern preamp. Included is a beautiful handcrafted wooden box and a microfiber mic cover, designed to properly store and clean the microphone.\u003c\/p\u003e\n\n\u003cp\u003eDesigned in collaboration with Stephen Sank, the Cloud ribbon mics were given the model number prefix JRS in homage to the late Jon R. Sank, Stephen Sank's father (1934-1998). Known for his work with RCA that produced legendary microphones such as the BK-11 and BK-10A, the senior Sank succeeded RCA's Harry Olson as the guiding force behind the company's continuing development of ribbon microphones. Having studied alongside his father since the age of 10, Stephen Sank's efforts in conjunction with Cloud build upon this same legacy. Each JRS-34 ribbon is cut, corrugated, and installed by hand in precisely the same fashion as prescribed by Olson. New ideas expand the performance capabilities of the blueprint as well, bringing the design into the 21st century with the addition of transformers by CineMag Inc., rounded magnets, internal spring mounted suspension, active \"Cloudlifter\" JFET circuitry, and more.\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959707115903,"sku":"1042","price":1569.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-cloudlifter-cl-z-1041","title":"Cloud Microphones Cloudlifter CL-Z","description":"\u003cp\u003eMaximise Your Mic Signal for Stage or Studio\u003c\/p\u003e\n\n\u003cp\u003eThe Cloud Microphones CL-Z mic activator uses phantom power from your preamp to solve an array of common issues with dynamic and ribbon microphones while maximising your signal's quality, making it a must-have box for your studio or live toolset. It's designed to be a middleman between your mic and preamp, maximising signal quality while driving long cable runs. The direct-coupled, discrete JFET circuitry preserves your signal's integrity while the CL-Z goes to work.\u003c\/p\u003e\n\n\u003cp\u003eYou get control over the input impedance to get the best out of any mic, and a variable output level (+12 to +24dB) so you can drive even the longest cable runs with ease. You even get a variable low-cut filter to clean up your signal before it ever graces your preamp. Whether you run live sound or just use a variety mics on a daily basis in your studio, you'll love working with the CL-Z mic activator!\u003c\/p\u003e\n\n\u003cp\u003eVariable input impedance\u003c\/p\u003e\n\n\u003cp\u003eThe Cloud Microphones CL-Z mic activator's input features variable impedance from 150 to 15k ohms. Since every microphone is different, and typically sound best at a specific input impedance, you can tailor the CL-Z to any mic to get the best performance. And even if your preamp features variable impedance, the CL-Z lets you control this near your mic - great if your mic preamps are across the room, let alone across a crowded venue!\u003c\/p\u003e\n\n\u003cp\u003eHot but clean output\u003c\/p\u003e\n\n\u003cp\u003eSometimes you need a little extra juice to get a quality mic signal to your preamp, especially with long cable runs. The Cloud Microphones CL-Z mic activator makes it easy, adding 12 to 24dB of gain to your signal, while the premium circuitry passes your audio uncoloured. It's great for low-output ribbon and dynamic mics in your studio, and it's awesome at driving long cable runs from the stage to the board in live sound settings.\u003c\/p\u003e\n\n\u003cp\u003ePre-preamp control and flexibility\u003c\/p\u003e\n\n\u003cp\u003eThe CL-Z from Cloud Microphones is placed between your mic and preamp, giving you access to the additional gain and variable low-cut filter on the CL-Z. In your studio, that makes it easy to optimise your signal before it hits your preamp. Sure, your preamp may have a filter, and maybe even variable impedance - but it's across the room, maybe even in another room. The CL-Z lets you dial the filter in and maximise your signal for a long cable run, meaning you'll be hitting your favourite preamp with the best signal possible.\u003c\/p\u003e\n\n\u003cp\u003ePlease note: the CLZ is designed for use with passive ribbon and dynamic microphones only. Any microphone that requires phantom power, i.e. condenser or active microphones will not work with the CLZ.\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959707181439,"sku":"1041","price":262.8,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-cloudlifter-cl2-1040","title":"Cloud Microphones Cloudlifter CL2","description":"\u003cp\u003eA Must-Have Tool for Any Rig\u003c\/p\u003e\n\n\u003cp\u003eLow-gain microphones typically come with high-impact problems that can frustrate engineers. Unfortunately, many low-output microphones, such as the Shure SM7b, the RE20, and ribbon microphones like the classic RCA 44A, which are among the best sounding mics out there.\u003c\/p\u003e\n\n\u003cp\u003eLuckily, there's the 2-channel Cloudlifter CL-2 Mic Activator by Cloud Microphones - a perfect solution to any situation in which you need to cleanly boost a microphone signal before the preamp. Driven by the phantom power circuit on board your mixer, the Cloudlifter CL-2 adds up to +25dB of perfectly transparent gain to your signal, giving low-output mics a major boost which can make even budget microphones sound clean and professional.\u003c\/p\u003e\n\n\u003cp\u003eThe Cloudlifter CL-2 is also ideal for use with any ribbon mic, since it changes the phantom power that can hurt them into the extra gain they require. Install techs and live sound engineers love the CL-2, because it can provide long cable runs with enough energy to ward off noise. It's also excellent for acoustic guitars with XLR outputs, giving them an immediate dose of extra gain that prevents noise from infiltrating your sound. Whether you work in sound reinforcement or in a studio, you'll find endless uses for this amazing device!\u003c\/p\u003e\n\n\u003cp\u003ePlease note: the CL2 is designed for use with passive ribbon and dynamic microphones only. Any microphone that requires phantom power, i.e. condenser or active microphones will not work with the CL2.\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959707214207,"sku":"1040","price":315.04,"currency_code":"GBP","in_stock":true}]},{"product_id":"cloud-microphones-44a-1039","title":"Cloud Microphones 44A","description":"\u003cp\u003eFrom direct RCA* lineage, the Cloud 44-A microphone reawakens the spirit of the classic RCA Type 44 ribbon mic for today's applications. Internally within the Cloud 44-A, the ribbon itself remains unchanged, handcrafted to specifications first prescribed in the 1930s by RCA's Harry F. Olson. Everything else has been engineered anew, however, using 21st century improvements transcending the capabilities of Olson's time. Utilising Cloud's award-winning, patented Cloudlifter circuitry with its unique features and ultra-clean characteristics, the 44-A is an active ribbon mic with personality from the past plus all the strength and clarity required for today's most demanding tasks.\u003c\/p\u003e\n\n\u003cp\u003eThe Cloud 44-A is the first and only active ribbon microphone with switchable Voice\/Music response curves, reminiscent of the early RCA mics, for controlling proximity effect. The patent pending technology, a switchable interface that provides dual frequency response voicing in an active ribbon microphone, is very useful in a wide variety of scenarios. Voiceover artists and singers can use the \"Voice\" setting to instantly reduce the large bass proximity effect associated with being close to the microphone. The \"voice\" position can also be useful for reducing intense low frequencies when using the mic to capture an instrument at close range, or where they may be rumble or vibration noise present. Of course, some vocalists will prefer the larger bass response at close proximity, so having the switchable interface affords the user a microphone with two distinct voices, inviting the special sound of a ribbon microphone to be used on a variety of new sources that may not have otherwise be desirable.\u003c\/p\u003e\n\n\u003cp\u003eThe Cloud 44-A requires phantom power and has an output level compatible with virtually any modern preamp. Included is the Cloud U1 shockmount, a beautiful handcrafted wooden box and a microfiber mic cover, designed to properly store and clean the microphone\u003c\/p\u003e","brand":"Cloud","offers":[{"title":"Default Title","offer_id":57959707279743,"sku":"1039","price":1699.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"aea-r88a-active-stereo-ribbon-microphone","title":"AEA R88A Active Stereo Ribbon Microphone","description":"\u003cp\u003eThe AEA R88A is the active version of the R88 stereo big-ribbon microphone, combining two figure-8 elements at 90 degrees for Blumlein or Mid-Side recording. Phantom-powered electronics add output and isolate the ribbons from preamp impedance, making its spacious, coherent stereo capture easier to use across modern recording systems.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959739949439,"sku":"9311","price":2799.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/9311-1.jpg?v=1783943247"},{"product_id":"aea-ku5a","title":"AEA KU5A","description":"\u003cp\u003eThe AEA KU5A is an active supercardioid ribbon microphone designed for close work, live stages and recording situations where rejection is as important as ribbon smoothness. Its front-address format, built-in high-pass filter and durable protected ribbon make it easy to position on vocals, guitar cabinets, drums and brass.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959768654207,"sku":"8663","price":1380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/8663-1.jpg?v=1783943206"},{"product_id":"coles-4050","title":"Coles 4050","description":"\u003cp\u003eThe 4050 Studio Ribbon Microphone with it's bold new look, greater output, and a wider frequency response, has been developed using the latest magnet technology.\u003c\/p\u003e\n\n\u003cp\u003eThe frequency response of the 4050 is exceptionally flat from 30 to 20,000 c\/s, and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes.\u003c\/p\u003e\n\n\u003cp\u003eThe 4050 is a versatile microphone and is ideally suited to many critical recording applications. Its smooth frequency response characteristics and ability to capture detail make it a fine choice for many instruments. There is no discernible stray magnetic field and the 4050's come with their own unique shock mount which magnetically attaches the microphones and enables them to be used as a stereo pair or on their own. The microphones can be easily rotated through 360 degrees making them very easy to mount in a \"Blumlein\" (crossed figure-of-eight) stereo configuration or any other configuration of choice.\u003c\/p\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":57959794246015,"sku":"819","price":999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/819-1.jpg?v=1783943173"},{"product_id":"coles-4040","title":"Coles 4040","description":"\u003cp\u003eThe 4040 is one of the newest additions to the Coles line of ribbon microphones. With a bold look, greater output, and a wider frequency response, the Coles 4040 is sure to complement any studio microphone cabinet.\u003c\/p\u003e\n\n\u003cp\u003eThis is the first ribbon microphone that Coles have developed using the very latest magnet technology. The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s but where the 4038 starts to drop off, the 4040 carries on past 20,000 c\/s and throughout this range, like the 4038, the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. There is also no discernible stray magnetic field, making it very easy to mount head to head in a \"Blumlein\" (crossed figure-of-eights) stereo configuration.\u003c\/p\u003e\n\n\u003cp\u003eThe 4040 has some unique features, the ribbon\/magnet assembly has its own in built shock mounts separating it from the main body of the microphone. Each microphone comes in a foam lined rigid plastic carrying case with an adjustable universal stand mount and a soft cloth protective bag, for safe keeping.\u003c\/p\u003e\n\n\u003cp\u003eThe 4040 has been designed around neodymium super magnets mounted in a carrier, so external stray magnetism is eliminated, it also has inbuilt triple shock mounts and additional internal covers, which further protect the ribbon element.\u003c\/p\u003e\n\n\u003cp\u003eThe basic design of the ribbon microphone remains the same, but with the use of modern day magnetic materials, we are able to greatly reduce the size of the magnet and still have more magnetism, which in turn extends the frequency range of the microphone.\u003c\/p\u003e\n\n\u003cp\u003eThe factors that give Coles ribbon microphones their unique character, are the smoothness of their sound, backed up with ruler-flat response curves. The bottom end is huge and has incredible subtlety and power and at the top end remains very detailed and warm. These microphones possess a smooth transparency and accuracy that you rarely hear from even the best condensers.\u003c\/p\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":57959795949951,"sku":"817","price":1078.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/817-1.jpg?v=1783943176"},{"product_id":"coles-4030l","title":"Coles 4030L","description":"\u003cp\u003eThe 4030L is a studio ribbon microphone manufactured using the very latest CNC machinery and the latest magnet technology as used in the esteemed Coles 4040 and 4050 microphones. The frequency response of the 4030L is exceptionally flat from 50 to 20,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes.\u003c\/p\u003e\n\n\u003cp\u003eThe 4030L is a versatile microphone and ideally suited for critical recording applications. Its smooth frequency response characteristics and ability to capture detail make it a first-rate choice for many instruments. The 4030L can be used alone or as a pair with a stereo mount which can be rotated through 360 degrees; ideal for the popular \"Blumlein\" (crossed figure-of-eight) stereo configuration or other configurations of choice.\u003c\/p\u003e\n\n\u003cp\u003eThe 4030L microphone is delivered in a foam lined rigid carrying case with an adjustable universal stand mount.\u003c\/p\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":57959796277631,"sku":"816","price":774.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/816-1.jpg?v=1783943176"},{"product_id":"coles-4038","title":"Coles 4038","description":"\u003cp\u003eThe 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential.\u003c\/p\u003e\n\n\u003cp\u003eThe 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.\u003c\/p\u003e\n\n\u003cp\u003eThe frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.\u003c\/p\u003e\n\n\u003cp\u003eStudio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears.\u003c\/p\u003e\n\n\u003cp\u003eIn the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'.\u003c\/p\u003e","brand":"Coles Electroacoustics","offers":[{"title":"Default Title","offer_id":57959806534015,"sku":"786","price":975.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/786-1.jpg?v=1783943134"},{"product_id":"coles-4038-and-4071b-xlr-adapter","title":"Coles 4038 \u0026 4071B XLR Adapter","description":"\u003cp\u003eThe 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential.\u003c\/p\u003e\n\n\u003cp\u003eThe 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.\u003c\/p\u003e\n\n\u003cp\u003eThe frequency response of the 4038 is exceptionally flat from 30 to 15,000 c\/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.\u003c\/p\u003e\n\n\u003cp\u003eStudio microphones have now achieved a remarkable fidelity of reproduction. 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An integrated shockmount system and multi-layered windscreen protect the ribbon from mechanical vibration and plosives, minimizing proximity effect and enhancing durability.\u003c\/p\u003e\n\n\u003cp\u003eA custom-designed transformer ensures high headroom with minimal saturation, even on loud sources, and the open-grille design reduces standing waves and comb filtering to maintain sonic integrity.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959839859071,"sku":"7130","price":569.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/7130-1.jpg?v=1783943100"},{"product_id":"aea-r84a","title":"AEA R84A","description":"\u003cp\u003eThe AEA R84A adds phantom-powered output electronics to the versatile R84 big-ribbon design. It preserves the R84’s smooth, full-bodied character while providing a stronger, stable output that works consistently with a wider range of preamps, interfaces and longer cable runs.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959844413823,"sku":"691","price":1498.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/691-1.jpg?v=1783943108"},{"product_id":"aea-r92","title":"AEA R92","description":"\u003cp\u003eThe AEA R92 is a near-field ribbon microphone designed to bring the source closer without excessive proximity bass. Its front and rear sides have deliberately different tonal balances, providing two useful voicings for guitar and bass cabinets, vocals, drums and other close-miked instruments.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959844675967,"sku":"690","price":1099.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/690-1.jpg?v=1783943106"},{"product_id":"aea-r88-mkii","title":"AEA R88 MKII","description":"\u003cp\u003eThe AEA R88 MKII places two matched big-ribbon elements at 90 degrees in a single body for true Blumlein stereo or Mid-Side recording. 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Its stronger transformer ratio delivers more level to the preamp while retaining the broad low-frequency response, natural transients and smooth, authoritative presentation that make the R44 family distinctive.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959845593471,"sku":"687","price":5349.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/687-1.jpg?v=1783943109"},{"product_id":"aea-r44ce","title":"AEA R44CE","description":"\u003cp\u003eThe AEA R44CE offers the core long-ribbon motor and classic RCA-inspired sound of the R44 series in a more streamlined finish. It is designed for engineers who want the full-bodied low end, natural transients and smooth top end of a flagship big-ribbon microphone without the more elaborate cosmetic appointments of the R44C.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959846248831,"sku":"686","price":3849.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/686-1.jpg?v=1783943108"},{"product_id":"aea-r44c","title":"AEA R44C","description":"\u003cp\u003eThe AEA R44C is a faithful, hand-built recreation of the RCA 44BX, using a long ribbon motor and substantial acoustic labyrinth to produce the weight, depth and smoothness associated with classic broadcast and studio ribbons. It is a statement microphone for vocals, strings, brass, orchestral recording and room capture.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959846412671,"sku":"685","price":4648.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/685-1.jpg?v=1783943109"},{"product_id":"aea-a440","title":"AEA A440","description":"\u003cp\u003eThe AEA A440 is the active, high-output interpretation of AEA’s flagship R44 ribbon design. It retains the large-ribbon scale, depth and natural transient response of the R44 while adding exceptionally quiet phantom-powered electronics, making it practical for quiet sources and long cable runs without relying on a specialist high-gain preamp.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959846642047,"sku":"684","price":6999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/684-1.jpg?v=1783943112"},{"product_id":"aea-nuvo-n22","title":"AEA Nuvo N22","description":"\u003cp\u003eThe AEA N22 is an active near-field ribbon microphone voiced for close recording. It combines a controlled proximity effect and brighter upper response with ribbon smoothness, making it especially effective on vocals, acoustic instruments, guitar amplifiers and sources that need presence without condenser-style hardness.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959846838655,"sku":"683","price":1199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/683-1.jpg?v=1783943097"},{"product_id":"royer-labs-r-121","title":"Royer Labs R-121","description":"\u003cp\u003eThe Royer R-121 redefined ribbon microphone design by combining the smooth, natural sound of a classic ribbon with rugged, modern-day durability. Its patented offset-ribbon design places the ribbon element closer to the front grille, allowing for higher SPL handling and improved tone from the front side — ideal for close-miking guitar cabinets, drums, brass, and more.\u003c\/p\u003e\n\n\u003cp\u003eThis unique design gives the R-121 two distinct sonic personalities: the front side delivers a warm, full-bodied tone, while the back side offers a brighter response. With a figure-8 polar pattern, the R-121 captures sound equally from the front and rear, while rejecting side reflections, making it highly effective for stereo techniques and isolation.\u003c\/p\u003e\n\n\u003cp\u003eThe microphone's 2.5-micron aluminum ribbon element, custom transformer, and absence of internal active electronics allow it to perform with ultra-low noise, excellent phase response, and outstanding realism. The R-121 is built for longevity, with no fragile components to overload or distort under pressure, and it is impervious to humidity and temperature shifts.\u003c\/p\u003e\n\n\u003cp\u003eWhether used in a world-class recording studio or on stage, the R-121 is trusted by engineers and artists for its warmth, detail, and reliability.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959919190399,"sku":"582","price":1399.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/582-1.jpg?v=1783943049"},{"product_id":"aea-r84","title":"AEA R84","description":"\u003cp\u003eThe AEA R84 is a passive big-ribbon microphone with a smooth, full-range sound and classic figure-8 pickup. Its natural transient response, generous low end and forgiving upper frequencies make it a versatile studio microphone for vocals, brass, strings, guitar cabinets, drum overheads and room capture.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57959921320319,"sku":"580","price":1149.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/580-1.jpg?v=1783943050"},{"product_id":"cascade-fat-head-brown-gold","title":"Cascade Fat Head (Brown\/Gold)","description":"\u003cp\u003eUnlike most ribbon motors designed today with an offset ribbon the new Cascade FAT HEAD houses a hand-tuned ribbon element that incorporates the legendary symmetrical ribbon design.\u003c\/p\u003e\n\n\u003cp\u003eThis design offers a true figure 8 pattern. The corrugated aluminium membrane itself is positioned in the centre from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly.\u003c\/p\u003e\n\n\u003cp\u003eThis design is very useful when executing a mid-side or Blumlein recording set-up and also great for live stage use. The FAT HEAD warm full-bodied signature and increased sensitivity is what you would expect and demand from a professional ribbon microphone and the FAT HEAD delivers. The FAT HEAD is suited for guitar cabinets, drum over-heads, vocal, piano, horns, strings, and much more.\u003c\/p\u003e","brand":"Cascade","offers":[{"title":"Default Title","offer_id":57959935508863,"sku":"5595","price":199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/5595-1.jpg?v=1783943053"},{"product_id":"cascade-fat-head-black-silver","title":"Cascade Fat Head (Black\/Silver)","description":"\u003cp\u003eUnlike most ribbon motors designed today with an offset ribbon the new Cascade FAT HEAD houses a hand-tuned ribbon element that incorporates the legendary symmetrical ribbon design.\u003c\/p\u003e\n\n\u003cp\u003eThis design offers a true figure 8 pattern. The corrugated aluminium membrane itself is positioned in the centre from front to back, thus producing a balanced audio input signal to both sides of the ribbon assembly.\u003c\/p\u003e\n\n\u003cp\u003eThis design is very useful when executing a mid-side or Blumlein recording set-up and also great for live stage use. The FAT HEAD warm full-bodied signature and increased sensitivity is what you would expect and demand from a professional ribbon microphone and the FAT HEAD delivers. The FAT HEAD is suited for guitar cabinets, drum over-heads, vocal, piano, horns, strings, and much more.\u003c\/p\u003e","brand":"Cascade","offers":[{"title":"Default Title","offer_id":57959936000383,"sku":"5594","price":199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/5594-1.jpg?v=1783943050"},{"product_id":"royer-labs-r-12","title":"Royer Labs R-12","description":"\u003cp\u003eIdeal for both studio recording and live sound applications, the new Royer R-12 active ribbon microphone delivers outstanding performance on electric and acoustic stringed instruments, vocals, brass, pianos and organs, as well as drums and percussion instruments at an easily affordable price point.\u003c\/p\u003e\n\n\u003cp\u003eThe R-12 is capable of extremely natural sound acquisition, making the microphone an exceptional choice for capturing an audio source just like it sounds to the ear with extraordinary sonic accuracy. Royer ribbons have always been known for their ability to deliver a warm sound capable of capturing the elusive nuances of the original performance. R-12 takes this capability to the next level.\u003c\/p\u003e\n\n\u003cp\u003eOf particular note, the R-12 uses the same 2.5 micron ribbon element found in the company’s legendary R-121 microphone. This feature delivers Royer’s well-known high SPL (Sound Pressure Level) capabilities measured at 160dB @ 1kHz. With its switchable -15dB pad, the R-12 can deliver excellent headroom for louder program material such as drums and dimed electric guitars. This important feature eliminates any potential for headroom-related distortion on even the loudest sound sources.\u003c\/p\u003e\n\n\u003cp\u003eAnother notable feature of the new R-12 microphone is its onboard active electronic circuitry, which significantly increases output level for quieter sound sources such as acoustic instruments and vocals. R-12’s active electronics consistently put a perfect load on the ribbon element, enabling the microphone to deliver its full sonic potential.\u003cbr\u003e\nThe R-12 is also outfitted with a switchable High Pass filter precisely tuned to reduce low end proximity buildup, making this microphone a perfect choice for capturing louder vocal performances and close-miking of instruments and loudspeaker cabinets.\u003c\/p\u003e\n\n\u003cp\u003eCompleting its rich feature set, the R-12 houses an internally shock-mounted ribbon transducer, which helps to protect the ribbon element while also reducing handling noise. Combined with its built-in triple-layer wind screen, the microphone’s ribbon is effectively protected against plosives and other wind-related noise.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959967457663,"sku":"52267","price":869.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/52267-1.jpg?v=1783942929"},{"product_id":"royer-labs-r-121-dbooster-bundle","title":"Royer Labs R-121 + dBooster Bundle","description":"\u003cp\u003eThis bundle pairs the iconic Royer R-121 ribbon microphone in its elegant nickel finish with the Royer dBooster in-line signal amplifier—giving you instant access to world-class ribbon tone with the gain support to make it shine in any setup.\u003c\/p\u003e\n\n\u003cp\u003eThe R-121 is the mic that redefined ribbon technology for the modern studio. Known for its silky highs, natural midrange, and ability to handle high SPLs with ease, it’s a favourite on guitar cabs, brass, drums, and vocals alike. The nickel version adds a premium touch to an already revered design.\u003c\/p\u003e\n\n\u003cp\u003ePaired with the Royer dBooster, you get up to +20dB of clean, transparent gain—perfect for use with lower-output preamps or quieter sources. It maintains the mic’s rich tonal integrity while giving you the level you need without noise or compromise.\u003c\/p\u003e\n\n\u003cp\u003eWhether you’re working in a commercial facility or building out a high-performance home studio, this bundle delivers legendary sound with plug-and-play convenience.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959967588735,"sku":"52254","price":1495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/52254-1.jpg?v=1783942924"},{"product_id":"royer-labs-r-10-dbooster-bundle","title":"Royer Labs R-10 + dBooster Bundle","description":"\u003cp\u003eThis exclusive bundle brings together the Royer R-10 ribbon microphone and the Royer dBooster signal amplifier—offering a powerful, plug-and-play ribbon mic solution for any studio setup.\u003c\/p\u003e\n\n\u003cp\u003eThe R-10 delivers the rich, natural sound Royer ribbons are known for, with rugged build quality and the ability to handle high SPLs. It’s equally at home on electric guitars, vocals, drum overheads, and room mics. Paired with the Royer dBooster, you’ll get the clean, transparent gain you need—up to +20dB—without altering the mic’s tone.\u003c\/p\u003e\n\n\u003cp\u003eThis combination solves the common challenge of pairing ribbons with noisy or low-gain preamps. Whether you’re tracking in a home studio or commercial environment, this bundle ensures you get consistent results with exceptional clarity and presence.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57959967687039,"sku":"52250","price":699.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/52250-1.jpg?v=1783942927"},{"product_id":"aea-nuvo-n28","title":"AEA NUVO N28","description":"\u003cp\u003eThe AEA N28 is a compact active stereo ribbon microphone containing two matched figure-8 elements fixed at 90 degrees for true Blumlein capture. 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When the ribbon is exposed to sound it vibrates within the magnetic field and a tiny current is induced in the ribbon.\u003c\/p\u003e\n\n\u003cp\u003eThis current is amplified to produce sound. What makes ribbon microphones so incredibly sensitive and accurate is that the signal comes directly from the material that senses the sound; nothing is lost in translation. The result is the most intimate, warm, and articulate sound produced by any type of microphone. Ribbon microphones are an excellent choice for recording guitar cabinets, drum overheads and vocals.\u003c\/p\u003e\n\n\u003cp\u003eNeodymium rare earth permanent magnet is a new kind of magnetic material developed in the 1980s with excellent magnetic characteristics in terms of a high-energy product, high coercive force etc. It is the strongest and most powerful magnetic material up to now and regarded as \"The King of Magnets\".\u003c\/p\u003e\n\n\u003cp\u003eThe Cascade VIN-JET long ribbon microphone is quickly becoming the new go-to choice for home and professional recording studios alike. The VIN-JET is an exceptional value that competes with ribbon microphones that cost many times over. The VIN-JET is available from our site as well as from one of our fine dealers. The VIN-JET features Evidence Audio Wire and an open grill (no interior grill screening has been added) ensuring you of an open and detailed sound.\u003c\/p\u003e","brand":"Cascade","offers":[{"title":"Default Title","offer_id":57960046690687,"sku":"48666","price":199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/48666-1.jpg?v=1783941676"},{"product_id":"ocean-way-rm1-b","title":"Ocean Way RM1-B","description":"\u003cp\u003eBeautiful Sound, Classic Look, American-Made\u003c\/p\u003e\n\n\u003cp\u003eAt A glance:\u003c\/p\u003e","brand":"Ocean Way","offers":[{"title":"Default Title","offer_id":57960072282495,"sku":"47656","price":2599.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/47656-1.jpg?v=1783941576"},{"product_id":"aea-ku4","title":"AEA KU4","description":"\u003cp\u003eThe AEA KU4 is a supercardioid ribbon microphone built for focused pickup with the smooth transient response and tonal density associated with a ribbon. Its directional pattern gives substantially more rejection than a traditional figure-8 ribbon, making it useful on vocals, guitar amplifiers, brass and drums when spill or room sound needs tighter control.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57960076116351,"sku":"4529","price":6249.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/4529-1.jpg?v=1783941494"},{"product_id":"cascade-vin-jet","title":"Cascade Vin-Jet","description":"\u003cp\u003eThe Cascade VIN-JET ribbon microphone features a 2 7\/16” long ribbon of aluminium suspended in the field of a pair of Neodymium rare earth permanent magnets. When the ribbon is exposed to sound it vibrates within the magnetic field and a tiny current is induced in the ribbon.\u003c\/p\u003e\n\n\u003cp\u003eThis current is amplified to produce sound. What makes ribbon microphones so incredibly sensitive and accurate is that the signal comes directly from the material that senses the sound; nothing is lost in translation. The result is the most intimate, warm, and articulate sound produced by any type of microphone. Ribbon microphones are an excellent choice for recording guitar cabinets, drum overheads and vocals.\u003c\/p\u003e\n\n\u003cp\u003eNeodymium rare earth permanent magnet is a new kind of magnetic material developed in the 1980s with excellent magnetic characteristics in terms of a high-energy product, high coercive force etc. It is the strongest and most powerful magnetic material up to now and regarded as \"The King of Magnets\".\u003c\/p\u003e\n\n\u003cp\u003eThe Cascade VIN-JET long ribbon microphone is quickly becoming the new go-to choice for home and professional recording studios alike. The VIN-JET is an exceptional value that competes with ribbon microphones that cost many times over. The VIN-JET is available from our site as well as from one of our fine dealers. The VIN-JET features Evidence Audio Wire and an open grill (no interior grill screening has been added) ensuring you of an open and detailed sound.\u003c\/p\u003e","brand":"Cascade","offers":[{"title":"Default Title","offer_id":57960088895871,"sku":"3011","price":249.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/3011-1.jpg?v=1783940701"},{"product_id":"aea-nuvo-n8","title":"AEA Nuvo N8","description":"\u003cp\u003eThe AEA N8 is an active far-field ribbon microphone designed to capture instruments, ensembles and rooms with an open, natural perspective. It uses the same large ribbon geometry as AEA’s flagship R44 family but in a compact, unobtrusive body, with phantom-powered electronics that make it easy to use with modern preamps and interfaces.\u003c\/p\u003e\u003cp\u003eIts ribbon transducer is intended to capture transients and upper frequencies smoothly, making it a useful alternative to condenser microphones on sources that can otherwise become hard or overly bright.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":57960089059711,"sku":"2973","price":1225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/2973-1.jpg?v=1783940695"},{"product_id":"royer-labs-sf-24v","title":"Royer Labs SF-24V","description":"\u003cp\u003eThe SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics provide increased midrange reach, unmatched clarity and detail, and an airiness previously unheard of in ribbon mics. Utilising the same proprietary tube electronics as in our TEC Award winning R-122V ribbon microphones, the SF-24V delivers the ultimate in stereo ribbon miking for the true connoisseur of recorded sound.\u003c\/p\u003e\n\n\u003cp\u003eThe SF-24V’s independent tube circuits provide an output level of -38 dB, suitable for use with any professional preamplifier. With self-noise of lower than 18 dB, the SF-24V's ultra-quiet operation is suitable for the most demanding classical and acoustic recording applications.\u003c\/p\u003e\n\n\u003cp\u003eLike an SF-12, the SF-24V is actually two matched ribbon microphones, placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet\/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\n\u003cp\u003eThe Electronics\u003c\/p\u003e\n\n\u003cp\u003eThe SF-24V’s twin head amplifiers consist of low-noise, triode-connected military grade 5840 vacuum tubes. Designed for a wide range of applications, the SF-24V delivers -38 dB output and the drive capabilities only vacuum tube head amplifiers can provide. The circuits are devoid of typical vacuum tube coloration.\u003c\/p\u003e\n\n\u003cp\u003eThe SF-24V’s triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high-frequency loss. This capability is further enhanced by the SF-24V's dedicated power supply, which provides ample current to the vacuum tube electronics. Induced noise is virtually eliminated by the microphone's fully balanced outputs, which are electrically isolated with special purpose Jensen output transformers.\u003c\/p\u003e\n\n\u003cp\u003eThe SF-24V has far more level than non-powered ribbon microphones and its impedance matching circuitry places a perfect load on the ribbon element at all times. This allows the use of a wide variety of mic preamps without concern for gain and impedance matches, two critical issues with ribbon microphones. In addition, the microphone’s electronics shield the ribbon elements from any possibility of damage by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\n\u003cp\u003eIt is important to note that the SF-24V's higher sensitivity creates no additional self-noise. All of the SF-24V's increased level comes from its large, specially wound toroidal transformers, so there is no additional noise associated with the microphone's higher output. The tube system operates at less than unity, adding no noise of its own.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57960091648383,"sku":"2266","price":4499.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/2266-1.jpg?v=1783940669"},{"product_id":"royer-labs-sf-24","title":"Royer Labs SF-24","description":"\u003cp\u003eThe SF-24 stereo ribbon microphone is a phantom powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12's high quality audio performance, outstanding stereo separation and imaging with our exclusive active electronics system for ribbon microphones. The SF-24's output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB.\u003c\/p\u003e\n\n\u003cp\u003eLike an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet\/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\n\u003cp\u003eThe SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled \"Upper\" and \"Lower\" for the upper and lower capsules of the microphone (when held vertically).\u003c\/p\u003e\n\n\u003cp\u003eGain\u003c\/p\u003e\n\n\u003cp\u003eOur active ribbon mics (SF-24 and R-122) are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing specially wound toroidal transformers and ultra-low noise FET's, each delivering a sensitivity of -38 dB. This lets you mate an SF-24 to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough level to drive any recording medium.\u003c\/p\u003e\n\n\u003cp\u003eIt is important to note that the SF-24's higher sensitivity does not create additional self-noise. All of the SF-24's increased level comes from its large, specially wound toroidal transformers - that wonderful thing called \"free gain.\" The level at the each of the transformers is actually hotter than what comes out of the microphone. The phantom powered system operates at less than unity, adding no noise of its own. This system took years to develop and is in patent pending status.\u003c\/p\u003e\n\n\u003cp\u003eImpedance Matching\u003c\/p\u003e\n\n\u003cp\u003eThe electronics in the SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.\u003c\/p\u003e\n\n\u003cp\u003eA good impedance match is critical to ribbon microphones. Impedance mis-matching loads a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and an overall compromised performance. With our Active Series ribbon mics, the ribbon element sees a perfect impedance at all times, regardless of the preamp you use, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":57960091713919,"sku":"2265","price":3699.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/2265-1.jpg?v=1783940667"}],"url":"https:\/\/sxpro.co.uk\/collections\/ribbon-microphones.oembed","provider":"SX Pro","version":"1.0","type":"link"}