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Royer Labs R-10

Passive Ribbon Microphone

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  • R-10 (Front)
  • R-10 (Case)
RRP: £630.00 (You save £110.00)
£520.00 (inc VAT) £525.00 £433.33 (exc VAT)
Availability
New product. Contact us for an ETA.
Warranty
5 Years
First re-ribbon free in first year
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Finance available on orders over £500

Related & Alternate Products

Studio/Live Ribbon Microphone

The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10's sound and performance are all Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allows for flexible, unobtrusive positioning.

The R-10's 2.5-micron aluminium ribbon element is formed with our our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.

The R-10's built-in windscreen provides superior protection from air blasts and plosives. It also reduces proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10's internally shockmounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.

The R-10 utilises a David Royer custom designed transformer for high overload threshold, minimising saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic’s open grill design minimises standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.


The Sound

Royer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favourite EQ unit or plugin.

The R-10 is excellent on brass and can handle close-miked trumpets, trombones and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments.


Drums are full bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambience and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy.

R-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos and other stringed instruments are warmth and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.

Vocals record record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialling in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). Some great vocal performances were recorded on highly EQ'd ribbon mics.


Royer's Patented Offset Ribbon Technology

The R-10's patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the back side (3 feet or closer; phase reversed position).


Features

  • High SPL capabilities for electric guitar, brass and other close miking applications
  • Multi-layered wind screen provides superior protection to ribbon element
  • Internally shock-mounted ribbon transducer gives increased durability
  • Passive design and custom transformer minimise high SPL overload
  • Hum-bucking transducer design delivers extremely low residual noise
  • Ribbon element not affected by heat or humidity
  • Absence of high-frequency peaks, "ringing" and phase shifts
  • Equal sensitivity from front or back of the element

Contact Us


UK: 0800 6522 320

International: +44 1462 414 196

Email: info@sxpro.co.uk

Office: 5 Focal Point, Lacerta Court
Letchworth, SG6 1FJ


Opening Hours: Monday-Friday • 10am - 6pm



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