{"title":"Outboard \/ Summing","description":"","products":[{"product_id":"spl-mixdream-xp-mk2-sp-mdxp2","title":"SPL MixDream XP Mk2","description":"\u003cp\u003eMixDream XP Mk2 – the puristic summing mixer with Class A technology.\u003c\/p\u003e\n\n\u003cp\u003eAs an analog 16-in-2 Class A summing device, Mixdream XP Mk2 offers impressive sound quality and brings together single tracks in a musical way. The spatial depth of the stereo stage and the harmonic coherency of the summed signals make mixing through an analog summing device a very special experience.\u003c\/p\u003e\n\n\u003cp\u003eThe Mk2 generation of the Mixdream XP offers the same outstanding audio quality as its predecessor thanks to the internal audio operating voltage of +\/-30 V. In addition to the new design and an even better feel, the Mixdream XP Mk2 offers another new feature:\u003cbr\u003e\nthe individually switchable -18 dB level attenuation for the last four stereo channels.\u003cbr\u003e\nThis is how the analog summing gets the best out of every mix!\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":57959390249343,"sku":"SP-MDXP2","price":1159.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"tree-audio-the-trunk-8088","title":"Tree Audio The Trunk","description":"Monitor Controller \u0026amp; Stereo Valve Summing Buss\n\nEnhance and warm up your DAW or solid state analogue console. Excellent for mastering.\n\nFront Panel Features\n\nRear Panel Features","brand":"Tree Audio","offers":[{"title":"Default Title","offer_id":57959552811391,"sku":"8088","price":5700.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-8816-b-stock-616","title":"Neve 8816 (B-Stock)","description":"\u003cp\u003e8816\u003c\/p\u003e\n\n\u003cp\u003eMore than just a summing mixer…\u003cbr\u003e\nThe 8816 brings legendary Neve® console sound to 19″ rack format. Using the same topology as the classic 80 Series console, with two Marinair® transformers on the stereo bus output, the 8816 is the ultimate 16 channel rackmount Neve console.\u003c\/p\u003e\n\n\u003cp\u003eActive Analogue Summing\u003cbr\u003e\nThe 8816 Summing Mixer performs like a mini Neve® mixing console with an active summing design providing up to +15dB of gain boost for its 16 individual balanced inputs.\u003c\/p\u003e\n\n\u003cp\u003eNeve Voltage Mixing\u003cbr\u003e\nThe 8816’s powerful mix bus topology uses voltage mixing through dual Marinair® Transformers. This design was pioneered in the early Neve® 80-series consoles and many revered engineers claim gave those classic recordings that golden, cherished sound. Voltage mixing drops the pre output level to around -80dBu, similar to microphone level, this is then boosed back through the output transformers to drive the final output stage.\u003c\/p\u003e\n\n\u003cp\u003eTracking Tools\u003cbr\u003e\nPacked with Neve® large-format console features, the 8816 is ideal for tracking in the studio. Independent cue sends from all 16 channels, multiple headphone connections \u0026amp; controls and a built-in talkback system, the 8816 is the complete recording package for the small studio.\u003c\/p\u003e\n\n\u003cp\u003eMixing Tools\u003cbr\u003e\nThe 8816’s enhanced summing features allows Producers to focus on the mix. Each channel has cut and solo switching options plus a dedicated rotary pan control with -3dB centre panning \u0026amp; S-Law shaping for accurate panning to the extremes.\u003c\/p\u003e\n\n\u003cp\u003eMonitoring Tools\u003cbr\u003e\nWith the Neve® console monitoring controls on the 8816, there is no need for a separate monitor controller for your studio. Dual balanced or unbalanced loudspeaker outputs can connect to two pairs of studio loudspeakers, with multiple monitoring sources to choose from, including 3.5mm mini-jack for external Iphone\/Mp3 player monitoring.\u003c\/p\u003e\n\n\u003cp\u003eMix Bus Inserts\u003cbr\u003e\nTo complement the Marinair® transformer-coupled mix bus, the 8816 includes two stereo bus inserts. The second IMR insert features a blend function; ideal for parallel bus compression using your favourite analogue compressors.\u003c\/p\u003e\n\n\u003cp\u003eMix Bus Processing\u003cbr\u003e\nThe 8816 features a powerful mid-side processor which can be activated before the insert sends. This feature enables separate processing of mono and stereo information by adding EQ compression or any external processor. In addition, Neve’s proprietary stereo width function further enhances stereo imaging with the width pot sweeping from mono through to a hyper-wide enhanced stereo image, producing musical results at all positions.\u003c\/p\u003e\n\n\u003cp\u003eAdd Channels \u0026amp; Faders\u003cbr\u003e\nFor hands-on control of all 16 mix levels and stereo mix output, pair the 8816 with an 8804 fader pack. This setup transforms the 8816 into a true Neve® console. If 16 channels aren’t enough, combine multiple 8816 units using the 2-Track bus linking feature to create a larger mixing console suited to your studio requirements.\u003c\/p\u003e\n\n\u003cp\u003eTotal Recall™ Software\u003cbr\u003e\nEfficiently recall your sessions by connecting the 8816 to your PC\/Mac via USB and opening the interactive Neve® Recall software program. Routing and switching are handled automatically at the push of a button, whilst the 8816’s rotary pots are manually tracked to their stored positions – in a matter of seconds.\u003c\/p\u003e\n\n\u003cp\u003eAnalogue \u0026amp; Digital Outputs\u003cbr\u003e\nThe optional A\/D conversion card provides a stereo digital output from the 8816 in multiple formats. This card uses premium, Neve® quality converters with switchable headroom settings to integrate with any digital system. The digital outputs are provided in AES 3 and DSD formats, with selectable sample rates of up to 192kHz, and clocking options via AES Sync or word clock BNC connections. This digital converter also features an ADC insert, allowing external signals to access the high-quality Neve A\/D converters.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e\n\n\u003cp\u003eAudio Performance\u003cbr\u003e\nmeasured at +20dBu into 10 Ohms with 80Hz filter\u003c\/p\u003e\n\n\u003cp\u003eOptions\u003c\/p\u003e\n\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959567556991,"sku":"616","price":2390.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"electrodyne-summing-station-5624","title":"Electrodyne Summing Station","description":"\u003cp\u003eInspired by 1970's large format console summing sections the Electrodyne Summing Station sounds truly stunning thanks to the Electrodyne designed transformers which let you choose between a vintage warm sound or a tight and punchy modern sound.\u003c\/p\u003e\n\n\u003cp\u003eDespite its deceptively small footprint, the Summing Station also houses a very comprehensive and pristine monitoring section which includes a choice of Main and Alt monitors as well as four different input sources including Mix, Artist Cue over XLR and external players over 1\/8\" mobile device input. A Control Room listen lets artists hear control room sources for playback and rehearsals while a talkback microphone is included for communication between engineer and artists.\u003c\/p\u003e\n\n\u003cp\u003eAs a complement to the Electrodyne 501 and 511 500 series preamp and EQ modules, the Electrodyne Summing Station adds another dimension in recreating the mojo of Electrodyne consoles that were instrumental to the sound of Motown and Stax Studios and Sound City in the 60's and 70's.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e","brand":"Electrodyne","offers":[{"title":"Default Title","offer_id":57959569523071,"sku":"5624","price":2799.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"a-designs-mix-factory-5623","title":"A Designs Mix Factory","description":"\u003cp\u003e16x2+2 Summing Mixer with Inserts\u003c\/p\u003e\n\n\u003cp\u003eA-Designs Audio, Inc. is proud to announce the worldwide debut of its Mix Factory, a totally new concept and approach to _ÑÒout-of-the-box_ѝ summing for musicians and engineers looking to get more from their current sound and workflow.\u003c\/p\u003e\n\n\u003cp\u003e\"Our new Mix Factory isn_Ñét just any old summing unit,\" says A-Designs Audio's Peter Montessi. \"It delivers analogue warmth with the depth and imaging needed to make your mixes truly stand out from the crowd.\"\u003c\/p\u003e\n\n\u003cp\u003eBased on a concept developed by producer\/engineer\/mixer Tony Shepperd and brought to life by celebrated designer Paul Wolff, A-Designs_Ñé new Mix Factory accommodates up to 16 audio channels, which come into the device on two D-sub inputs and sum to stereo XLR outputs. All 16 channels have a continuous FDR (gain) knob, pan pot with centre-detent, and cut (mute) switch that acts as a signal indicator with an audio sensitive LED, which glows when signal is passing into the channel and intensifies when the signal is stronger. That same cut button illuminates red when used as a mute, and green when signal is passing through the channel.\u003c\/p\u003e\n\n\u003cp\u003eThere are two eight-channel groups on the Mix Factory: 1-8 and 9-16. Each group has an insert for a compressor or EQ, and there is also a master insert for all 16 channels, along with three mute buttons for each Insert.\u003c\/p\u003e\n\n\u003cp\u003eThe Mix Factory has a pushbutton option to go from clean_ÑÓthe standard setup bypassing the transformers_ÑÓto tonal using the custom-made output transformers manufactured by Cinemag. The difference between using the transformers and not is night and day, giving users an option for analog tone and\/or colour.\u003c\/p\u003e\n\n\u003cp\u003eIn situations where more than 16 channels are necessary, the Mix Factory is linkable, providing 64 or more channels... it's like having a console in a rack!\u003c\/p\u003e\n\n\u003cp\u003e\"Like many other present day engineers, I used to think that everything could be done 'in the box',\" recalls Shepperd. \"However, I finally came to realize that analog and digital could, in fact, co-exist very well together, and the hybrid of the two was the special combination that took my mixes to a whole new level. It's what ultimately prompted many other recording engineers to call me for tips and practically demand to know how I made my recordings sound so great. After several years of R\u0026amp;D; on this product, I can say that nothing will make a mix pop quite like A-Designs_Ñé new Mix Factory.\"\u003c\/p\u003e\n\n\u003cp\u003eA beefy, external, switchable power supply allows the unit to be used for both 120-volt domestic (US) studio environments as well as 230-volt export markets. Including the PSU, the 2U device weighs 17 pounds.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":57959569621375,"sku":"5623","price":2799.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-8816-b-stock-50201","title":"Neve 8816 (B-Stock)","description":"\u003cp\u003e8816\u003c\/p\u003e\n\n\u003cp\u003eMore than just a summing mixer…\u003cbr\u003e\nThe 8816 brings legendary Neve® console sound to 19″ rack format. Using the same topology as the classic 80 Series console, with two Marinair® transformers on the stereo bus output, the 8816 is the ultimate 16 channel rackmount Neve console.\u003c\/p\u003e\n\n\u003cp\u003eActive Analogue Summing\u003cbr\u003e\nThe 8816 Summing Mixer performs like a mini Neve® mixing console with an active summing design providing up to +15dB of gain boost for its 16 individual balanced inputs.\u003c\/p\u003e\n\n\u003cp\u003eNeve Voltage Mixing\u003cbr\u003e\nThe 8816’s powerful mix bus topology uses voltage mixing through dual Marinair® Transformers. This design was pioneered in the early Neve® 80-series consoles and many revered engineers claim gave those classic recordings that golden, cherished sound. Voltage mixing drops the pre output level to around -80dBu, similar to microphone level, this is then boosed back through the output transformers to drive the final output stage.\u003c\/p\u003e\n\n\u003cp\u003eTracking Tools\u003cbr\u003e\nPacked with Neve® large-format console features, the 8816 is ideal for tracking in the studio. Independent cue sends from all 16 channels, multiple headphone connections \u0026amp; controls and a built-in talkback system, the 8816 is the complete recording package for the small studio.\u003c\/p\u003e\n\n\u003cp\u003eMixing Tools\u003cbr\u003e\nThe 8816’s enhanced summing features allows Producers to focus on the mix. Each channel has cut and solo switching options plus a dedicated rotary pan control with -3dB centre panning \u0026amp; S-Law shaping for accurate panning to the extremes.\u003c\/p\u003e\n\n\u003cp\u003eMonitoring Tools\u003cbr\u003e\nWith the Neve® console monitoring controls on the 8816, there is no need for a separate monitor controller for your studio. Dual balanced or unbalanced loudspeaker outputs can connect to two pairs of studio loudspeakers, with multiple monitoring sources to choose from, including 3.5mm mini-jack for external Iphone\/Mp3 player monitoring.\u003c\/p\u003e\n\n\u003cp\u003eMix Bus Inserts\u003cbr\u003e\nTo complement the Marinair® transformer-coupled mix bus, the 8816 includes two stereo bus inserts. The second IMR insert features a blend function; ideal for parallel bus compression using your favourite analogue compressors.\u003c\/p\u003e\n\n\u003cp\u003eMix Bus Processing\u003cbr\u003e\nThe 8816 features a powerful mid-side processor which can be activated before the insert sends. This feature enables separate processing of mono and stereo information by adding EQ compression or any external processor. In addition, Neve’s proprietary stereo width function further enhances stereo imaging with the width pot sweeping from mono through to a hyper-wide enhanced stereo image, producing musical results at all positions.\u003c\/p\u003e\n\n\u003cp\u003eAdd Channels \u0026amp; Faders\u003cbr\u003e\nFor hands-on control of all 16 mix levels and stereo mix output, pair the 8816 with an 8804 fader pack. This setup transforms the 8816 into a true Neve® console. If 16 channels aren’t enough, combine multiple 8816 units using the 2-Track bus linking feature to create a larger mixing console suited to your studio requirements.\u003c\/p\u003e\n\n\u003cp\u003eTotal Recall™ Software\u003cbr\u003e\nEfficiently recall your sessions by connecting the 8816 to your PC\/Mac via USB and opening the interactive Neve® Recall software program. Routing and switching are handled automatically at the push of a button, whilst the 8816’s rotary pots are manually tracked to their stored positions – in a matter of seconds.\u003c\/p\u003e\n\n\u003cp\u003eAnalogue \u0026amp; Digital Outputs\u003cbr\u003e\nThe optional A\/D conversion card provides a stereo digital output from the 8816 in multiple formats. This card uses premium, Neve® quality converters with switchable headroom settings to integrate with any digital system. The digital outputs are provided in AES 3 and DSD formats, with selectable sample rates of up to 192kHz, and clocking options via AES Sync or word clock BNC connections. This digital converter also features an ADC insert, allowing external signals to access the high-quality Neve A\/D converters.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e\n\n\u003cp\u003eAudio Performance\u003cbr\u003e\nmeasured at +20dBu into 10 Ohms with 80Hz filter\u003c\/p\u003e\n\n\u003cp\u003eOptions\u003c\/p\u003e\n\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959630930303,"sku":"50201","price":2399.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"neve-8804-fader-pack-for-8816-b-stock-50021","title":"Neve 8804 Fader Pack For 8816 (B-Stock)","description":"\u003cp\u003e8804\u003c\/p\u003e\n\n\u003cp\u003eTransform the 8816 into a tabletop Neve® console with the 8804 fader pack\u003cbr\u003e\nDesigned for rackmount or tabletop use, the 8804 features 16 long-throw channel faders, with associated cut \u0026amp; solo switches, and two master faders. The faders’ solid feel as you adjust to the mix, the convenience of Total Recall™ of all parameters, and the pristine sound quality make the 8804 a must-have product in tandem with the 8816.\u003c\/p\u003e\n\n\u003cp\u003eHands-On Control\u003cbr\u003e\nThere’s no substitute for real hands-on fader control when it comes to real console feel. By adding the 8804 to the 8816 Summing Mixer, the two units form a fully-fledged Neve® console.\u003c\/p\u003e\n\n\u003cp\u003eLong-Throw Faders\u003cbr\u003e\nEighteen total long-throw faders deliver ultimate precision for finely tuning an 8816 mix. Each fader runs from -inf to 0dB at the central position and up to +15dB at the top.\u003c\/p\u003e\n\n\u003cp\u003eIndependent Master Faders\u003cbr\u003e\nThe 8804’s features separate left and right main mix faders. This unique layout allows for fine stereo balancing at the crucial master stage.\u003c\/p\u003e\n\n\u003cp\u003eLinked Switch Controls\u003cbr\u003e\nThe Neve® recall software forms a software bridge between the 8816 and 8804 units, linking solo and cut switches for seamless integration.\u003c\/p\u003e\n\n\u003cp\u003eDirect Outputs\u003cbr\u003e\nAdding an 8804 to your 8816 gives you access to a host of new features and capabilities! The 8804 has 16 direct outputs via D-Type connection; these outputs add even more flexibility when recording through the 8816, allowing individual ‘stems’ to be tracked pre or post-fade from all 16 inputs.\u003c\/p\u003e\n\n\u003cp\u003e8816 Aux Send\u003cbr\u003e\nAdding an 8804 to your 8816 opens up the possibility of using the 8816’s level pots as aux sends – ideal for an additional cue mix or as reverb sends into your favourite outboard FX units.\u003c\/p\u003e\n\n\u003cp\u003eRackmount or Tabletop\u003cbr\u003e\nDepending on your studio setup, the 8804 can be mounted multiple ways – rack-mounted into a 4U 19″ frame or mounted onto your studio desk using the built-in stand or optional tabletop side cheeks.\u003c\/p\u003e\n\n\u003cp\u003eTotal Recall™ Software\u003cbr\u003e\nEvery fader position and switch setting on the 8804 can be recalled quickly via the Neve® recall software. The interactive recall application tracks and follows manual fader positions allowing you to recall your mix sessions in seconds.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e\n\n\u003cp\u003eAudio Performance\u003c\/p\u003e\n\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959637516671,"sku":"50021","price":1069.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"roll-music-folcrom-2427","title":"Roll Music Folcrom","description":"\u003cp\u003eTired of the flat, narrow sound of your Digital Audio Workstation? Do individual tracks sound full and deep while whole mixes sound lifeless and thin? Can you go analog without sacrificing the recall ability of the DAW or parting with the space and money required for a large automated console? Break out of the box and let your mixes breathe again.\u003c\/p\u003e\n\n\u003cp\u003eThe RMS216 FOLCROM is a high quality passive mixer intended for analog summing of multichannel digital mixes. The sound is up to you and your preamps.\u003c\/p\u003e\n\n\u003cp\u003eEach of the Folcrom's sixteen input channels features a balanced analog connection on standard 8-channel DB25 connectors and a pair of pushbutton switches to assign that channel to the Left or Right output, neither, or both. It uses no active circuitry and provides no gain or level controls. By controlling all aspects of the mix from within the DAW, automation and recallability are perfectly preserved. Up to 16 different tracks or submixes can then be routed to the Folcrom for summing in the analog domain.\u003c\/p\u003e\n\n\u003cp\u003eabsence of faders, EQ, aux sends, pan knobs, or any other superfluous features not only preserves your software automation, it also allows for an elegant passive circuit using no amplifiers, ICs, transistors, capacitors, or transformers whatsoever. The simplicity of the fully balanced, symmetrical signal path allows the use of no-compromise passive components for an absolutely transparent signal path. The unit passes signals \"from DC to daylight\" without coloration.\u003c\/p\u003e\n\n\u003cp\u003eoutput of the Folcrom is a stereo pair of balanced, 150-ohm signals on XLR connectors and requires approximately 30-40dB of make-up gain (program dependent). This signal is ideally suited for feeding into an outboard microphone preamplifier of your choosing. The mixbus is therefore able to assume the tonal character of the amplifier, providing a wide range of sonic flavours. Chances are your mike preamps just sit there unused at mixdown time anyway. Plug into your Great River MP-2 when you need pristine clarity; or put those old Telefunken or RCA tube preamps to work when you want super thick warmth.\u003c\/p\u003e\n\n\u003cp\u003eexcluding the make-up gain amplifier from the Folcrom, we are able to provide a unique opportunity for wide tonal control by allowing you to choose your flavour of make-up gain. At the same time, it enables us to produce an ultimate quality summing buss without compromise at a great price point. What other analog console can give you so many options, in a single rack space, and at such a reasonable price?\u003c\/p\u003e\n\n\u003cp\u003eSpecifications\u003c\/p\u003e","brand":"Roll Music","offers":[{"title":"Default Title","offer_id":57959693025663,"sku":"2427","price":780.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"coleman-audio-red-48-1362","title":"Coleman Audio RED 48","description":"\u003cp\u003eThe Coleman Audio Red 48 is a 2U summing console designed to replace all the main features of main mixing consoles in a modern DAW-based setup. The Red 48 by Coleman Audio includes three different sections, a control room monitor, a talk back function and finally the mix buss. Starting with the control room section, the Red 48 boasts three balanced stereo input and the mix buss which can be selected as the source, while the control room and alternative monitors’ level is adjusted via a passive stepped attenuator. A Dim switch is also included. Following the control room section we find the communication section which includes a talkback microphone with its dedicated level control, a slate output to designate tracks and dedicated remote switches. The Cue signal can be assigned as a cue mix control or control room signal and the engineer’s headphones can take the control room signal or the cue signal. It has its own level control and can receive talkback signal in cue feed mode. The third section is the mixing section which comprises 48 inputs which are panned hard left and hard right and combine to 24 stereo inputs. Designed as a summing engine, All the EQ, levelling, panning is done inside your DAW or through your analogue gear via a patchbay. The RED 48 also features a stereo insert allowing you to put a compressor, limiter and EQ across an entire mix. This can be bypassed via a dedicated switch for A\/B comparisons. The RED 48 also includes a remote with a Penny and Giles stereo master fader and three switches to control talkback, slate and dim. The Mix buss sends analogue signal via XLR to a CD recorder or back to the DAW. It can also be used as an alternative cue feeds offering further flexibility in the monitor mix.\u003c\/p\u003e","brand":"Coleman","offers":[{"title":"Default Title","offer_id":57959702266239,"sku":"1362","price":2789.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"spl-mixdream","title":"SPL MixDream","description":"\u003cp\u003eThe MixDream is a cascadable, 16-in-2 analogue outboard mixer in a 19\"\/2U format. Any DAW or digital console can be expanded with active analog stereo summing and insert functionality.\u003c\/p\u003e\n\n\u003cp\u003eThe MixDream design plan provides for the integration of analog equipment in digital production environments and stereo mixdown at the analog level.\u003c\/p\u003e\n\n\u003cp\u003eThis concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. One MixDream can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreams may be linked together.\u003c\/p\u003e\n\n\u003cp\u003eThe MixDream discrete class A technology is based on a 60-volt rail (+\/- 30V). Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a low noise level of -97dBu (A-weighted, all channels active) and a dynamic level of over 125dB. Thus the MixDream easily realizes the technical level of the best analog consoles.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":57959710916991,"sku":"SP-MD","price":2739.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/SP-MD-1.jpg?v=1783943326"},{"product_id":"looptrotter-satur-8-24-summing-mixer","title":"Looptrotter SATUR-8\/24 Summing Mixer","description":"\u003cp\u003eThe Looptrotter Satur-8\/24 is a 24-channel summing mixer with saturation and soft limiting.\u003c\/p\u003e\n\n\u003cp\u003eThe Looptrotter Satur-8\/24 features 24 input via D-sub which are routed through 8 saturation blocks adding vintage valve consoles and tape-like distortion. 8 outputs are also included transforming the Satur-8 into an 8-channel saturation unit for tracking or mixing adding subtle harmonics enhancement to create a solid and fat sound.\u003c\/p\u003e\n\n\u003cp\u003eAs a summing mixer, the Satur-8\/24 lets you sum 24-channels including channel 1 to 8 through the 8 distortion blocks to the output channels. A LCR toggle switch lets you pan each of the distortion blocks while a stereo output level is controlled on the master section. A stereo insert point is included in the summing section allowing you to connect additional processors such as a mixbuss compressor or EQ. Master and monitor outputs are also provided allowing you to record to tape directly while monitoring exactly the result. A Magic button adds further depth and focus to your mix with a wider soundstage making your summed output bigger.\u003c\/p\u003e\n\n\u003cp\u003eAn optional expansion slot allows you to expand the amount of saturation blocks to 16 adding further colouration options.\u003c\/p\u003e\n\n\u003cp\u003eLooptrotter Satur-8\/24 Summing Mixer Main Features:\u003c\/p\u003e\n\n\u003cp\u003eMAGIC option on mix\u003c\/p\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":57959751156095,"sku":"8996","price":2499.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/8996-1.jpg?v=1783943221"},{"product_id":"neve-8816","title":"Neve 8816","description":"\u003cp\u003e8816\u003c\/p\u003e\n\n\u003cp\u003eMore than just a summing mixer…\u003cbr\u003e\nThe 8816 brings legendary Neve® console sound to 19″ rack format. Using the same topology as the classic 80 Series console, with two Marinair® transformers on the stereo bus output, the 8816 is the ultimate 16 channel rackmount Neve console.\u003c\/p\u003e\n\n\u003cp\u003eActive Analogue Summing\u003cbr\u003e\nThe 8816 Summing Mixer performs like a mini Neve® mixing console with an active summing design providing up to +15dB of gain boost for its 16 individual balanced inputs.\u003c\/p\u003e\n\n\u003cp\u003eNeve Voltage Mixing\u003cbr\u003e\nThe 8816’s powerful mix bus topology uses voltage mixing through dual Marinair® Transformers. This design was pioneered in the early Neve® 80-series consoles and many revered engineers claim gave those classic recordings that golden, cherished sound. Voltage mixing drops the pre output level to around -80dBu, similar to microphone level, this is then boosed back through the output transformers to drive the final output stage.\u003c\/p\u003e\n\n\u003cp\u003eTracking Tools\u003cbr\u003e\nPacked with Neve® large-format console features, the 8816 is ideal for tracking in the studio. Independent cue sends from all 16 channels, multiple headphone connections \u0026amp; controls and a built-in talkback system, the 8816 is the complete recording package for the small studio.\u003c\/p\u003e\n\n\u003cp\u003eMixing Tools\u003cbr\u003e\nThe 8816’s enhanced summing features allows Producers to focus on the mix. Each channel has cut and solo switching options plus a dedicated rotary pan control with -3dB centre panning \u0026amp; S-Law shaping for accurate panning to the extremes.\u003c\/p\u003e\n\n\u003cp\u003eMonitoring Tools\u003cbr\u003e\nWith the Neve® console monitoring controls on the 8816, there is no need for a separate monitor controller for your studio. Dual balanced or unbalanced loudspeaker outputs can connect to two pairs of studio loudspeakers, with multiple monitoring sources to choose from, including 3.5mm mini-jack for external Iphone\/Mp3 player monitoring.\u003c\/p\u003e\n\n\u003cp\u003eMix Bus Inserts\u003cbr\u003e\nTo complement the Marinair® transformer-coupled mix bus, the 8816 includes two stereo bus inserts. The second IMR insert features a blend function; ideal for parallel bus compression using your favourite analogue compressors.\u003c\/p\u003e\n\n\u003cp\u003eMix Bus Processing\u003cbr\u003e\nThe 8816 features a powerful mid-side processor which can be activated before the insert sends. This feature enables separate processing of mono and stereo information by adding EQ compression or any external processor. In addition, Neve’s proprietary stereo width function further enhances stereo imaging with the width pot sweeping from mono through to a hyper-wide enhanced stereo image, producing musical results at all positions.\u003c\/p\u003e\n\n\u003cp\u003eAdd Channels \u0026amp; Faders\u003cbr\u003e\nFor hands-on control of all 16 mix levels and stereo mix output, pair the 8816 with an 8804 fader pack. This setup transforms the 8816 into a true Neve® console. If 16 channels aren’t enough, combine multiple 8816 units using the 2-Track bus linking feature to create a larger mixing console suited to your studio requirements.\u003c\/p\u003e\n\n\u003cp\u003eTotal Recall™ Software\u003cbr\u003e\nEfficiently recall your sessions by connecting the 8816 to your PC\/Mac via USB and opening the interactive Neve® Recall software program. Routing and switching are handled automatically at the push of a button, whilst the 8816’s rotary pots are manually tracked to their stored positions – in a matter of seconds.\u003c\/p\u003e\n\n\u003cp\u003eAnalogue \u0026amp; Digital Outputs\u003cbr\u003e\nThe optional A\/D conversion card provides a stereo digital output from the 8816 in multiple formats. This card uses premium, Neve® quality converters with switchable headroom settings to integrate with any digital system. The digital outputs are provided in AES 3 and DSD formats, with selectable sample rates of up to 192kHz, and clocking options via AES Sync or word clock BNC connections. This digital converter also features an ADC insert, allowing external signals to access the high-quality Neve A\/D converters.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959752827263,"sku":"8904","price":3300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/8904-1.jpg?v=1783943223"},{"product_id":"neve-8816-a-d-card","title":"Neve 8816 A\/D Card","description":"\u003cp\u003eThe 8816's optional A-D card is a high-quality stereo design based on a Burr Brown PCM1804 converter chip, supporting sample rates up to 192kHz. The DSD format is also supported. When the A-D card is installed, the analogue signal feeding it is normally taken from the mix buss output, but a pair of TRS sockets on the rear panel allow an external balanced line-level signal to be over-plugged to feed the A-D separately. The nominal input level is +26dB for 0dBFS, but this can be adjusted with a pair of recessed headroom switches to give 14 or 18 dB of headroom above +4dBu (in other words, +18 or +22dBu for 0dBFS).\u003c\/p\u003e\n\n\u003cp\u003eA button on the front panel allows the sample rate to be selected from any of the six standard rates between 44.1 and 192 kHz, followed by the DSD mode. Normal operation is based on internal crystal clocks, but an external AES or word clock reference can also be accepted - both inputs having a bi-colour LED associated with them. The unit selects the best reference automatically, and if no external clock is present, or if an external clock is at a different rate to the selected sample rate, the internal clock is used. If both AES and word clock references are present and at the correct sample rate, the word clock source is given priority.\u003c\/p\u003e\n\n\u003cp\u003eWord clock in and out are catered for with BNC sockets, and a recessed button allows a 75(omega) input termination to be applied, if required. Three XLR connectors provide an external AES reference input and two AES3 outputs. These can be used as separate identical outputs, or for dual-wire operation, although this mode requires an external clock reference. If an external clock is provided, and the sample rate is selected to twice the external rate, the AES output is automatically formatted for dual-wire operation. For example, a 48kHz clock can be provided when the unit is switched to a 96kHz sample rate, or a 96kHz clock for a 192kHz sample rate. In this mode the first XLR carries the left channel data and the second XLR carries the right channel data.\u003c\/p\u003e\n\n\u003cp\u003eThe DSD mode is always referenced to a 44.1kHz clock, and the DSD output is provided on two BNC connectors, switchable from the rear panel for SDIF 2 or SDIF 3 formats. The former carries only the audio data and a separate word clock reference has to be routed along with it, while the latter has embedded clock signals.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959776059775,"sku":"863","price":576.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/863-1.jpg?v=1783943213"},{"product_id":"tegeler-audio-tsm-tube-summing-mixer","title":"Tegeler Audio TSM Tube Summing Mixer","description":"\u003cp\u003eThe Tegeler Tube Summing Mixer is designed for engineers who love the sound of analogue console mixing but still want the flexibility, editing power and recall of a modern digital workflow. By routing multiple outputs from your audio interface into the Tube Summing Mixer, you can move the final summing stage out of the DAW and into a dedicated analogue mix bus, adding depth, dimension and musical character before capturing the stereo mix back into your system.\u003c\/p\u003e\n\n\u003cp\u003eAt the heart of the Tube Summing Mixer is a high-headroom analogue signal path, supported by active tubes and a transformer-balanced output stage. This combination gives mixes a more open, defined and spacious quality, while adding the warmth, density and subtle rounding that make analogue summing so appealing. It is not about drastically changing the mix, but about giving it a more three-dimensional feel, helping individual elements sit together in a way that feels polished and natural.\u003c\/p\u003e\n\n\u003cp\u003eWith 2 × 20 channels available, the Tube Summing Mixer offers enough input capacity for demanding sessions. You can send drums, bass, vocals, guitars, synths, effects and stems out of your DAW on separate channels, allowing them to combine in the analogue domain while retaining the convenience of digital arrangement, editing and automation. If you need even more inputs, multiple units can be cascaded to create a larger summing system or expanded surround workflow.\u003c\/p\u003e\n\n\u003cp\u003eConnectivity is split between 2 × 16 balanced inputs via four DB25 connectors and 2 × 4 balanced TRS inputs, making the unit practical to integrate with professional converters, patchbays and studio wiring. Mono signals can be connected via the lower TRS jack and are automatically distributed to both channels, placing them in the phantom centre of the stereo image.\u003c\/p\u003e\n\n\u003cp\u003eFor repeatable mix recall, the Tube Summing Mixer uses a stepped output level switch instead of a conventional potentiometer, allowing the output to be adjusted in practical -3 dB increments. Illuminated VU meters provide clear visual feedback, while the internal mix bus offers up to +22 dBu of headroom, helping the unit handle complex, full-scale mixes without feeling restricted.\u003c\/p\u003e\n\n\u003cp\u003eWhether used as the centrepiece of a hybrid mixing setup, a way to add analogue character to DAW mixes, or as part of a larger stem-based mixing chain, the Tegeler Tube Summing Mixer gives you a straightforward and musical route into analogue summing without sacrificing the advantages of working in the box.\u003c\/p\u003e","brand":"Tegeler","offers":[{"title":"Default Title","offer_id":57959818166655,"sku":"7448","price":1599.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/7448-1.jpg?v=1783943148"},{"product_id":"dangerous-music-2-bus-xt","title":"Dangerous Music 2-BUS XT","description":"The totally re-engineered 2-BUS-XT delivers knock down kicks, vocals welded to the center, spacious sound stage, and an ultra high resolution depth of field that reveals everything, ultimately gluing your tracks together organically \u0026amp; effortlessly. You’ll experience the pleasure of mixing it better and faster with fewer plug-ins.\n\nLeveraging the unsurpassed six layer board summing circuitry of the 2-BUS+, you’ll feel the legendary headroom alongside two unique custom color circuits designed by analog cause célèbre, Chris Muth.\n\nAfter dozens of listening trials, the transformers were specifically chosen to add a tasteful hit of 2nd order harmonics for lower midrange warmth while preserving top-end clarity.. Perfect for adding complexity to sterile tracks that draw the listener in deep.\n\nCoherence elevates the harmonic content of signals progressively by bringing up the detail as the levels are reduced, then allowing you to blend this result with the source mix, parallel compression style. Ride it during the hooks to add excitement and dimensional asymmetry.\n\nAssign none, either or both to channels 15-16 or the mix buss all on true hard wired bypasses and breathe your music’s analog soul to life.","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":57959858176383,"sku":"51419","price":1999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/51419-1.jpg?v=1783942603"},{"product_id":"dangerous-music-2-bus","title":"Dangerous Music 2-Bus+","description":"\u003cp\u003eSurpassing the Original\u003c\/p\u003e\n\n\u003cp\u003eDangerous Music invented the stand-alone analog summing mixer with the ground-breaking 2-BUS back in 1999, and now we’re redefining mixing yet again with the 2-BUS+. With a redesigned analog summing circuit that exceeds previous specifications, the 2-BUS+ delivers unsurpassed imaging, dimensionality, punch and headroom. While the 2-BUS+ active summing sounds incredible on its own, it now includes three innovative custom color circuits that provide a vast array of flexibly routed tonal options. Harmonics is a euphoric odd- and even-order distortion generator; Paralimit is a hard-hitting FET-style limiter; and X-Former is a pair of custom wound Cinemag output transformers with an exclusive core-overdrive circuit. With it’s elegantly straightforward buttons and knobs, the 2-BUS+ puts endless combinations of robust analog sound at your fingertips. Meticulously developed by our hands-on team and brilliantly designed by the legendary Chris Muth, the 2-BUS+ embodies our dedication to sacrificing nothing in order to deliver the very best analog products available.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":57959859814783,"sku":"51421","price":3159.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/51421-1.jpg?v=1783942605"},{"product_id":"dangerous-music-d-box","title":"Dangerous Music D-Box+","description":"\u003cp\u003eA DRAMATIC REDESIGN WITH NEWLY ADDED FEATURES\u003c\/p\u003e\n\n\u003cp\u003eThe Dangerous D-BOX+ is a ground-up dramatic redesign of the award-winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analog mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music’s bold and clear sound, while newly added features like Bluetooth connectivity and an app for remote control of all major functions unleash a cutting edge feature set that puts the D-BOX+ far ahead of the competition. As with all Dangerous Music products, the D-BOX+ is proudly made to exacting audiophile standards in the USA.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":57959863681407,"sku":"51423","price":2479.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/51423-1.jpg?v=1783942604"},{"product_id":"neve-8804-fader-pack-for-8816","title":"Neve 8804 Fader Pack for 8816","description":"\u003cp\u003e8804\u003c\/p\u003e\n\n\u003cp\u003eTransform the 8816 into a tabletop Neve® console with the 8804 fader pack\u003cbr\u003e\nDesigned for rackmount or tabletop use, the 8804 features 16 long-throw channel faders, with associated cut \u0026amp; solo switches, and two master faders. The faders’ solid feel as you adjust to the mix, the convenience of Total Recall™ of all parameters, and the pristine sound quality make the 8804 a must-have product in tandem with the 8816.\u003c\/p\u003e\n\n\u003cp\u003eHands-On Control\u003cbr\u003e\nThere’s no substitute for real hands-on fader control when it comes to real console feel. By adding the 8804 to the 8816 Summing Mixer, the two units form a fully-fledged Neve® console.\u003c\/p\u003e\n\n\u003cp\u003eLong-Throw Faders\u003cbr\u003e\nEighteen total long-throw faders deliver ultimate precision for finely tuning an 8816 mix. Each fader runs from -inf to 0dB at the central position and up to +15dB at the top.\u003c\/p\u003e\n\n\u003cp\u003eIndependent Master Faders\u003cbr\u003e\nThe 8804’s features separate left and right main mix faders. This unique layout allows for fine stereo balancing at the crucial master stage.\u003c\/p\u003e\n\n\u003cp\u003eLinked Switch Controls\u003cbr\u003e\nThe Neve® recall software forms a software bridge between the 8816 and 8804 units, linking solo and cut switches for seamless integration.\u003c\/p\u003e\n\n\u003cp\u003eDirect Outputs\u003cbr\u003e\nAdding an 8804 to your 8816 gives you access to a host of new features and capabilities! The 8804 has 16 direct outputs via D-Type connection; these outputs add even more flexibility when recording through the 8816, allowing individual ‘stems’ to be tracked pre or post-fade from all 16 inputs.\u003c\/p\u003e\n\n\u003cp\u003e8816 Aux Send\u003cbr\u003e\nAdding an 8804 to your 8816 opens up the possibility of using the 8816’s level pots as aux sends – ideal for an additional cue mix or as reverb sends into your favourite outboard FX units.\u003c\/p\u003e\n\n\u003cp\u003eRackmount or Tabletop\u003cbr\u003e\nDepending on your studio setup, the 8804 can be mounted multiple ways – rack-mounted into a 4U 19″ frame or mounted onto your studio desk using the built-in stand or optional tabletop side cheeks.\u003c\/p\u003e\n\n\u003cp\u003eTotal Recall™ Software\u003cbr\u003e\nEvery fader position and switch setting on the 8804 can be recalled quickly via the Neve® recall software. The interactive recall application tracks and follows manual fader positions allowing you to recall your mix sessions in seconds.\u003c\/p\u003e\n\n\u003cp\u003eGeneral Specification\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":57959881802111,"sku":"617","price":1260.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/617-1.jpg?v=1783943051"},{"product_id":"rupert-neve-designs-5059-satellite","title":"Rupert Neve Designs 5059 Satellite","description":"\u003cp\u003eThe Rupert Neve 5059 Satellite Summing Mixer delivers a incredible sound in a rack-mountable 2U chassis full of custom transformers and a fine tuned true class-A circuitry eliminating crossover distortion and delivering a remarkably pristine sound. The custom transformers of the 5059 produce the typical \"Neve\" sound full of warmth and a larger than life sound.\u003c\/p\u003e\n\n\u003cp\u003eThe Rupert Neve 5059 Satellite features 16 channels, each with their own level, pan, and insert points offering a wealth of connection to easily integrate outboard equipment in your DAW setup or a second 5059 Satellite. Ideal for summing or for mixing with stems the 5059 features a selectable secondary stereo output.\u003c\/p\u003e\n\n\u003cp\u003eIn addition the 5059 Satellite features a variable Texture controls with two modes Silk and Silk+ adding transformer saturation. The Silk mode adds harmonic distortion in the high frequencies giving nice shimmer or sparkle to the sound, whereas the Silk+ mode adds the transformer's saturation to the low-end thickening the sound and adding density to any sound.\u003c\/p\u003e\n\n\u003cp\u003eThis summing mixer will bring any DAW based studio the sound quality of the pros adding a sprinkle of magic to any digital audio thanks to the legendary sound of Neve's custom transformer and Class-A topologies.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":57959885570431,"sku":"614","price":2879.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/614-1.jpg?v=1783943052"},{"product_id":"wes-audio-ngsumbox","title":"Wes Audio ngSumBox","description":"\u003cp\u003eFor decades, analog summing has been the secret weapon behind mixes with real depth, width, and musical cohesion. The WesAudio ngSumBox takes this proven concept and completely reimagines it for the modern hybrid studio, delivering genuine analog summing alongside full digital recall, automation, and deep DAW control.\u003c\/p\u003e\n\n\u003cp\u003eAt its core, ngSumBox is a high-end 18×2 analog summing mixer designed to bring console-style mixing back into a DAW-centric workflow. Sixteen fully controllable summing channels are joined by two additional external inputs, making it easy to integrate stems, effects returns, or submixes without compromise. Every channel offers precise level control, automation, LCR routing, variable THD, and direct outputs that can be switched pre or post fader, giving you exceptional routing flexibility for complex hybrid setups.\u003c\/p\u003e\n\n\u003cp\u003eThe analog signal path is built for professional studio environments, offering high headroom and pristine audio quality, while selectable output stages allow you to choose between electronically balanced or transformer-balanced outputs depending on the character you want on your mix bus. A dual insert section with full recall makes integrating outboard processors seamless and repeatable, while the proprietary WIDTH control provides intuitive stereo enhancement without losing focus or mono compatibility.\u003c\/p\u003e\n\n\u003cp\u003eWhat truly sets ngSumBox apart is its tight integration with the digital world. Dedicated plug-ins provide complete control and recall directly from your DAW, turning ngSumBox into a fully recallable analog console front end. Support for MCU and HUI controllers restores a tactile, hands-on mixing experience, combining the sonic advantages of analog with the speed, precision, and convenience of modern production workflows.\u003c\/p\u003e\n\n\u003cp\u003eClear, comprehensive metering keeps everything visible at a glance, with LED meters for all 16 input channels and dual illuminated VU meters monitoring the summed stereo output. Whether you’re mixing, stem-printing, or summing through outboard, ngSumBox is designed to sit at the heart of a serious hybrid studio.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":57959950221695,"sku":"52575","price":2499.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/52575-1.jpg?v=1783943013"},{"product_id":"api-asm164-summing-mixer","title":"API ASM164 Summing Mixer","description":"\u003cp\u003eThe API ASM164 is a compact 16-channel analogue summing mixer for engineers who want console-style mix integration without a full desk. It combines balanced summing, panning, inserts, auxiliary routing and a comprehensive master section, providing a tactile centrepiece for hybrid DAW workflows.\u003c\/p\u003e\u003cp\u003eIt is designed for hybrid mixing workflows, giving DAW outputs an analogue summing and routing stage without requiring a full console.\u003c\/p\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":57959979483519,"sku":"52023","price":3195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/52023-1.jpg?v=1783942760"},{"product_id":"undertone-pyra-sum-music-faceplate","title":"Undertone Pyra-Sum (Music Faceplate)","description":"\u003cp\u003eThe Pyra-Sum is a passive summing mixer that has what other summing mixers don't: multiple cascading busses. This bussing architecture allows you to truly have the sound and workflow of a large format console but with even more sonic flexibility and in a much smaller format. We've left out any active circuitry, which means that you have total control of the coloration that's added in the makeup gain stages—it also means you'll need to use this with eight of your own preamps. Want a different sound? Swap the preamps. You could use Neve's or API's for that 70s sound. Tube RCA preamps for that 50s sound. UTA preamps for a size and musicality that has never existed before. Or, since the preamps are inserted after each stage of summing, you can mix and match— API's on the drums, UTA preamps on the music, Neve's on the vocals, etc. The sonic possibilities are endless.\u003c\/p\u003e\n\n\u003cp\u003eFour discrete stereo summing busses\u003cbr\u003e\nRecreate the bussing architecture of a large format console\u003cbr\u003e\nIncorporate the sound and colour of any mic preamps you choose\u003cbr\u003e\nAll passive circuitry\u003cbr\u003e\nMake better use of all your favourite outboard gear\u003cbr\u003e\nMake Pyra-Sum the heart of your ultimate hybrid mixing setup\u003cbr\u003e\nSpecifications\u003cbr\u003e\nINPUT IMPEDANCE - 10Kohm\u003cbr\u003e\nOUTPUT IMPEDANCE - 200ohm\u003cbr\u003e\nOUTPUT LEVEL(To Preamps) - -35dB\u003cbr\u003e\nTRIM RANGE - +\/-2dB\u003c\/p\u003e","brand":"Undertone Audio","offers":[{"title":"Default Title","offer_id":57960038629759,"sku":"49784","price":1795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/49784-1.jpg?v=1783941992"},{"product_id":"undertone-pyra-sum-bus-faceplate","title":"Undertone Pyra-Sum (Bus Faceplate)","description":"\u003cp\u003eThe Pyra-Sum is a passive summing mixer that has what other summing mixers don't: multiple cascading busses. This bussing architecture allows you to truly have the sound and workflow of a large format console but with even more sonic flexibility and in a much smaller format. We've left out any active circuitry, which means that you have total control of the coloration that's added in the makeup gain stages—it also means you'll need to use this with eight of your own preamps. Want a different sound? Swap the preamps. You could use Neve's or API's for that 70s sound. Tube RCA preamps for that 50s sound. UTA preamps for a size and musicality that has never existed before. Or, since the preamps are inserted after each stage of summing, you can mix and match— API's on the drums, UTA preamps on the music, Neve's on the vocals, etc. The sonic possibilities are endless.\u003c\/p\u003e\n\n\u003cp\u003eFour discrete stereo summing busses\u003cbr\u003e\nRecreate the bussing architecture of a large format console\u003cbr\u003e\nIncorporate the sound and colour of any mic preamps you choose\u003cbr\u003e\nAll passive circuitry\u003cbr\u003e\nMake better use of all your favourite outboard gear\u003cbr\u003e\nMake Pyra-Sum the heart of your ultimate hybrid mixing setup\u003cbr\u003e\nSpecifications\u003cbr\u003e\nINPUT IMPEDANCE - 10Kohm\u003cbr\u003e\nOUTPUT IMPEDANCE - 200ohm\u003cbr\u003e\nOUTPUT LEVEL(To Preamps) - -35dB\u003cbr\u003e\nTRIM RANGE - +\/-2dB\u003c\/p\u003e","brand":"Undertone Audio","offers":[{"title":"Default Title","offer_id":57960038662527,"sku":"49783","price":1795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/49783-1.jpg?v=1783941991"},{"product_id":"rupert-neve-designs-5057-orbit","title":"Rupert Neve Designs 5057 Orbit","description":"\u003cp\u003eFirmly rooted in six decades of console design experience, the 5057 Orbit gives your mixes the legendary tonality, power, and wide-open soundstage that only Rupert Neve’s class-A analog summing can provide. Coupled with Rupert’s famous custom audio transformers and Silk Red \u0026amp; Blue circuitry for variable harmonic saturation, the Orbit launches sterile in-the-box mixes to new heights of tone, depth and clarity – without compromising the recallable convenience and repeatability of your DAW-based workflow.\u003c\/p\u003e\n\n\u003cp\u003eBorn to Drive\u003c\/p\u003e\n\n\u003cp\u003eWhen you push a mix buss and output transformers towards saturation, the non-linear, musical harmonics that occur are what truly glue a recording together and bring it to life. Rather than using an external summing solution that offers little more than an ultra-clean representation of the in-the-box experience, the Orbit provides the extraordinary richness, harmonic complexity and depth that only a Rupert Neve console can bring to your mixes.\u003cbr\u003e\nThe Orbit utilises a highly custom output transformer configuration originally developed for the acclaimed Shelford Channel, which provides both a Main Output and a -6dB Output – the latter of which enables you to fully drive the Orbit to achieve more transformer harmonics without clipping the next device in the chain. This unique transformer drive is a hallmark of the sound of Rupert Neve throughout the years – and the sound of countless classic hit records.\u003c\/p\u003e\n\n\u003cp\u003eEvery mix demands its own treatment. In addition to the choice of outputs, the continuously variable Texture control with Silk Red and Silk Blue modes gives you complete control over the harmonic density and tonality of your mix – or lets you keep it utterly pristine and uncoloured. The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” mixes. Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003c\/p\u003e\n\n\u003cp\u003eDrive the mix buss hard, choose your Silk flavour, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty. The choice is yours.\u003c\/p\u003e\n\n\u003cp\u003eBuild your Dream\u003c\/p\u003e\n\n\u003cp\u003eWhile the Orbit is an extremely effective tool on its own, multiple units can be combined through the Buss Link for a higher channel count. The 5057 Orbit can also be used as a building block in an expandable summing system utilising the 5059 Satellite for flexible summing \u0026amp; routing, and the 5060 Centrepiece for additional mixing and monitoring features. These units create the core of a world-class analog modular console system rivalling any traditional large-scale studio setup.\u003c\/p\u003e\n\n\u003cp\u003eChannel Separation and Accuracy\u003c\/p\u003e\n\n\u003cp\u003eWith precisely fixed channel levels and accurate mix buss attenuation via high-quality stepped switching, the Orbit’s purist signal path has vanishingly low crosstalk, and channels matched to within +\/-0.1dB. This provides your mixes with the widest and most accurate stereo image, the greatest depth, and the most direct signal path, allowing you to hear every single detail of your mixes.\u003c\/p\u003e\n\n\u003cp\u003eDAW Based Recall without Compromise\u003c\/p\u003e\n\n\u003cp\u003eFrequent recalls can be a challenge for modern mix engineers. The Orbit’s elegant simplicity and fixed level accuracy provides rapid, repeatable DAW-based recall from mix to mix, while adding the rich, unrivalled sound quality of Mr. Neve’s class-A transformer-coupled mix buss.\u003cbr\u003e\nThere are other summing solutions in the world – but only the 5057 Orbit, 5059 Satellite, and 5060 Centrepiece give you the legendary sound of Rupert Neve.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":57960054948223,"sku":"47816","price":1599.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/47816-1.jpg?v=1783941570"},{"product_id":"undertone-audio-unfa-1-accessory-box","title":"Undertone Audio UNFa-1 Accessory Box","description":"\u003cp\u003eUNFa-1\u003cbr\u003e\nFB\/FF Control\u003c\/p\u003e\n\n\u003cp\u003eWe added the FB\/FF control so you can get the full benefits of applying Feed Forward (“FF”) compression to the UnFairchild circuit. FF compression is a wonderfully aggressive sound but can be a bit unwieldy at times. Being able to blend the Feed-Forward (“FF”) signal with the Feedback (“FB”) signal allows you to add just the right amount to get that amazing aggressive sound without having the compression fall of a cliff of over compressing.\u003c\/p\u003e\n\n\u003cp\u003eHP Freq Control\u003c\/p\u003e\n\n\u003cp\u003eMany of you are likely already aware of the practice of High Passing the side chain signal on a compressor. For those of us that like to have a lot of low end in our mixes, it is helpful to make the compressor LESS sensitive to those frequencies so it is not mostly reacting to only the low fre-quencies and pulling down the volume of the overall mix. The HP FREQ control allows you to control this issue.\u003c\/p\u003e\n\n\u003cp\u003eMix Control\u003c\/p\u003e\n\n\u003cp\u003eMany of you are likely already aware of “parallel” compression. With parallel compression, you are blending the compressed signal with the original uncompressed signal instead of only hearing the compressed signal. It allows you to use more extreme compression settings without having the signal sound too compressed. Why is this useful? Why wouldn’t you just use a less extreme compression setting if you want it to sound less compressed? Blending more extreme compression can sound very different than simply setting the compressor less extreme.\u003c\/p\u003e\n\n\u003cp\u003eOutput Control\u003c\/p\u003e\n\n\u003cp\u003eAs mentioned in the “Front Panel Controls” section, we have found that the UnFairchild can sound really good when pushing A LOT of level through it. By reducing the output level, you can get the benefits of pushing a lot of level without clipping the input of whatever device comes after it.\u003c\/p\u003e\n\n\u003cp\u003e...and so much more!!!\u003c\/p\u003e","brand":"Undertone Audio","offers":[{"title":"Default Title","offer_id":57960072184191,"sku":"47668","price":2749.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/47668-1.jpg?v=1783941567"},{"product_id":"thermionic-culture-purple-bustard","title":"Thermionic Culture Purple Bustard","description":"\u003cp\u003eFollowing on from the phenomenal success of The Fat Bustard summing mixer whose features include Attitude, EQ, stereo width, and of course a big fat sound, we find there’s a demand for a similar warm sounding summing mixer with more channels at a lower price, keeping the unique Attitude control. Enter The Purple Bustard.\u003c\/p\u003e\n\n\u003cp\u003eThis new unit utilises the same input circuit and Attitude section as the Fat Bustard, using the same type twin triode valves.\u003c\/p\u003e\n\n\u003cp\u003eInstead of having EQs and Stereo Spread, etc., there is only the \"AIR\" control which works on the very high end. Because the unit contains no solid state in the audio path, the use of this control will enhance the sound with a lovely velvety sheen typical of the best all-valve equipment with none of the harshness found in some solid state units.\u003c\/p\u003e\n\n\u003cp\u003eThe output stage is very similar to that of The Fat Bustard, except that for reasons of space and heat, smaller double triodes are employed. All valves are “mil spec” NOS types. The max output level is still well above +20 dBv, adequate for any DAW.\u003c\/p\u003e\n\n\u003cp\u003eAll inputs and outputs are on XLRs, with inputs \"semi floating\" and outputs unbalanced. A balancing box containing 2 Sowter transformers is available if required at additional cost.\u003c\/p\u003e\n\n\u003cp\u003eThere are 8 toggle switches to switch in pairs of channels, and 2 more toggles to switch channels 13,14,15 \u0026amp; 16 to make 4 mono channels. AIR, a rotary pot, ATTITUDE, a 6 position switch, and a matched pair of pots controlling output levels. There’s also a mains power switch and of course The Purple Bustard's eyes light up and go bloodshot as the sound gets louder!\u003c\/p\u003e\n\n\u003cp\u003eThe frequency response goes well above and below audio range until the Attitude is set to at or near max, similarly other specs are practically the same as The Fat Bustard, except cross-talk, phase shift and signal to noise are slightly better as there is no EQ etc.\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":57960080671103,"sku":"3787","price":2621.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/3787-1.jpg?v=1783940758"},{"product_id":"thermionic-culture-fat-bustard-ii-balanced","title":"Thermionic Culture Fat Bustard II (Balanced)","description":"\u003cp\u003eAvailable for demo - contact us to book your appointment.\u003c\/p\u003e\n\n\u003cp\u003eThe Fat Bustard mk II is an all valve passive input summing mixer. It has 14 inputs with 4 stereo inputs, 4 mono pan-able inputs and 2 'Aux' inputs with a pan switch. The Fat Bustard is unique in it's exceptional sound quality and also the extra degree of control and processing it offers over the stereo mix output. The mk II version is now the standard production model and it has been upgraded to include a monitor output with level control.\u003c\/p\u003e\n\n\u003cp\u003eMuch of the attractive sound provided by the Fat Bustard is down to the choice of valves used. The summing is done by a pair of 5965 valves and the output stage uses a pair of 6SN7 valves. This combination provides a very large amount of headroom and a unique smooth sounding response. It's also worth noting that the unit has \"semi-floating\" inputs and unbalanced outputs. This was a decision made at the design stage purely because the unit sounded better this way and performed excellently when connected for use in all situations.\u003c\/p\u003e\n\n\u003cp\u003eThe Fat Bustard employs our unique \"varislope\" curves for top and bass lift. As the control is turned up, the peak frequency of the curve becomes more extreme so as to add heavier bass\/brilliant top – without the hardness found in solid state eqs. The bass and top cuts provide a variety of options to tailor the sound – too many to list here. They are of course independent of the lifts. All controls affect both stereo channels equally.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Attitude' control is the next to control the sound of the mix.This switched control gradually increases the amount of harmonic distortion in the stereo summing stage. It is relatively subtle (at least in the lower positions) to provide just the right amount of 2nd harmonic content for a stereo mix. At high positions the mix can be quite aggressive.\u003c\/p\u003e\n\n\u003cp\u003eThe stereo spread control allows the stereo to be widened by a continuous amount over a selectable frequency range.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Spread filter' control allows the frequency above which widening occurs to be selected from full band widening to only widening above 5KHz. Again, this control can be used to vary the tone of the stereo mix as well as the stereo width. Along with stereo widening at higher frequencies.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Bass to Centre' control allows bass frequencies in the stereo mix to be summed to mono for 2 different low frequency ranges, plus there is a setting for all frequencies to mono.\u003c\/p\u003e\n\n\u003cp\u003eA Stereo 'balance' control and rotary 31 position ELMA switch for 'Output level' give full control over output levels.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Monitor level' control, int\/ext switch and extra outputs provide a useful way to connect and control monitors to the Fat Bustard. Especially useful when the Fat Bustard is the only mixer being used. If this is not a requirement then the int\/ext switch in conjunction with the monitor outputs can be used to provide an insert in\/out switch.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cp\u003eFrequency response extends from below audio range to well above.\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":57960094794111,"sku":"1848","price":5514.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1848-1.jpg?v=1783940660"},{"product_id":"thermionic-culture-fat-bustard-ii-unbalanced","title":"Thermionic Culture Fat Bustard II (Unbalanced)","description":"\u003cp\u003eThe Fat Bustard mk II is an all valve passive input summing mixer. It has 14 inputs with 4 stereo inputs, 4 mono pan-able inputs and 2 'Aux' inputs with a pan switch. The Fat Bustard is unique in it's exceptional sound quality and also the extra degree of control and processing it offers over the stereo mix output. The mk II version is now the standard production model and it has been upgraded to include a monitor output with level control.\u003c\/p\u003e\n\n\u003cp\u003eMuch of the attractive sound provided by the Fat Bustard is down to the choice of valves used. The summing is done by a pair of 5965 valves and the output stage uses a pair of 6SN7 valves. This combination provides a very large amount of headroom and a unique smooth sounding response. It's also worth noting that the unit has \"semi-floating\" inputs and unbalanced outputs. This was a decision made at the design stage purely because the unit sounded better this way and performed excellently when connected for use in all situations.\u003c\/p\u003e\n\n\u003cp\u003eThe Fat Bustard employs our unique \"varislope\" curves for top and bass lift. As the control is turned up, the peak frequency of the curve becomes more extreme so as to add heavier bass\/brilliant top – without the hardness found in solid state eqs. The bass and top cuts provide a variety of options to tailor the sound – too many to list here. They are of course independent of the lifts. All controls affect both stereo channels equally.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Attitude' control is the next to control the sound of the mix.This switched control gradually increases the amount of harmonic distortion in the stereo summing stage. It is relatively subtle (at least in the lower positions) to provide just the right amount of 2nd harmonic content for a stereo mix. At high positions the mix can be quite aggressive.\u003c\/p\u003e\n\n\u003cp\u003eThe stereo spread control allows the stereo to be widened by a continuous amount over a selectable frequency range.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Spread filter' control allows the frequency above which widening occurs to be selected from full band widening to only widening above 5KHz. Again, this control can be used to vary the tone of the stereo mix as well as the stereo width. Along with stereo widening at higher frequencies.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Bass to Centre' control allows bass frequencies in the stereo mix to be summed to mono for 2 different low frequency ranges, plus there is a setting for all frequencies to mono.\u003c\/p\u003e\n\n\u003cp\u003eA Stereo 'balance' control and rotary 31 position ELMA switch for 'Output level' give full control over output levels.\u003c\/p\u003e\n\n\u003cp\u003eThe 'Monitor level' control, int\/ext switch and extra outputs provide a useful way to connect and control monitors to the Fat Bustard. Especially useful when the Fat Bustard is the only mixer being used. If this is not a requirement then the int\/ext switch in conjunction with the monitor outputs can be used to provide an insert in\/out switch.\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":57960094826879,"sku":"1847","price":5182.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1847-1.jpg?v=1783940661"},{"product_id":"rupert-neve-designs-5060-centerpiece","title":"Rupert Neve Designs 5060 Centerpiece","description":"\u003cp\u003e24×2 Desktop Mixer\u003c\/p\u003e\n\n\u003cp\u003eFrom the father of the recording console comes the 5060 Centerpiece: the Class-A analog heart of your 21st-century studio. Sized for your desktop, the 5060 delivers the tonality and center section features of Rupert's flagship 5088 console at your fingertips, cementing outboard together with serious custom transformers, flexible monitoring, DAW transport controls, and the raw power of a Rupert Neve-designed 24×2 mix-buss.\u003c\/p\u003e\n\n\u003cp\u003eDefine Your Workflow\u003c\/p\u003e\n\n\u003cp\u003eWith a modular, hybrid analogue\/digital mix system built around the 5060, you can outfit your studio with exactly what you need – and nothing that you don't. Utilizing modern DAW control technologies, the 5060 seamlessly integrates stem outputs from the DAW with the rest of your control room, sums the final mix, and provides 2-track outputs, source selection, and speaker feed outputs from the monitor section.\u003c\/p\u003e\n\n\u003cp\u003eUsed in conjunction with 5059 mixers and Portico modules, the 5060 forms the core of a scalable analogue system. In this arrangement, the 5059s provide individual channel control, aux routing, and expandable channel counts, the Portico modules provide preamplification, EQ and dynamics, and the 5060 unites it all. The 5060 brings your dreams of a seamless hybrid workflow to reality.\u003c\/p\u003e\n\n\u003cp\u003eDefine Your Tone\u003c\/p\u003e\n\n\u003cp\u003eWith custom transformers, a class-A mix buss and variable Silk, the 5060 can provide a wide range of tonal flavors. Drive the mix buss hard and crank the Texture knob for a rich, saturated, vintage vibe - or disengage Silk entirely for clear, wide-open sonic beauty.\u003c\/p\u003e\n\n\u003cp\u003eSilk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Silk red mode accentuates the saturation in the high-mids and highs, while silk blue mode features more saturation in the lows and low mids.\u003c\/p\u003e\n\n\u003cp\u003eWith Silk engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert's class-A vintage designs. These controls add an unparalleled range of tonal options to the 5060 and should be explored creatively with a variety of different sources for best effect.\u003c\/p\u003e\n\n\u003cp\u003eAdditionally, by using 5059 Satellite Mixers to feed the 5060, you can further control the tone by using different Silk \u0026amp; Texture settings on the dual stereo outputs,and by creating parallel processing on the stems using the insert sends into processors, and then into stereo inputs 9-24.\u003c\/p\u003e\n\n\u003cp\u003eThe New Analogue Standard\u003c\/p\u003e\n\n\u003cp\u003eWhile digital technologies come and go, the modular, class-A analog designs Rupert created decades ago have been proven to stand the test of time. Instead of merely cloning these \"classics\", Rupert has spent recent years leading a team of engineers in crafting new designs, built on the same key principals, that take sonic performance, flexibility and ergonomics to new heights.\u003c\/p\u003e\n\n\u003cp\u003eThese designs embody the high voltage, class-A, discrete and transformer coupled architectures found in the 5088 console, which represent a culmination of Rupert's vast analogue circuitry knowledge.\u003c\/p\u003e\n\n\u003cp\u003eWith the 5060 Centerpiece, the primary aim is to deliver the extraordinary quality of the 5088 in a compact, modular framework. With an abundance of interconnectivity, exceptional fidelity, and the tonal versatility of Silk, the 5060 is the ideal core of the sound-conscious modern studio.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":57960095187327,"sku":"1789","price":9479.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1789-1.jpg?v=1783940667"},{"product_id":"maselec-mtc-1x","title":"Maselec MTC-1X","description":"\u003cp\u003eThe Maselec MTC-1X is the perfect tool for mastering studios as well as for high quality home recordings. With exceptional sonic properties, new functionalities and usual rock solid Maselec quality, the MTC-1 is an ideal alternative to the MTC-2 mastering console.\u003c\/p\u003e\n\n\u003cp\u003eThe MTC-1 measures 3 U height with a depth ‘behind panel’ of 260mm and 8kg weight. The front control surface has 42 push-button controls with LED lights and 12 high quality rotary switches. Gold XLRs are used for all audio connections, assisting the use of highest quality cables. Connecting and rearranging external equipment is very easy.\u003c\/p\u003e\n\n\u003cp\u003eThe Input section:\u003c\/p\u003e\n\n\u003cp\u003eThe Output section:\u003c\/p\u003e\n\n\u003cp\u003eThe Insert section has six insert points and offers additional powerful functions:\u003c\/p\u003e\n\n\u003cp\u003eThe Monitor section:\u003c\/p\u003e","brand":"Maselec","offers":[{"title":"Default Title","offer_id":57960095908223,"sku":"1697","price":9360.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1697-1.jpg?v=1783940663"},{"product_id":"burl-b32-vancouver","title":"Burl B32 Vancouver","description":"\u003cp\u003eThe Burl B32 Vancouver is a 32-channel analogue summing mixer with two independent stereo output paths. Its discrete Class-A summing stages can be used cleanly or routed through switchable BX5 output transformers, with Gain Boost available for additional level and transformer drive.\u003c\/p\u003e\u003cp\u003eEight mono and twenty-four stereo inputs provide a practical layout for DAW summing, while dual stereo outputs allow processed and unprocessed mix paths to be captured or monitored simultaneously.\u003c\/p\u003e","brand":"Burl","offers":[{"title":"Default Title","offer_id":57960101478783,"sku":"1111","price":2789.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1111-1.jpg?v=1783940594"},{"product_id":"chandler-limited-tg-mini-rack-mixer","title":"Chandler Limited TG Mini Rack Mixer","description":"\u003cp\u003eThe Chandler Limited Mini TG Rack Mixer traces its lineage back to the TG12345 MKIV recording console, most famous for it's use on Pink Floyd's \"Dark Side of The Moon\", and is built with the TG MKIV line amp which was the heart and soul of much of the TG equipment, including the TG1, TG2, and TG Channel. This unit has been designed using original circuit drawings and design information provided by Abbey Road and EMI to ensure extreme accuracy.\u003c\/p\u003e\n\n\u003cp\u003eEach Channel of the 16x2 Mixer is transformer balanced and driven by the TG MKVI amp, which is essentially a TG2 module without the extra gain. The buss and control room sections are driven by a pair of TG2 modules for each, totaling 20 discrete TG amplifiers in the unit, and delivering all the punch and tone you need for todays digital environment.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (return DAW then track and sum through the mix bus), and separate Control Room and Stereo Buss outs.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":57960102363519,"sku":"1071","price":8799.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/1071-1.jpg?v=1783940601"},{"product_id":"dangerous-music-d-box-ex-demo","title":"Dangerous Music D-Box+ (Ex-Demo)","description":"\u003cp\u003eA DRAMATIC REDESIGN WITH NEWLY ADDED FEATURES\u003c\/p\u003e\n\u003cp\u003eThe Dangerous D-BOX+ is a ground-up dramatic redesign of the award-winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analog mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music’s bold and clear sound, while newly added features like Bluetooth connectivity and an app for remote control of all major functions unleash a cutting edge feature set that puts the D-BOX+ far ahead of the competition. As with all Dangerous Music products, the D-BOX+ is proudly made to exacting audiophile standards in the USA.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":58324866171263,"sku":"52716","price":2299.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1008\/1216\/1407\/files\/51423-1.jpg?v=1783942604"}],"url":"https:\/\/sxpro.co.uk\/collections\/outboard-mid-side-copy.oembed","provider":"SX Pro","version":"1.0","type":"link"}