{"title":"500 Series","description":"","products":[{"product_id":"spl-tdx-sp-tdx","title":"SPL TDx","description":"\u003cp\u003eWith the Transient Designer TDx the level-independent processing of signal paths is making headway into the world of 500 series rack modules.\u003c\/p\u003e\n\n\u003cp\u003eWorking with the Transient Designer is very simple: Attacks can be amplified or attenuated and sustain may be prolonged or shortened. However, the possibilities for studio and live application are seemingly endless.\u003c\/p\u003e\n\n\u003cp\u003eTechnical foundation is SPL's Differential Envelope Technology (DET) which allows level-independent dynamic processing by calculating differences in generated envelopes. These envelopes are always tracking the curve of the original signal to provide optimal results in every moment of the music. So only two controls per channel are required to allow the user to completely reshape the attack and sustain characteristics of a sound.\u003c\/p\u003e\n\n\u003cp\u003eThanks to the new TDx feature MIX (parallel mix) you can continuously blend between the processed and the unprocessed signal. Thus, the range of functions is extended even further and with the three parameters ATTACK, SUSTAIN and MIX, which offer an intuitive operation, the options of designing transients reach a new dimension of great variety.\u003c\/p\u003e\n\n\u003cp\u003eApplications\u003c\/p\u003e\n\n\u003cp\u003eThe Transient Designer is ideally suited for use in professional recording, project or home studios and in sound reinforcement applications. Applied to single instruments or loops the Transient Designer allows you to create entirely new sounds and\/or effects.\u003c\/p\u003e\n\n\u003cp\u003eThe following examples are given as suggestions and examples. You will find more examples in the manual. The described procedures with specific instruments can of course be transferred to others which are not mentioned here.\u003c\/p\u003e\n\n\u003cp\u003eDrums \u0026amp; Percussions\u003c\/p\u003e\n\n\u003cp\u003eProcessing drum and percussion sounds is probably the Transient Designer's most typical range of application, both from samples to live drum sets:\u003c\/p\u003e\n\n\u003cp\u003eEmphasize the attack of a kick drum or a loop to increase the power and presence in the mix by increasing ATTACK.\u003c\/p\u003e\n\n\u003cp\u003eDrums Ambience\u003c\/p\u003e\n\n\u003cp\u003eIf your drums happen to sound as if the room mics have been placed in a shoe closet, the Transient Designer can immediately turn that sound into the ambience of an empty warehouse. Just send the room mic through the Transient Designer module and crank the ATTACK control to emphasize the first wave.Now slowly increase SUSTAIN values to bring up an \"all-buttons-in- 1176-sound\" room tone - but without pumping cymbals.\u003c\/p\u003e\n\n\u003cp\u003eBass: Staccato vs. Legato\u003c\/p\u003e\n\n\u003cp\u003eSpeaking of bass: Imagine a too sluggishly played bass track... you may not have to re-record it: Reduce the SUSTAIN until you can hear clear gaps between the downbeats - the legato will turn into a nice staccato, driving the rhythm-section forward.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":57959384056191,"sku":"SP-TDX","price":332.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"bae-500-series-blank-panel-9425","title":"BAE 500 Series Blank Panel","description":"\u003cp\u003eSingle slot blank panel, designed for use with the BAE 500 Series Racks \u0026amp; Lunchboxes.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":57959510376831,"sku":"9425","price":35.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"maag-audio-eq4-500-open-box-9415","title":"Maag Audio EQ4 500 (Open-Box)","description":"\u003cp\u003eThe Maag Audio EQ4 (500 Series) is a one channel 6 band equaliser with AIR BAND (shelf boost from 2.5 to 40kHz), compatible with the API 500-6B lunchbox and 500VPR rack systems. Following its EQ3 and EQ3-D predecessors, the EQ4 provides unparalleled transparency and top end presence while maintaining the true natural sound behind the mix. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy recallable settings.\u003c\/p\u003e\n\n\u003cp\u003ePresented in the flagship lunchbox portable format, the EQ4 offers the legendary AIR BAND and five other sonically superior band passes. Maag Audio is an official member of the VPR Alliance.\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e","brand":"Maag Audio","offers":[{"title":"Default Title","offer_id":57959511032191,"sku":"9415","price":749.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"bae-312a-mono-9390","title":"BAE 312A Mono","description":"\u003cp\u003ePlease note: This unit requires a BAE Power Supply. To purchase as a bundle click here.\u003c\/p\u003e\n\n\u003cp\u003eThe 312A is available as a 500 series module or a single or dual channel 19\" rackmount.\u003c\/p\u003e\n\n\u003cp\u003eBecause there are no capacitors in the audio path, the 312A is super fast and punchy, allowing transients to pass easily, making them a favourite for drummers.\u003c\/p\u003e\n\n\u003cp\u003eMade with the highest quality parts including Jensen input and output transformers and the Avedis 1122 opamp. The 312A also includes a high impedance DI for instruments.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":57959519420799,"sku":"9390","price":941.94,"currency_code":"GBP","in_stock":true}]},{"product_id":"bae-vgdi-9368","title":"BAE VGDI","description":"\u003cp\u003eVGDI Features\u003c\/p\u003e\n\n\u003cp\u003ePassive Direct Injection Box. Made in conjunction with Val Garay.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":57959520862591,"sku":"9368","price":160.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"uk-sound-73mp-500-series-mic-pre-9354","title":"UK Sound 73MP 500 Series Mic Pre","description":"\u003cp\u003eMPL 500 Series Mic Pre\u003c\/p\u003e\n\n\u003cp\u003eThis is the 500 Series version of the 73MP (a mic pre-amp version of the 1073 equaliser) having the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids.\u003c\/p\u003e\n\n\u003cp\u003eTwo selectable impedances makes the MPL works well with a variety of microphones.\u003c\/p\u003e\n\n\u003cp\u003eAs a coloured and versatile mic-pre, the MPL maintains its sonic signature across a wide bandwidth.\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e","brand":"UK Sound","offers":[{"title":"Default Title","offer_id":57959526760831,"sku":"9354","price":550.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-1073lb-b-stock-9046","title":"Neve 1073LB (B-stock)","description":"\u003cp\u003eLaunched in 1970, the 1073 is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 complements any musical genre - from rock to pop, hip-hop to rap, thrash to classical.\u003c\/p\u003e\n\n\u003cp\u003eAnd now it is available for your Lunchbox.\u003c\/p\u003e\n\n\u003cp\u003eDesigned and manufactured in England, the 1073LB retains the unique sonic characteristics of the original 1073 Classic microphone preamplifier by using the same architecture, matching components and original hand-wound transformers. And it delivers it in a modern and portable form-factor that professional producers and engineers demand.\u003c\/p\u003e\n\n\u003cp\u003eWith new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve's clever Audio Processing Input design, the 1073LB takes your Lunchbox to the next level.\u003c\/p\u003e\n\n\u003cp\u003eSimply install into an empty slot in your compatible Lunchbox rack, connect your microphone or line level signals and inject that legendary sound into your audio creations.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959542948223,"sku":"9046","price":789.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-550a-50th-anniversary-edition-8664","title":"API 550A 50th Anniversary Edition","description":"\u003cp\u003eThe API 550A 50th Anniversary Edition is a reproduction of Saul Walker’s original design of the 550A 3-band EQ.\u003c\/p\u003e\n\n\u003cp\u003eEach of the API 550A 50th Anniversary Edition modules has been assembled and wired by hand, using an exacting reproduction of the original printed circuit board. Only 50 modules are being built and an individual serial number will mark the unit.\u003c\/p\u003e\n\n\u003cp\u003eThe 550A provides up to 12dB of cut\/boost for each of the three bands in 2dB increments. The three bands provide 5 frequency bands each with overlapping frequencies. Both Low and High band can be used as peak or shelf modes while a Filter switch activates a bandpass filter.\u003c\/p\u003e\n\n\u003cp\u003eThe 550A Anniversary Edition also includes Saul Walker’s legendary 2520 Op-amp which combined to the proportional Q design, gives the unmistakable API EQ sound.\u003c\/p\u003e\n\n\u003cp\u003eAPI 550A 50th Anniversary Edition Main Features:\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959547339135,"sku":"8664","price":1999.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cranborne-audio-camden-500-8536","title":"Cranborne Audio Camden 500","description":"\u003cp\u003ePut simply, Camden 500 is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e\n\n\u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigours of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7dB from 5Hz to 200kHz at max gain and 2° phase shift @ 20Hz – 20kHz.\u003c\/p\u003e\n\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analogue saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u2028\u2028\u003c\/p\u003e\n\n\u003cp\u003eClean, Precise, and Natural - at all gain positions\u2028\u003c\/p\u003e\n\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8dB to 68dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e\n\n\u003cp\u003eVintage, Warm, and Coloured - thanks to Mojo\u2028\u003c\/p\u003e\n\n\u003cp\u003eCamden 500 features Mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviours of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialled in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e\n\n\u003cp\u003eThump\u2028\u003c\/p\u003e\n\n\u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100Hz to 20Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e\n\n\u003cp\u003eCream\u2028\u003c\/p\u003e\n\n\u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e\n\n\u003cp\u003eProduct Highlights\u003c\/p\u003e\n\n\u003cp\u003eTechnical Specifications\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":57959550222719,"sku":"8536","price":289.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"tk-audio-bc1-ltd-8205","title":"TK Audio BC1 Ltd","description":"\u003cp\u003eThe BC1 bus compressor was the first product ever to emerge from the TK Audio brand in 2008, and it has remained the company's most popular unit for this time. So as 2018 marks TK Audio's tenth anniversary, it makes sense to launch a limited anniversary version with some new features that users have been requesting and which will make the unit even more useful.\u003c\/p\u003e\n\n\u003cp\u003eGrab - The new Grab setting offers a more aggressive and apparent compression behaviour. This may be desirable on the drum bus or for a more snappy sounding mix\u003cbr\u003e\nTHD and filter options - The BC1 Ltd also has a THD switch, which adds a bit of crunch and tasty overdrive to the table. And in order to not have bass instruments having a too apparent impact on the mix, there are now three switchable high-pass filter options for the sidechain signal.\u003c\/p\u003e","brand":"TK Audio","offers":[{"title":"Default Title","offer_id":57959551795583,"sku":"8205","price":1162.8,"currency_code":"GBP","in_stock":true}]},{"product_id":"radial-extc-500-7028","title":"Radial EXTC-500","description":"\u003cp\u003eThe Radial EXTC is a 500 series module that lets you incorporate guitar effects into the realm of pro-audio recording. Just imagine... add a touch of grit to a vocal track, some wah on a kick drum, maybe flange a violin...The EXTC is a creative tool made for your esoteric-inventive side, ready to unleash fresh new sounds that will make your recordings stand out from the crowd.\u003c\/p\u003e\n\n\u003cp\u003eAnd it's super easy to use: connect a line level signal from the recording system. The EXTC unbalances the signal and converts it to high impedance where guitar pedals can be inserted at will. Front mounted ¼\" send \u0026amp; receive connectors provide easy access. Turn track on, set levels, adjust the blend for just the right amount of magic. Be prepared for instant amazement.\u003c\/p\u003e\n\n\u003cp\u003eFeatures include Radial's award winning 100% discrete class-A guitar buffering for ultimate audio integrity, transformer isolation to eliminate buzz and hum caused by ground loops, 180º polarity reverse to keep effects and balanced signals in phase, plus a separate patch bay insert point to add studio effects into the fun.\u003c\/p\u003e\n\n\u003cp\u003eThe Radial EXTC is without a doubt one of the most innovative effect manipulating devices ever made. And it opens the door to new sounds by taking Reamping technology to an all new level.\u003c\/p\u003e\n\n\u003cp\u003eBe prepared for wild \u0026amp; wonderful!\u003c\/p\u003e","brand":"Radial","offers":[{"title":"Default Title","offer_id":57959558349183,"sku":"7028","price":349.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"radial-workhorse-powerhouse-7020","title":"Radial Workhorse Powerhouse","description":"\u003cp\u003eThe Powerhouse is a 10 module 500 series power-rack designed to accommodate both older and newer 500 series modules and provide the studio with maximum density in a standard 19\" rack frame.\u003c\/p\u003e\n\n\u003cp\u003eThe design begins with heavy 14 gauge steel construction and durable powder coat finish for maximum shielding against noise and greater durability when subjected to road use. An 'easy glide' slider tray makes it painless to align the PCB connector to the 15 pin card edge receptacle when swapping modules. Once connected, the rear panel sports a standard array of XLRs to connect to and from the workstation or mixer. This is augmented with a series of ¼\" TRS connectors that enable cross-patching and open the door to the excitement of parallel signal processing. Instead of having to hard patch modules together using a cable, the Powerhouse incorporates an innovative feed switch that instantly connects the signal to the adjacent module. This makes building signal chains quick and eliminates the need for extra cables. And unlike older racks that require soldering when modules are used in stereo, the Powerhouse is equipped with a stereo link function that takes care of the task with a simple slide of a switch.\u003c\/p\u003e\n\n\u003cp\u003eUnlike older racks that are limited to an average of 130 milliamps per slot, the Powerhouse boasts a 1600 milliamp power supply that lets you share the power as needed. This means it can deliver 300 milliamps to your two tube preamps and still have over 1000 milliamps left in the pool! And just like all Workhorse racks, the Powerhouse is equipped with extra safety features to ensure safe use when mixing and matching various brands.\u003c\/p\u003e\n\n\u003cp\u003eThe Powerhouse delivers more flexibility than all others.\u003c\/p\u003e","brand":"Radial","offers":[{"title":"Default Title","offer_id":57959558611327,"sku":"7020","price":1034.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"a-designs-em-peq-653","title":"A Designs EM-PEQ","description":"\u003cp\u003eThe essence of the classic Pultec EQP-1A sound in 500 series\u003c\/p\u003e\n\n\u003cp\u003eOne of the most venerated equalisers of all time, the all-tube Pultec EQP-1A has been cherished by recording and mastering engineers for its almost magical ability to improve the sound of nearly any signal running through it. Now, after considerable research and development, the A-Designs Audio EM-PEQ has captured the essence of the highly revered Pultec EQP-1A and placed it in the compact and popular 500-Series form* with no compromise in sonics or build quality.\u003c\/p\u003e\n\n\u003cp\u003eAlong with modern performance enhancements, the A-Designs Audio EM-PEQ meticulously maintains the EQ-section design and control layout of the original Pultec EQP-1A, as well as its wonderfully smooth musicality. It also has the same frequency settings and inductors that made the Pultec a must-have for capturing the bottom end. Makeup amplification is achieved through the use of the same discrete Class AB amplifier found in A-Designs Audio's immensely popular solid-state Pacifica mic preamp - putting a slightly unique and modern twist on the classic design of yesteryear.\u003c\/p\u003e\n\n\u003cp\u003eThe EM-PEQ's controls attenuate high band at 5k, 10k, 20kHz; vary bandwidth AND boost mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and boost or attenuate the low band at 20Hz, 30Hz, 60Hz, or 100Hz. Boost and attenuation range from 0dB to +\/-10dB.\u003c\/p\u003e\n\n\u003cp\u003eAdditional features of the EM-PEQ include a nickel-core output transformer, gold Grayhill rotary switches, Wima caps, and a true hard-wired bypass. Plus, instead of using common off-the-shelf chokes, A-Designs uses a custom tapped inductor, wound to the original values as the original Pultec. Along with the classic EQ circuitry, layout, and exceptionally musical sound of the classic Pultec, the EM-PEQ offers fully balanced, noise-free performance and modern impedance specs for easy operation and fast studio integration.\u003c\/p\u003e\n\n\u003cp\u003eIn the world of pro audio recording, there are two types of equalisers: those that you don't want to hear in action (surgical or corrective EQ), and those that you do (\"color, or character\" EQ). The EM-PEQ is one you most definitely do. Unlike any other 500-Series equaliser, the A-Designs EM-PEQ sits on the extreme end of the \"character\" bench. It focuses on \"correcting\" that which cannot be fixed by so-called surgical EQs: the enhancement of tone and musicality.\u003c\/p\u003e\n\n\u003cp\u003eThe EM-PEQ is also available as the EM-EQ2, a 2-channel, 2U rackmount version offered at the same price as two EM-PEQs and a 500HR power rack. Whether you prefer to work with the 500-Series form factor or standard rackmount format, both the EM-PEQ and EM-EQ2 are identical in both sound quality and functionality.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":57959562445183,"sku":"653","price":1199.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"a-designs-p1-652","title":"A Designs P1","description":"\u003cp\u003eThe mojo of the Pacifica in 500 series\u003c\/p\u003e\n\n\u003cp\u003eThe P-1 has the highest fidelity of all the A-Designs Audio 500 preamps. While not an exact replica, it sounds as close to Pacifica as is possible for its smaller size. It has a big low end, slightly forward midrange, and extended highs. If you're a fan of Quad Eight or API, you'll love the A-Designs Audio P-1.\u003c\/p\u003e\n\n\u003cp\u003eThe P-1 shines on vocals, instruments, room mics, piano, and on instruments with sharp transients, such as drums and various percussion instruments. And if you're building a lunchbox with drum recording in mind, a pair of P-1s is a superb choice for overheads when you want to capture the entire kit along with the sizzle of the cymbals.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":57959562543487,"sku":"652","price":899.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"meris-440-500-series-6508","title":"Meris 440 500 Series","description":"\u003cp\u003eThe ultimate mic pre for recording guitar. Designed and Manufactured in Los Angeles, California U.S.A.\u003c\/p\u003e\n\n\u003cp\u003eInstall a 440 mic pre into any 500 series compatible chassis. Have legendary tone and integrate post effects pedals into your signal chain with ease.\u003c\/p\u003e","brand":"Meris","offers":[{"title":"Default Title","offer_id":57959563329919,"sku":"6508","price":477.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"meris-ottobit-500-series-6507","title":"Meris Ottobit 500 Series","description":"\u003cp\u003eMeet Ottobit. Crush Bits, De-Rez + Sonic Destroy. Designed and Manufactured in Los Angeles, California U.S.A.\u003c\/p\u003e\n\n\u003cp\u003eDesigned to give musicians and sound designers tools to sculpt any source into audio reminiscent of early 8 and 16 bit video game soundtracks.\u003c\/p\u003e","brand":"Meris","offers":[{"title":"Default Title","offer_id":57959565263231,"sku":"6507","price":492.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"meris-mercury7-500-series-6506","title":"Meris Mercury7 500 Series","description":"\u003cp\u003eOff-world Ambience\u003c\/p\u003e\n\n\u003cp\u003eThe world's first 500 Series Algorithmic DSP Reverb. Designed and Manufactured in Los Angeles, California U.S.A.\u003c\/p\u003e\n\n\u003cp\u003eOur flagship reverb design. 500 series accommodates the highest quality signal path available in pro audio and entirely custom algorithms take you to the apex of ambient exploration.\u003c\/p\u003e","brand":"Meris","offers":[{"title":"Default Title","offer_id":57959565459839,"sku":"6506","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/6506-1.jpg?v=1788198299"},{"product_id":"a-designs-em-eq2-649","title":"A Designs EM-EQ2","description":"\u003cp\u003eA two-channel, rack mount version of the popular EM-PEQ\u003c\/p\u003e\n\n\u003cp\u003eThe convenience and affordability of 500 series modular units has taken the recording industry by storm, and riding the crest of that wave is the A-Designs Audio EM-PEQ Pultec-style equaliser - renowned for big, tight, and punchy low end. But some people just don't like looking at a half-empty lunchbox in the rack, and not every module is compatible in size or power rating with third-party lunchboxes. In response to mounting customer requests, A-Designs Audio has answered the call with the rackmountable EM-EQ2 Pultec-style equaliser.\u003c\/p\u003e\n\n\u003cp\u003eEminently suited for tracking, mixing, or mastering, the two-channel A-Designs Audio EM-EQ2 is housed in a rugged, all-metal 2U chassis. It shares the same custom-milled faceplate, brushed-aluminium control knobs, big jewel power indicator lamp, and heavy-duty Carling toggle switch as the HM2EQ Hammer. The EM-EQ2's controls attenuate high band at 5k, 10k, 20kHz; vary bandwidth AND boost mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and boost or attenuate the low band at 20Hz, 30Hz, 60Hz, or 100Hz. Boost and attenuation range from 0dB to +\/-10dB.\u003c\/p\u003e\n\n\u003cp\u003eAlong with modern performance enhancements, the EM-EQ2 faithfully preserves the EQ section design, control layout, and wonderfully smooth musicality of the original Pultec. It also has the same frequency settings and inductors that made the Pultec a must-have for capturing the bottom end. Additional features include a proprietary nickel-core output transformer, Wima caps, and true hard bypass. Instead of using common off-the-shelf chokes, A-Designs Audio employs a tapped inductor that's custom-wound to the same values as the 500-series EM-PEQ. Along with the classic EQ circuitry, layout, and exceptionally musical sound of the original Pultec, the EM-EQ2 offers fully balanced, noise-free performance and modern impedance specs, bringing quick and easy integration to the modern studio.\u003c\/p\u003e\n\n\u003cp\u003eWhile many people still clamor to own an original Pultec equaliser, the simple truth of audio equipment is that unlike violins and brandy, electronics don't improve with age. And even if you can find one on the vintage market that's working, its 5-digit price tag limits its availability to a very select few. The A-Designs Audio EM-EQ2 is the answer for those who want the stellar sound of a Pultec equaliser plus the added benefit of modern performance and reliability. Even better, with its dual-mono design, the EM-EQ2 gives you two Pultecs for a fraction of the price of one.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":57959565787519,"sku":"649","price":2199.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"solid-state-logic-ssl-lmc-500-5325","title":"Solid State Logic SSL LMC+ 500","description":"\u003cp\u003eThe classic SSL Listen Mic Compressor with an added creative twist.\u003c\/p\u003e\n\n\u003cp\u003eThe LMC+ Module brings a new and significantly enhanced version of the classic SSL Listen Mic Compressor to 500 format racks. This famous processor from the legendary SL4000E console was the secret weapon in many producers sonic arsenal of recording techniques. Originally designed to prevent overloading the return feed from a studio communications mic, its fixed attack and release curves were eminently suitable for use on ambient drum mics. This all-new version includes a pair of classic SSL High Pass and Low Pass filters to allow targeting of a specific frequency range, a filters to compressor side chain option and a wet\/dry blend control. Two additional superb new tools are added to give the LMC+ a distinctive sonic twist; a 'Scoop' button that phase inverts the wet signal, as well as a unique 'Split' button that engages a bandpass subtraction mode. Used together and separately and in conjunction with the filters and sidechain, the new controls give LMC+ a distinctive tonal edge with a range of creative possibilities.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"SSL Solid State Logic","offers":[{"title":"Default Title","offer_id":57959570407807,"sku":"5325","price":499.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"harrison-audio-comp-500-ex-demo-52667","title":"Harrison Audio Comp 500 (Ex-Demo)","description":"\u003cp\u003eIn the realm of audio engineering, Dave Harrison, the founder of Harrison Audio, stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical about compressors, a sentiment shared by his friend and legendary music producer and engineer, Bruce Swedien. Both held the belief that music should be captured authentically, without interference. However, the requirement for a compressor arose from the broadcast market's demands, seeking a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors, with the result proving extremely effective. Its transparent 'leveling' capabilities, achieved with just a few dBs of gain reduction, quickly made it indispensable in music production for delicately smoothing signals, particularly on vocals, guitars, and other instruments with wide dynamic range. Over time, this compressor's ability to 'dig in' became apparent, transforming it into a sought-after vibe compressor when higher levels of gain reduction were applied. Dave Harrison's initial skepticism gave birth to a tool that not only met the broadcast market’s demands but also became relied on in the world of music production. Thanks to the Comp module, the distinctive Harrison sound is now accessible in the 500 Series format.\u003c\/p\u003e\n\n\u003cp\u003eHarrison's secret sauce – put it on everything\u003cbr\u003e\nThe Comp module is a very flexible dynamics processor. From a transparent ‘leveler’ on guitars and vocals, using a 1:2 ratio and fast release, applying 2-3 dB of gain reduction. To a sizzling vibe compressor on drums and bass, slamming the ratio in combination with a slow release. The Comp 500 Series module is a well-crafted, no-nonsense compressor that is your secret production ‘sauce’ – you’ll put it on everything.\u003c\/p\u003e\n\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\n\u003cp\u003e•The Harrison sound.\u003cbr\u003e\n•Extremely flexible compressor; from transparent ‘leveler’ to ‘character’ comp.\u003cbr\u003e\n•Classic feed-froward design.\u003cbr\u003e\n•THAT 2180 VCA chip for outstanding analog performance.\u003cbr\u003e\n•Program-dependant ‘Attack’ time.\u003cbr\u003e\n•Continually variable Release time from ‘Fast’ to ‘Slow’.\u003cbr\u003e\n•Input overload LED.\u003cbr\u003e\nCompatible with 500 Series format chassis.\u003c\/p\u003e","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":57959570964863,"sku":"52667","price":225.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"sx-pro-powergrid-duo-2-slot-500-series-rack-b-stock-52631","title":"SX Pro PowerGrid Duo 2-Slot 500 Series Rack (B-Stock)","description":"\u003cp\u003eThe SX Pro PowerGrid Duo features a sleek, flush-mount design with recessed slots for two 500 Series modules, delivering a clean and professional look. It offers both XLR and TRS input and output options, and houses an ultra-high quality internal power supply with a standard IEC connector for reliable operation.\u003c\/p\u003e\n\n\u003cp\u003eIdeal for dual-mono setups, the PowerGrid Duo also includes a stereo link switch—perfect for pairing compatible modules like compressors for true stereo processing.\u003c\/p\u003e","brand":"SX Pro","offers":[{"title":"Default Title","offer_id":57959571554687,"sku":"52631","price":159.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"cranborne-audio-brick-lane-500-52383","title":"Cranborne Audio Brick Lane 500","description":"\u003cp\u003eThe Brick Lane 500 redefines analog compression by combining cutting-edge technology with tonal versatility. Designed by Cranborne Audio in the UK, this 500-series module delivers six distinct compression personalities through its Modal PWM Compression architecture—serving as six iconic compressors in one sleek, high-performance unit.\u003c\/p\u003e\n\n\u003cp\u003eKey Features\u003c\/p\u003e\n\n\u003cp\u003e  Harness the power of pure analog Pulse-Width Modulation to dynamically shape your sound with startling precision and minimal distortion.\u003c\/p\u003e\n\n\u003cp\u003e  Each mode—Velvet, Float, Smash, Tame, Glue, and Polish—automatically tailors ratio, attack, release, knee, and overall behavior:\u003c\/p\u003e\n\n\u003cp\u003e  Dial in harmonic texture with the “Stress” knob—adding subtle warmth in Velvet, drive in Smash, glue in Glue, or loudness in Polish.\u003c\/p\u003e\n\n\u003cp\u003e  Exclusive to Polish mode, predictive circuitry ensures flawless, zero-latency limiting—ideal for mastering.\u003c\/p\u003e\n\n\u003cp\u003e  Effortlessly link two units wirelessly for seamless stereo operation. Controls synchronize via optical communication, with auto-calibration ensuring perfect stereo matching.\u003c\/p\u003e\n\n\u003cp\u003e  Stepped threshold, attack, and release for tactile recall. Includes a 12-segment LED level meter and gain-reduction meter, plus selectable side-chain HPF (Off, 60 Hz, 100 Hz, 200 Hz), ±20 dB input and output gain, and true-bypass switching.\u003c\/p\u003e\n\n\u003cp\u003eTechnical Highlights\u003c\/p\u003e\n\n\u003cp\u003eThe Brick Lane 500 is not just a compressor—it’s a sonic Swiss Army knife. Whether you’re tracking, mixing, or mastering, its modular compression approach gives you unparalleled flexibility and tonal flair in a compact format. In a single-width module, you gain access to the power of traditional Vari-Mu, FET, opto, and mastering-level limiters—effects that would typically require a multi-unit rack costing many times more.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":57959572701567,"sku":"52383","price":659.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"heritage-audio-grandchild-670-500-series-b-stock-52025","title":"Heritage Audio Grandchild 670 500 Series (B-Stock)","description":"\u003cp\u003eHeritage Audio has undertaken an unprecedented engineering effort to encapsulate all the charm of the HERCHILD 670 into a more affordable unit so that the flavor of its predecessor is now available for studios with all types of budgets. Welcome to the next generation. The first ever stereo Vari-MU compressor in a 2 slot 500 series module, based on the renowned Fairchild, could not have existed without the years of experience in building the most complex 500 series modules on the market together with the years of studying and developing the HERCHILD models 660 and 670. With 4 NOS tubes and 3 transformers at its core, you can be sure your tracks will receive the attention they deserve with all the warmth and punch you can imagine while maintaining almost no noise or distortion at all making it a great option for Mixing and Mastering. All the warmth and punch you can imagine while maintaining almost no noise or distortion making it a great option for Mixing and Mastering. 5 Attack and Release times have been made even more flexible than in the original unit. Progressive DC Threshold, combining control of the ratio and the knee (from hard limiting to a very smooth transparent compression). Enjoy the sound that has blessed thousands and thousands of hits throughout the years. Feel the warmth as it hugs your tracks and makes them stand out proudly from all the rest. The GRANDCHILD has the soul of its predecessor, assuring that the king of tube compression sound, that influenced hundreds and hundreds of classic tunes, is now available for you to craft your very own masterpieces!\u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":57959573389695,"sku":"52025","price":1395.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"heritage-audio-lang-312l-51844","title":"Heritage Audio LANG 312L","description":"\u003cp\u003eThe new LANG 312L is simply bursting with dBs.... With up to 90dBs of gain, it’s equipped with more power than almost any other Preamp out there. Now, you’ll be able to use each and every microphone in your collection without the need for any external boosting, and not even break a sweat. Especially useful for all you Ribbon and Vintage Mic users that never seem to be able to get the most from them... Thanks to its extremely low internal noise and impressively fast response, you’ll actually hear dynamics you never knew existed. Time to hear your Mics as they’ve never sounded before!\u003c\/p\u003e\n\n\u003cp\u003eBring all that energy and excitement that has made New York City the capital of the world into your recordings. With our custom made HA-880 OP-Amp and transformer balanced Inputs \u0026amp; Outputs (CineMag \u0026amp; LANG) you can be sure that a thick, solid and professional signal will be produced to ensure all of your broadcasting and recording needs are addressed. All of this at an unheard of price that is less than 1\/3 of what a unit of this calibre tends to go for.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":57959576273279,"sku":"51844","price":364.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-312-open-box-51479","title":"API 312 (Open Box)","description":"\u003cp\u003eThe 312 is one of API's most sought after and famous mic preamps. First introduced in the 1970s, it is well known and respected throughout the recording industry, and is the building block of the modern 3124 rack unit.\u003c\/p\u003e\n\n\u003cp\u003eBased on API co-founder Saul Walker's original designs, the API 312 Mic Pre combines our 2520 op-amps and proprietary transformers. It delivers the analog warmth, massive headroom and unmistakable sound for which API is known, in a convenient 500 Series format.\u003c\/p\u003e\n\n\u003cp\u003eFollowing the success of the hand wired 312 50th Anniversary Edition, this standard production version offers the classic API sound at an affordable price. Like all API products, the 312 is backed by API's unique Five Year Warranty.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cp\u003eThis item requires a 500 series rack chassis to function\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959583187327,"sku":"51479","price":599.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-560-special-edition-51150","title":"API 560 Special Edition","description":"\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cp\u003e•10 bands of API proprietary equalization\u003cbr\u003e\n•Familiar graphics operation on one octave centers\u003cbr\u003e\n•12 dB of boost\/cut per band\u003cbr\u003e\n•\"Proportional Q\" narrows filter Q at extremes\u003cbr\u003e\n•Additional resolution within the ±4 region\u003cbr\u003e\n•Center detent for reliable reset\u003cbr\u003e\n•Silent bypass button\u003cbr\u003e\n•Based on the original 1969 API 560 EQ\u003c\/p\u003e\n\n\u003cp\u003eOriginally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. With a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\n\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. If you want the sound of classic American music in an easy-to-set graphic EQ package, you want the API 560.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959590003071,"sku":"51150","price":1095.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-550a-special-edition-51149","title":"API 550A Special Edition","description":"\u003cp\u003eFeatures\u003cbr\u003e\n•3 bands of classic API equalization\u003cbr\u003e\n•Each band offers 7 API selected frequency centers\u003cbr\u003e\n•Reciprocal and repeatable filtering\u003cbr\u003e\n•Maximum 12 dB of boost\/cut per band\u003cbr\u003e\n•EQ Band 1 and 3 offer shelf\/peak switching\u003cbr\u003e\n•\"Proportional Q\" narrows filter Q at extremes\u003cbr\u003e\n•Traditional API fully discrete circuit design\u003cbr\u003e\n•High headroom +30 dB clip level\u003c\/p\u003e\n\n\u003cp\u003eFew equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.\u003c\/p\u003e\n\n\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959590068607,"sku":"51149","price":1295.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"igs-audio-576-blue-stripe-b-stock-51053","title":"IGS Audio 576 Blue Stripe (B-Stock)","description":"\u003cp\u003eThe 576 Blue Stripe is a revised version of the classic FET compressor.\u003c\/p\u003e\n\n\u003cp\u003eThe FET-type solution was first used for its application in the legendary UREI 1176 compressor from the 70s. The most important feature inspired by revision A is the input transformer used and pure class A output stage. The compressor is equipped with a relay bypass, 2:1 Ratio and Slam Mode accessible on the front panel.\u003c\/p\u003e\n\n\u003cp\u003eThe 576 BS’s major selling point is its ultra-fast attack time — 20 µS. The 576 BS Ratio buttons allow four different modes of operation: 2:1 Ratio (soft compression); 4:1 ratio (moderate compression); 8:1 ratio (severe compression); 12:1 ratio (mild limiting); 20:1 ratio (hard limiting); S – SLAM, All Buttons In trick mode.\u003c\/p\u003e\n\n\u003cp\u003eSLAM Mode can definitely give a male or female rock vocal track an in-your-face sound that you can’t get anywhere else.\u003c\/p\u003e\n\n\u003cp\u003eApplications\u003c\/p\u003e\n\n\u003cp\u003eThe 1176 is useful on almost any source. The more characterful \"Blue Stripe\" version is most popular on on Rock and Pop vocals, acoustic and electronic drums, and amped or synth bass.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cp\u003e*You can stereo link this to another 576 via jumpers in the PSU\u003c\/p\u003e","brand":"IGS Audio","offers":[{"title":"Default Title","offer_id":57959591870847,"sku":"51053","price":549.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"maag-audio-preq4-b-stock-50836","title":"Maag Audio PREQ4 (B-Stock)","description":"\u003cp\u003eThe PREQ4 (500 Series) is a one channel microphone preamplifier with AIR BAND (shelf boost from 2.5 to 40kHz via VARI AIR), compatible with the API 500-6B lunchbox and 500VPR rack systems. Following its PreQ3 predecessor, the PREQ4 provides unparalleled transparency and top end presence while maintaining the true natural sound behind the microphone.\u003c\/p\u003e\n\n\u003cp\u003ePresented in the flagship lunchbox portable format, the PREQ4 offers the legendary AIR BAND, 65dB adjustable gain, phase reverse capability, 70Hz high pass filter, +48V phantom power, and -20dB PAD. The Maag Audio PREQ4 is an official member of the VPR Alliance.\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e","brand":"Maag Audio","offers":[{"title":"Default Title","offer_id":57959597179263,"sku":"50836","price":864.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"bae-1073mpl-b-stock-50744","title":"BAE 1073MPL (B-Stock)","description":"\u003cp\u003eThe 1073MPL is the 500 Series version of the 1073MP. It has the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids.\u003c\/p\u003e\n\n\u003cp\u003eTwo selectable impedances make the 1073MPL work well with a variety of microphones.\u003c\/p\u003e\n\n\u003cp\u003eAs a coloured and versatile mic-pre, the 1073MPL maintains its sonic signature across a wide bandwidth.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":57959601471871,"sku":"50744","price":875.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-rmx16-500-series-b-stock-50652","title":"Neve RMX16 500 Series - (B-Stock)","description":"\u003cp\u003eAMS RMX16 500 Series\u003c\/p\u003e\n\n\u003cp\u003eA classic – reimagined\u003cbr\u003e\nThe world’s first microprocessor-controlled, full-bandwidth digital reverberator has characterised an enormous number of seminal recordings from the 1980s onwards – now it’s been adapted for 500 series format.\u003c\/p\u003e\n\n\u003cp\u003eOriginal Algorithms\u003cbr\u003e\nThe RMX16 uses the same bit-for-bit algorithms from the original 1982 unit – resulting in pure 1980’s FX.\u003c\/p\u003e\n\n\u003cp\u003eOLED Display\u003cbr\u003e\nThe high contrast OLED display makes setting parameters and navigating through programs simple and intuitive, with no complex menus to get in the way of your creativity.\u003c\/p\u003e\n\n\u003cp\u003e32-bit DSP\u003cbr\u003e\nThe modern, high-performance 32-bit DSP combined with 24-bit, 48KHz sampling through premium AD\/DA converters produces over 100dB of dynamic range with 22dB of headroom. In addition, this transparent platform has the resolution necessary to model the original RMX16’s digital performance perfectly.\u003c\/p\u003e\n\n\u003cp\u003e18 Unique Programs\u003cbr\u003e\nFrom the famous Non-Lin reverb program through to the widely utilized Ambience, the nine original programs are available to choose from. However, the RMX 16 500 doesn’t stop there; 9 additional rare aftermarket algorithms, totalling 18 unique programs, are included to blend into your productions and shape your music.\u003c\/p\u003e\n\n\u003cp\u003eWet\/Dry Mix Blend\u003cbr\u003e\nThe original RMX16 was an ‘all-or-nothing approach’, with the output thoroughly ‘wet’ with reverb FX. A wet\/dry mix blend function is added so that the unit can be added as an insert when tracking or mixing to bring the RMX16 500 up-to-date.\u003c\/p\u003e\n\n\u003cp\u003eAlphanumeric Keypad\u003cbr\u003e\nThe RMX 16 500 wouldn’t be complete without the classic calculator-style keypad; this isn’t only used to precisely define decay, pre-delay times, or filter levels, it can also program user-defined presets via the save\/load feature.\u003c\/p\u003e\n\n\u003cp\u003eEndless Rotary Encoder\u003cbr\u003e\nThe endless rotary pot encoder is an exciting addition; this is used to search through programs, navigate the presets, or program any parameter manually by dialling in settings while listening to the results in real-time.\u003c\/p\u003e\n\n\u003cp\u003eDigitally-Controlled I\/O\u003cbr\u003e\nThe input and output responses were modelled from the original RMX16 to produce the same sonic performance here in the RMX16 500 I\/O stages. In addition, the input and output levels are digitally controlled from 0 to 100% for precision gain staging through the unit to improve accuracy.\u003c\/p\u003e\n\n\u003cp\u003eUser-Defined Presets\u003cbr\u003e\nOne hundred user-defined preset locations are accessible through the simple-to-use save\/load feature. Create your sounds using the original programs as an ideal starting point.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e\n\n\u003cp\u003eAudio Performance\u003c\/p\u003e\n\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959603634559,"sku":"50652","price":1049.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-88r-lb-b-stock-50650","title":"Neve 88R LB (B-Stock)","description":"\u003cp\u003e88RLB\u003c\/p\u003e\n\n\u003cp\u003eThe 88RS Console in the Palm of your Hand\u003cbr\u003e\nNot everyone has room for the world’s greatest recording console – the Neve® 88RS. However, there’s no need to settle for anything other than the absolute best when it comes to capturing the beauty, energy and excitement of your recording—introducing the 88RLB 500 Series Mono Mic Preamp.\u003c\/p\u003e\n\n\u003cp\u003eNeve® Console Pedigree\u003cbr\u003e\nThe 88R console has paved the way for top-flight studio recording and mixing for the past two decades, used as a critical component to produce countless hits and film scores. The 88RLB uses the 88R console preamp circuitry and components to give studios of all sizes access to world-class Neve® recording quality.\u003c\/p\u003e\n\n\u003cp\u003eMarinair® Transformer Preamp\u003cbr\u003e\nLike the 88RS console preamp, the 88RLB uses a custom specification Marinair® transformer to balance the microphone input stage; this delivers subtle warmth and tonality to signals while retaining transparency across a wide frequency bandwidth.\u003c\/p\u003e\n\n\u003cp\u003eHigh Gain - Pristine Output\u003cbr\u003e\nThe microphone preamp produces up to 70dBu of microphone gain fed through the transformer-balanced input; the signal then flows through an electronically-balanced output stage ensuring ultimate transparency when connecting to audio interfaces, analogue outboard gear, or tape machines.\u003c\/p\u003e\n\n\u003cp\u003eMic\/Line\/D.I\u003cbr\u003e\nThree inputs, using combined connections, provide an ideal platform for recording any instrument – dynamic, condenser, or ribbon microphones, line-level devices such as synthesizers or drum machines, and a host of high impedance instruments.\u003c\/p\u003e\n\n\u003cp\u003eRe-Gen Function\u003cbr\u003e\nThe Re-Gen function expands upon the 88RS console preamp capabilities, allowing line and DI signals to benefit from the Marinair® transformer colouration. This feature adds Neve® console sound to instruments or synthesizers at the push of a button.\u003c\/p\u003e\n\n\u003cp\u003eVariable HPF\u003cbr\u003e\nThe 88RLB features the same variable high pass filter as the famous 88RS console. Sweeping from 31.5 to 315Hz is excellent for tuning out unwanted bass frequencies when recording higher register instruments.\u003c\/p\u003e\n\n\u003cp\u003eIntelligent Switching\u003cbr\u003e\nIntelligent switching stops the phantom power from the feeding line or DI signals at the front or rear; +48v is only fed to the microphone connection, with no danger of damaging sensitive analogue equipment. The 88RLB also features a -20dB PAD and 180-degree phase invert switch, which can be used on Mic, Line, or DI signals.\u003c\/p\u003e\n\n\u003cp\u003eFront and Rear Inputs\u003cbr\u003e\nThe 88RLB can be integrated into your studio, patched, and ready to go via the rear inputs; the switchable front input can be used to record quickly by connecting directly into the front of the unit.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e\n\n\u003cp\u003eAudio Performance\u003c\/p\u003e\n\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959603700095,"sku":"50650","price":589.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-1073lb-open-box-50474","title":"Neve 1073LB (Open Box)","description":"\u003cp\u003e1073LB\u003c\/p\u003e\n\n\u003cp\u003eEveryone’s favourite preamp, with 500 series convenience\u003cbr\u003e\nDesigned and manufactured in England, the 1073LB uses the same architecture as the original 1073® preamplifier, conveniently packed into a single 500 series module. This compact design uses matched components and original hand-wound transformers to produce the world-famous 1073 sound.\u003c\/p\u003e\n\n\u003cp\u003eMarinair® Transformers\u003cbr\u003e\nExclusive Marinair® transformers are used on the microphone input, line input and line output stages to produce that classic 1073® sound.\u003c\/p\u003e\n\n\u003cp\u003eClass A Design\u003cbr\u003e\nPacking the classic 1073® into a 500 series module was no small feat! The 1073 class-A circuit design is faithfully maintained in the 1073LB.\u003c\/p\u003e\n\n\u003cp\u003eClassic Gain Control\u003cbr\u003e\nThe classic 5dB stepped Elma switch delivers accurate gain staging throughout 1073’s high output gain range. This unique layout means there is no need for a mic\/line switch; the pot itself selects the correct preamp and input.\u003c\/p\u003e\n\n\u003cp\u003eUnique Gain Staging\u003cbr\u003e\nThree different gain stages, provided by two independent transistor-based preamplifiers, provide gain for any line input or microphone signal.\u003c\/p\u003e\n\n\u003cp\u003eHigh Output - Harmonic Saturation\u003cbr\u003e\nThe 1073LB combines multiple gain stages, meaning the 1073LB preamp can deliver up to 80dB of microphone gain; this brings out the musical drive and harmonic saturation that the 1073® is famous for.\u003c\/p\u003e\n\n\u003cp\u003ePhase Invert\u003cbr\u003e\nThe 180-degree phase invert feature is handy in multi-microphone setups with multiple preamps, ideal for top and bottom snare micing.\u003c\/p\u003e\n\n\u003cp\u003eFront and Rear Inputs\u003cbr\u003e\nThe 1073LB can be integrated into your studio via the rear inputs, patched, and ready to go with the front input ready to plug into to record quickly.\u003c\/p\u003e\n\n\u003cp\u003eLo-Z Impedance\u003cbr\u003e\nWith settings of 1.2kΩ and 300Ω, the 1073LB impedance can be optimised for use with a wide range of modern or vintage microphones.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e\n\n\u003cp\u003eAudio Performance\u003cbr\u003e\n(80kHz bandwidth)\u003c\/p\u003e\n\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959606157695,"sku":"50474","price":725.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"igs-audio-panzer-500-b-stock-50210","title":"IGS Audio Panzer 500 (B-Stock)","description":"\u003cp\u003ePanzer 500 from IGS Audio is a 10-slot 500 series module rack with external power supply. It's fully compatible with any 500 series modules.\u003c\/p\u003e\n\n\u003cp\u003eThe output current is 420mA per slot.\u003c\/p\u003e","brand":"IGS Audio","offers":[{"title":"Default Title","offer_id":57959630733695,"sku":"50210","price":569.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-2264alb-b-stock-50050","title":"Neve 2264ALB (B-Stock)","description":"2264ALB\n\nThe influential and revered classic – compact.\n\nCompact yet extremely powerful, the 2264ALB pushes the classic design into the modern age. Discrete Class A\/B circuitry, custom-designed Marinair® transformers, and unique diode bridge design make this processor, with independent compressor and limiter circuitry, unmatched.\n\nMarinair® Transformers\n\nThe 2264ALB uses exclusive Marinair® specification transformers on the input, bridge-driver, sidechain, and output stages to produce analogue characters throughout.\n\nDiode-Bridge Design\n\nThe 2264 compressor, designed in 1974 by Rupert Neve and his Engineers, used pioneering diode-bridge circuitry to achieve analogue compression. This unique design produces smooth yet exact compression curves. The 2264ALB characteristic compression ratio kicks in at 6dB above the threshold point, allowing transients to smooth over the threshold point, reducing overall distortion.\n\nDiscrete Class A\/B Circuitry\n\nThis compact unit faithfully maintains the classic A\/B circuit design from the classic 2264, using original architecture and through-hole wiring for the necessary audio circuitry.\n\nIndependent Limiter Circuit\n\nThe 2264ALB’s compressor and limiter use independent circuitry and controls. This unique layout layers two distinct dynamic processors, such as a hard limiter and soft compressor, on top of each other to create unique compression curves – specifically tailored to your music.\n\nTrue Bypass Switching\n\nWhen the bypass switch is activated, the input terminals are connected directly to the output terminals, allowing for true-bypassing of signals when A\/B’ing the compressor\/limiter.\n\nDual Auto Recovery\n\nThe 2264ALB features a user-settable release time and two automatic recovery times. The auto-recovery options, A1 \u0026amp; A2, work depending on the program material, with isolated peaks benefitting from a rapid recovery time, while long swells are treated with slower recovery.\n\nPPM Ballistic Metering\n\n6-stage LED metering displays overall gain reduction from -2dB to -20dB, achieved using PPM-scale ballistics.\n\nAudio Processing Insert Design\n\nThe 2264ALB’s audio processing insert design allows the compressor to be added as an insert into a 1073LB, or a 1073LB \u0026amp; 1073LBEQ signal path, placed before the 1073LB’s output transformer – create your custom channel strip.\n\nStereo\/Group Linking\n\nMultiple adjacent or non-adjacent 2264ALB’s housed in the same 500 series chassis can be linked together using the link function. When activated, all compressors in the group will share the same control voltage bus for their threshold trigger. In this mode, all compressors form a dynamic group with no ‘master’ in the chain; whichever compressor receives the loudest analogue input becomes the group threshold trigger at any given moment.\n\nBus Compression Mode\n\nTo bring the 2264 Classic up-to-date, the 2264ALB includes a slow attack feature. When two 2264ALB’s are paired \u0026amp; linked together, the slow attack feature enables ideal bus compression attack speeds to add glue to any mix.\n\nGeneral Specification\n\nAudio Performance\n\nParameters\n\nDimensions","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959637057919,"sku":"50050","price":999.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"black-lion-audio-bluey-500-50022","title":"Black Lion Audio Bluey 500","description":"\u003cp\u003eTrue Blue – without 2U.\u003cbr\u003e\nBluey 500 is the 500-series version of the lauded Black Lion Audio Bluey. The original “Bluey” is Chris Lord-Alge’s not-so-secret weapon; the heavily-modified 2U compressor to the stars that’s been heard on countless hits. Having undergone years of odd fixes, modifications, and upgrades, the original Bluey was a singular and unique piece of studio unobtainium — until Black Lion Audio got their mitts and voltmeters on it.\u003c\/p\u003e\n\n\u003cp\u003eAfter working with Chris to reverse-engineer untold years’ worth of mods, component replacements, and upgrades, Black Lion Audio was able to make the legendary Bluey sound available to the world with the introduction of the original 2U Bluey compressor. Of course, they added a few features along the way without sacrificing what makes Bluey what it is.\u003c\/p\u003e\n\n\u003cp\u003eBlack Lion firmly believe that everybody deserves a li’l Bluey in their life, so they’re proud to bring the world another li’l Bluey — the Bluey 500 — ready to add that unmistakable blue-striped mojo to your 500-series rack. You get all the squeeze, heft, and grit of the original Bluey in just two 500-series slots — a fraction of the original’s footprint.\u003c\/p\u003e\n\n\u003cp\u003eNew features, new sounds.\u003cbr\u003e\nTo get the exacting detail that Chris Lord-Alge has enjoyed from the original Bluey, Black Lion not only used custom Cinemag transformers, they actually recreated his console’s insert path and built it right into Bluey — giving everyone the same console feel!\u003c\/p\u003e\n\n\u003cp\u003eOf course, they didn’t stop there: Black Lion also added an active wet\/dry mix for easy parallel compression, as well as a stereo link!\u003c\/p\u003e\n\n\u003cp\u003eBluey 500 was designed with a vintage-inspired PCB layout, 1% resistors, and polyester capacitors — meaning that Bluey 500 is built to last! And like all Black Lion products, Bluey 500 is hand-tested, calibrated and QC’d in the USA.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003cbr\u003e\n500-series recreation of Chris Lorde-Alge’s most prized 1176 — used on every lead vocal he mixes\u003cbr\u003e\n2 Cinemag transformers; a recreation of the original UTC input transformer and a recreation of the original Reichenbach output transformer\u003cbr\u003e\nWet\/Dry mix knob allows for parallel compression not available on the original\u003cbr\u003e\nStereo-linkable\u003cbr\u003e\nInput and Output buffering taken directly from Chris Lorde-Alge’s console inserts\u003cbr\u003e\nHand-tested, calibrated and QC’d in the USA.\u003c\/p\u003e\n\n\u003cp\u003eTechnical Specifications\u003c\/p\u003e\n\n\u003cp\u003eType: FET Limiter\u003cbr\u003e\nNumber of Channels: Single channel\u003cbr\u003e\nControls: Attack, Release, Mix, Input, Output*\u003cbr\u003e\nRatio: 4:1, 8:1, 12:1, 20:1\u003cbr\u003e\nInputs: 1 x XLR\u003cbr\u003e\nOutputs: 1 x XLR\u003cbr\u003e\nOther I\/O: 1 x RCA (stereo link)\u003cbr\u003e\nRack Spaces: 2U\u003cbr\u003e\nPower Source: Standard IEC AC cable\u003cbr\u003e\nManufacturer Part Number: Bluey\u003c\/p\u003e\n\n\u003cp\u003eA note on the Attack control:\u003c\/p\u003e\n\n\u003cp\u003eThe Attack control on the Bluey works a little differently than you may have encountered on other ‘76-style compressors. Turning the Attack knob to the left (counter-clockwise) will yield faster attack times; slower times result when turning to the right (clockwise). We’ve found this control scheme to be more intuitive; akin to a volume knob decreasing level to the left and increasing to the right.\u003c\/p\u003e\n\n\u003cp\u003eAttack: Continuously variable 20uS to 800uS\u003cbr\u003e\nRelease: Continuously variable 1200mS to 50mS\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":57959637451135,"sku":"50022","price":654.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-550b-open-box-49992","title":"API 550b (Open Box)","description":"\u003cp\u003eThe API 550B 4 Band Switchable Equaliser. A reissue of the 1967 API 550 EQ with an extra band.\u003c\/p\u003e\n\n\u003cp\u003eThe API 550B played a major part in the history of music recording in the USA during the 60's and 70's. Originally conceived for use in API's consoles, this latest 550 B version is a continuation of the original 1967 550 through to the 550A with one additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 op-amp), the 550B artfully blends the past with the present. So many hit records still depend on the unique 550 sound, that the 550B will be an invaluable tool you will turn to again and again. Many EQ's today offer a huge assortment of complex features, but the API 550B provides exactly the right number of controls to the professional engineer.\u003c\/p\u003e\n\n\u003cp\u003eDeceptively simple at first glance, the 550B's four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves, selected through experience by a list of the industry's most proficient engineers. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives. Making use of \"API Proportional-Q\", a design introduced by API in the 60's, the 550B intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings- without the need for additional bandwidth controls. This feature minimizes the \"phase-shift\" sound found in many equalizers.\u003c\/p\u003e\n\n\u003cp\u003eThe reciprocal nature of the 550B enables the user to \"undo\" what has been done previously. The benefits of the API 550B are most obvious to those who work with EQ on a continuous basis. The 550B's ability to affect or reverse tonal modifications is perhaps the most important feature. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 op-amp offers predictable and gentle analog performance under duress. With a surprisingly wide range of tonal variations, you can do no better than the API 550B.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959637680511,"sku":"49992","price":999.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"bae-1023l-b-stock-49988","title":"BAE 1023L (B-Stock)","description":"\u003cp\u003eThe 1023L — based on the classic 1023 — takes the preamp and EQ from the 1073 and expands upon it with significantly more frequency options in the high and mid sections, even allowing users to play the mid bell curve directly against the high and low shelves where they overlap.\u003c\/p\u003e\n\u003cp\u003eThe 1023L is completely handwired using Carnhill (St. Ives) transformers. It has the exact same mic\/line preamp as the 1073, but with significantly more frequencies in the mid and high sections.\u003c\/p\u003e\n\u003cp\u003eAside from simply offering more frequency settings to play with, these expanded EQ sections also allow you to play the mid bell curve directly against the high and low shelves where they overlap. This capability opens the tone shaping possibilities in very interesting and musical ways.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":57959637746047,"sku":"49988","price":1895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/49988-1.jpg?v=1788193200"},{"product_id":"igs-audio-alter-500-b-stock-49901","title":"IGS Audio Alter 500 (B-Stock)","description":"\u003cp\u003eThe classic 1176 sound - now in the 500 series\u003cbr\u003e\nThe Alter 500 from IGS Audio brings classic 1176 FET compression to your 500 series rack.\u003c\/p\u003e\n\n\u003cp\u003eThe Alter 500 is based on the original '70s UREI 1176 limiting amplifier. It inherits all of the features from the original unit, but with some added extras. The Alter includes additional 1:1 and 2:1 ratios, as well as the SLAM switch. This switch gives you the famous All-Button-In mode from the original 1176. The Slam control works independently from the Ratio setting. The other standard ratios included are 4:1, 8:1, 12:1 and 20:1.\u003c\/p\u003e\n\n\u003cp\u003eControls\u003cbr\u003e\nThe Alter 500 features all stepped controls, for easy recallability. The Input knob adjusts the level of the signal fed into the compressor. The Output knob controls the amount of make up gain applied to the signal after the compression has taken place.\u003c\/p\u003e\n\n\u003cp\u003eAttack and release times can be set to Fast \/ Mid \/ Slow with 3-pole switches.\u003c\/p\u003e\n\n\u003cp\u003eThe Alter is equipped with a relay bypass, switchable on the front panel. The input is balanced with a modern, low-noise op amp and the output with a Carnhill transformer. The circuit has two amp stages, between which is the output control. The stage amps are based on the discrete API 2520 circuit. The level of gain reduction is shown by a 20 point led bar.\u003c\/p\u003e\n\n\u003cp\u003eApplications\u003cbr\u003e\nThe Alter 500 is useful on almost any source. The 1176 style compressor is popular for vocals, bass, drums, percussion and more.\u003c\/p\u003e\n\n\u003cp\u003eTeam the Alter 500 up with the IGS One LA 500 for a classic compression combo of fast and slow, popular on all types of vocals and bass.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003cbr\u003e\nFET Compressor\u003cbr\u003e\nAll stepped controls\u003cbr\u003e\nDiscrete input opamps\u003cbr\u003e\nCarnhill output transformer\u003cbr\u003e\nRatio: 1:1, 2:1, 4:1, 8:1, 12:1, 20:1\u003cbr\u003e\nSlam (All-buttons) switch\u003cbr\u003e\nAttack: Fast (20μs), Med (400μs), Slow (800μs)\u003cbr\u003e\nRelease: Fast (50ms), Med, (600ms), Slow (1.1s)\u003cbr\u003e\nStandard 500 Series format\u003c\/p\u003e","brand":"IGS Audio","offers":[{"title":"Default Title","offer_id":57959638368639,"sku":"49901","price":599.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-1073lbeq-b-stock-49876","title":"Neve 1073LBEQ (B-Stock)","description":"1073LBEQ\n\nCompact 1073® EQ\n\nBased on the legendary inductor-based 3-band EQ from the classic 1073®, the 1073LBEQ packs a punch recognised by so many users worldwide, now available in a compact 500 series format.\n\nThree-Band Musical EQ\n\nThe three frequency bands from the original 1073® EQ were carefully selected by Rupert Neve to produce musical results on a wide range of signal sources. These three bands include optimal presence frequencies for male and female vocals, air band and selectable frequencies for bass control.\n\nHand-Wound Inductors\n\nExclusive to Neve, the 1073® inductor circuitry follows the incredibly detailed ‘pencil-on-paper’ specifications drawn up by Rupert Neve and his team of engineers in the ’70s. These hand-wound inductors “sing” when applying resistance to selected frequency bands to create that famous 1073 EQ character.\n\nClass-A, Discrete Design\n\nThe 1073LBEQ cut and boost amplifiers, for all three bands, are Class A design. The discrete audio circuit found in the classic 80-series 1073® EQ has been faithfully maintained – including original Tantalum capacitors and chokes for the high pass filter and presence band.\n\nInsert Mode\n\nThe 1073LB and 1073LBEQ make perfect partners by using the unique audio processing insert circuitry. The special circuitry places the LBEQ after the transformer-balanced input stage of the 1073LB but before the transformer-balanced output stage. When paired up this way, both units create an accurate, complete classic 1073® module signal path.\n\nHigh Pass Filter\n\nThe revered high pass filter from the classic 1073® modules is included in the 1073LBEQ. Using the original circuitry and components, the 1073LBEQ HPF delivers 18dB per octave filtering at 50Hz, 80Hz, 160Hz, or 300Hz.\n\nElectronically Balanced I\/O\n\nThe 1073LBEQ input and output stages are electronically balanced, delivering a pure signal path from both sides of the EQ circuit; this transparent I\/O design means that only the classic 1073® EQ discrete circuit adds colour to the signal allowing for perfect pairing as an insert into the 1073LB preamp.\n\nSignal Presence \u0026amp; Clip Indication\n\nThe signal presence LED illuminates green at -25dB and red at +26dBu to indicate analogue signal overload.\n\nGeneral Specification\n\nParameters\n\nDimensions","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959639089535,"sku":"49876","price":740.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"pulse-techniques-eqp-500x-b-stock-49868","title":"Pulse Techniques EQP-500X - (B-Stock)","description":"\u003cp\u003ePulse Techniques is pleased to offer the EQP-500X 500-series equaliser, the next generation of our API 2520 gain stage passive equalisers.\u003c\/p\u003e\n\n\u003cp\u003eIn the early 1970s, after condensing the classic 3U model EQP-1A into the 2U form-factor model EQP-1A3, Pulse introduced a solid-state line amp version of the EQP-1A3. These units have exactly the same front end (input transformer and passive EQ section) but utilise a solid-state op-amp (genuine API 2520) gain stage driving a Triad output transformer. Many users of this version of the Pultec describe them as “more punchy” and having “a tighter low end” than the tube version. Pulse has taken this proven design to the next stage by packing them into the 500-series form factor as the EQP-500X module. These may come in a smaller package, but don’t be fooled! These EQs deliver all of the punch, mojo and sonic impact of their full-sized counterparts.\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e","brand":"Pultec","offers":[{"title":"Default Title","offer_id":57959639220607,"sku":"49868","price":1295.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-select-sv12-49540","title":"API Select SV12","description":"\u003cp\u003eThe API Select SV12 features the original compressor circuit designed for the ATI Paragon live analog mixing consoles. Re-engineered for the 500 Series format, the SV12 provides comprehensive, easy-to-use compression with full LED metering of both output and gain reduction. The unit also includes API's patented THRUST circuitry which protects sensitive high frequency content of the audio signal even under the most vigorous of compression ratios. Two channels can be linked for use as a stereo compressor with true RMS power summing of the left and right signals.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cp\u003eOriginal analog compressor circuit designed for the ATI Paragon Console\u003c\/p\u003e\n\n\u003cp\u003eVariable Threshold, Ratio, and Make-up Gain controls\u003c\/p\u003e\n\n\u003cp\u003eIndividual metering of output level and gain reduction\u003c\/p\u003e\n\n\u003cp\u003eAbove threshold LED indication\u003c\/p\u003e\n\n\u003cp\u003ePatented THRUST® circuit\u003c\/p\u003e\n\n\u003cp\u003eSwitchable Hard or Soft Knee compression\u003c\/p\u003e\n\n\u003cp\u003eSwitchable In or Bypass mode\u003c\/p\u003e\n\n\u003cp\u003eLinkable for stereo operation with true RMS power summing\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959647674751,"sku":"49540","price":595.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"igs-audio-ne573eq-open-box-48742","title":"IGS Audio NE573EQ - (Open Box)","description":"\u003cp\u003eA New Modern Classic\u003c\/p\u003e\n\n\u003cp\u003eIGS Audio are known for taking classic designs and adding new features to make them more versatile in todays modern studio and with no compromise to build-quality or sound. Here, we again see this demonstrated with the introduction of the NE573EQ, a progression on the famous classic \"British-Style\" EQ, in a mono 500-series format.\u003c\/p\u003e\n\n\u003cp\u003eNo Compromise\u003c\/p\u003e\n\n\u003cp\u003eTop quality components are used throughout and all four of the rotary switches on the front are made by ELMA, which feel chunky, solid and expensive!\u003c\/p\u003e\n\n\u003cp\u003eIn terms of sound, the EQ feels familiar but with a modern edge;\u003c\/p\u003e\n\n\u003cp\u003eA pair of these sitting on a mixbuss with no EQ adjustments adds a great analog mojo to your mix!\u003c\/p\u003e","brand":"IGS Audio","offers":[{"title":"Default Title","offer_id":57959666024831,"sku":"48742","price":609.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"wes-audio-titan-b-stock-48396","title":"Wes Audio TITAN (B-Stock)","description":"\u003cp\u003e_TITAN is complete recall system designed to provide total integration with your beloved analogue equipment. It extends the standard 500 series connector with additional pins where modules can be designed to support digital recall or any other vendor specific functionalities. This extension is part of the new open standard \"ng500\" – \"Next Generation 500 series\" which allows other manufacturers to design and implement digitally controlled analogue devices.\u003c\/p\u003e\n\n\u003cp\u003eHigh-end Linear Power Supply\u003c\/p\u003e\n\n\u003cp\u003eTitan includes an external linear power supply, capable to deliver 5A of power. This will bring sound of your units to the next level!\u003c\/p\u003e\n\n\u003cp\u003e10 Slots for 500 Series or ng500 Series Modules\u003c\/p\u003e\n\n\u003cp\u003e_TITAN can host standard 500 series modules, but it is designed for use with NG500 modules, which offer recall of up to 10 units with single USB or Ethernet connection.\u003c\/p\u003e\n\n\u003cp\u003eControl all your modules through one connection\u003c\/p\u003e\n\n\u003cp\u003e_TITAN allows to control\/recall all hosted modules through one connection:\u003c\/p\u003e\n\n\u003cp\u003eRemotely-controlled stereo links\u003c\/p\u003e\n\n\u003cp\u003e_TITAN provides simple standalone application to change status of stereo links between modules.\u003c\/p\u003e\n\n\u003cp\u003eNo more problems with accessing your chassis configuration.\u003c\/p\u003e\n\n\u003cp\u003eIAC – Internal Audio Connector\u003c\/p\u003e\n\n\u003cp\u003eAt slot number 10, _TITAN implements special connector, which routes all audio signals from and to, slots 1-8.\u003c\/p\u003e\n\n\u003cp\u003eThis allows future integration with audio interface modules, analog summing modules or patchbays.\u003c\/p\u003e\n\n\u003cp\u003eINPUT source for any slot is implemented through analog relays, and it is configurable through standalone application. This prevents two different signal sources to be routed to the same module.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":57959668842879,"sku":"48396","price":795.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"maag-audio-eq2-500-open-box-48196","title":"Maag Audio EQ2 500 (Open Box)","description":"\u003cp\u003eThe MÄAG Audio EQ2 (500 SERIES) is a no compromise 1 channel, 2 band equaliser with air band, low mid frequency (LMF) bell boost from sub to 1.4 KHZ, and an input ATTN control down to –12 DB of attenuation. The EQ2’s Air Band is equipped with an additional sassy frequency selection @ 15 kHz, making the EQ2 hard to resist in any situation. The LMF provides both tight and wide bell curve options to dial in the perfect amount of warmth on the 2-bus.\u003c\/p\u003e\n\n\u003cp\u003eWhen it comes to tracking, The EQ2 quickly becomes your favourite pre amps “better half” by controlling the input (input ATTN) (great for correcting over driven mic pre amp transformers) before eq-ing with the versatile air band and LMF. The EQ-2 is compatible with API 500-6B Lunchbox® AND 500VPR Rack systems and any other 500 series rack.\u003c\/p\u003e\n\n\u003cp\u003eFollowing its EQ4 predecessor, , The EQ2 provides unparalleled transparency and top end presence with the same high quality components found in the powerhouse 6 band EQ4. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy recallable settings, even on the input ATTN\u003c\/p\u003e\n\n\u003cp\u003eTech Specs\u003c\/p\u003e","brand":"Maag Audio","offers":[{"title":"Default Title","offer_id":57959669629311,"sku":"48196","price":499.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-512c-b-stock-47868","title":"API 512c (B-Stock)","description":"\u003cp\u003eThe API 512c is a mic \/ line \/ instrument preamp designed to provide a low noise, unusually good sounding front end for all types of audio systems. Sonically, it offers the distinct API sound at an extremely affordable price.\u003c\/p\u003e\n\n\u003cp\u003eOffering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument\/Line selector. Front panel XLR and 1\/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox, API's 10 position 500V vertical rack, or an API console.\u003c\/p\u003e\n\n\u003cp\u003eThe API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio.\u003c\/p\u003e\n\n\u003cp\u003eThe 512c Mic\/Line Preamp makes use of the 2520 op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959671366015,"sku":"47868","price":639.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"heritage-audio-ram-500-47729","title":"Heritage Audio RAM 500","description":"\u003cp\u003eAfter two years of intensive research and development, the first element of the RAM systems came to life. The RAM System 500 is a fully unique product with no precedent in the industry, providing a mastering grade monitoring solution for the 500 series.\u003c\/p\u003e\n\n\u003cp\u003eAs a 500 series plug-in unit with double module width, it serves as a compact, zero-compromise monitoring station for home, project or mobile studios. It features one stereo speaker output and powerful headphone amp, two balanced stereo inputs and a Bluetooth input for convenient wireless connection to mobile devices. The RAM System 500 uses state-of-the-art analog circuitry for maximum transparency and minimal noise floor and distortion. The entire signal path, including the 64-stage relay attenuation system, is designed with gold-plated switching relays, archiving stereo accuracy and sound quality only found in systems costing 10 times as much.\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":57959673889151,"sku":"47729","price":549.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"heritage-audio-bt-500-v2-47664","title":"Heritage Audio BT-500 V2","description":"\u003cp\u003e500 SERIES BLUETOOTH STREAMING MODULE\u003cbr\u003e\nHeritage Audio is pleased to announce the latest addition to their growing lineup of 500 Series products, the BT-500 v2.0 streaming module. This new product is based on our popular BT-500 which was Heritage´s entry into the ´Internet of Things´ anticipating a whole new, additional line of products to the already acclaimed analog classics.\u003cbr\u003e\nNo other current product, be it 500 series, rack or other format, has the features of the BT-500 v2.0, which finally solves the connectivity problems of mobile devices in a professional studio environment.\u003c\/p\u003e\n\n\u003cp\u003eFinally! The BT-500 v2.0 is here to save the day and solve the problem you didn´t even know you had.\u003c\/p\u003e\n\n\u003cp\u003eThe BT-500 V2.0 is the quickest and easiest solution to effortlessly connect with mobile devices in your studio over Bluetooth from as far away as over 100 meters.\u003c\/p\u003e\n\n\u003cp\u003eNO MORE MINI JACKS…\u003cbr\u003e\nThe BT-500 v2.0 streams audio from your mobile device over Bluetooth and delivers a fully balanced, +22 dBu stereo output. Employing latest generation audio specific Bluetooth technology, the best Codecs your devices can support and a state of the art Burr Brown based analog signal path, it solves the already classic, irritating problem of connecting your iOS or Android device to your studio setup.\u003c\/p\u003e\n\n\u003cp\u003eTo this day this has been solved using mini jack to XLR adaptor cables, but the limitations of mobile devices’ analog audio paths have become clearly apparent. Say goodbye to all those crappy minijack cables, faulty device connections and horrible internal ADC.\u003cbr\u003e\nListening to references on the iTunes Store, recordings sent by email, Spotify, You Tube, you name it, you do it every day, all the time. Nevertheless, integration has been non convenient to say the least…until now.\u003c\/p\u003e\n\n\u003cp\u003eSOUND QUALITY OVER BLUETOOTH? AAC \u0026amp; aptX…\u003cbr\u003e\nThe BT-500 v2.0 keeps things simple by recognising your device´s best Codecs available to guarantee seamless integration offering AAC*, aptX** as well as the classic SBC.\u003cbr\u003e\nApple´s iTunes Store and You Tube use AAC* as native so streaming from an iPhone or iPad will result in a lossless transmission, much better than an analog wired connection!! Vast majority of Android devices have already adopted the aptX** codec, which is nearly lossless and the standard that wireless high quality headsets and sound bars are adopting.\u003c\/p\u003e\n\n\u003cp\u003eWith this updated version the BT-500 V2.0 now covers all of the best codecs available including: aptX(aptX LL \u0026amp; aptX HD), AAC and SBC, to ensure you stream audio at the highest quality possible. Whether you´re using a mobile phone, a tablet, a watch phone or whatever you can be certain that the BT-500 V2.0 will detect the best option available for seamless integration. It really has never been easier to access your iOS or Android device when needed in the studio.\u003c\/p\u003e\n\n\u003cp\u003eBURR BROWN PEDIGREE IN THE ANALOG PATH…\u003cbr\u003e\nThe BT-500 v2.0 substitutes your mobile device´s analog circuitry with a state of the art, fully differential Burr Brown balanced output stage which delivers a full 0dBfs = +22 dBu output able to drive a load of 600Ω. This allows direct level comparisons while mastering or mixing with Apple´s iTunes Store or mobile stored reference mixes.\u003cbr\u003e\nProviding fully balanced +22 dB stereo output on gold plated connectors with pristine Burr Brown conversion the BT-500 v2.0 guarantees you´ll always be working with the best possible quality available.\u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":57959675330943,"sku":"47664","price":219.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"wunder-audio-allotrope-eq-500-47626","title":"Wunder Audio Allotrope EQ 500","description":"\u003cp\u003eThe Wunder Audio Allotrope EQ is the result of years of testing, development, and enhancements made by Wunder Audio in Austin, TX with the PEQ1 and PEQ2. The inside of these discrete Class A build-quality modules is pristine, with meticulous wiring and impeccable soldering. Top-of-the-line components are used at every junction, highlighted by our own custom wound transformers. The transformers are made using the same custom laminations of Nickel\/Iron\/Cobalt that were used in the original Zeppelin \"Allotrope\" modules; which inspired the original Wunder Audio PEQ1. The transformers are so beefy that they barely fit in the unit's case.\u003c\/p\u003e\n\n\u003cp\u003eThe Wunder Audio Allotrope EQ is a classic inductor-based Baxandall equaliser with has the same EQ circuit as the Wunder Audio PEQ2. All aspects of this design from the metalwork to the components in the circuit are made to the same exacting standards as the PEQ2 simply remade for the 500 series format.\u003c\/p\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":57959677526399,"sku":"47626","price":995.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"api-l200r-12-slot-series-module-rack-no-psu-47591","title":"API L200R 12 Slot Series Module Rack (No PSU)","description":"\u003cp\u003eAPI's L200 Rack features a level of flexibility designed to meet the needs of the discriminating engineer\/producer. Module interchangeability has always been an API standard and the L200 system follows the tradition. The L200R is fully compatible with modules used in API's Vision and Legacy Series Consoles, including the 205L Direct Input, the 212L Mic Pre, the 215L HP\/LP Sweep Filter, the 225L Compressor and the 235L Noise Gate.\u003c\/p\u003e\n\n\u003cp\u003eThe L200R also features API's standard 5 Year Warranty, and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959679590783,"sku":"47591","price":675.0,"currency_code":"GBP","in_stock":true}]}],"url":"https:\/\/sxpro.co.uk\/collections\/outboard-other-copy.oembed?page=2","provider":"SX Pro","version":"1.0","type":"link"}